Six instrumental electronic compositions in 45 minutes is the work by Matjaž Rebevšek from Celje. He has been active back in the mid '80s creating electronic music, and had among other things, performed a concert in Italian stadium in Udine. This album is of an ambient-experimental nature where Electric Fish, using only synth (no punches drum machines), makes really very good and interesting music, which has very minimalist attitude melodies approximately consistent with the system of modern electronic music. He is not comming into techno areas, but in some compositions is very close to it's border; trance and progressive sense that comes down to the structure and use of tones and sounds. The technique that represents a kind of minimalism that is different from pioneers like Philip Glass, but some details could surely fit into it (as in oeuvre by Vangelis, Jean Michel Jarre and Kitar). The compositions are rich arrangements, very well designed and it is obvious that the electric fish very successfully corresponded with demanding treatment and twelve-tone polyphony in which by the extraordinary nature, composition often enters the psychedelic sphere with distant and barely audible sounds that are deeply suppressed at the very margins of what music brings a very distinctive charm. The only criticism of the rough and abruptly cut off the endings of some compositions that may be circumstantial badly burned on a CD. I do not believe that such a musician allowed himself this amateur cardinal error. With the exception of a few such 'turning off the electricity, "this is a masterpiece of composition in the form of a dreamy electronic album.
TRACKLIST:
1.Manifest
2.BIOS
3.September
4.But I never know
5.Lok
6.X32
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