Various ‎– Insane Music For Insane People Vol. 15 (INSANE MUSIC-INS 41, CASSETTE, COMPILATION, 1986) (FLAC)

Various ‎– Insane Music For Insane People Vol. 15
Label:Insane Music ‎– INS 41
Series:Insane Music For Insane People – Vol. 15
Format:Cassette, Compilation
Country:Belgium
Released:1986
Genre:Electronic, Rock
Style:New Wave, Art Rock, Industrial, Experimental, Minimal

A1     –Front Line Assembly     Holy War, Part One     3:16
A2     –Le Tombeau     We Wear Our Shades     3:52
A3     –Noxious Baits     My Zoo     4:00
A4     –Paul K.     Marocco My Heart     1:56
A5     –48 Cameras     This Could Be Heaven     2:45
A6     –L'Edarps A Moth     Mein Kleines Gelbes Flugzeug     3:05
A7     –Seiei Jack     Can Not     2:06
A8     –Oltre La Morte     Till Suzy Stripped     3:23
A9     –Prima Materia    Nichi Nichi Kore Ko Nichi     4:04
B1     –391     Temperatura I     4:47
B2     –Tom Fazzini     Pure Gold Baby     6:56
B3     –391 (4)     Temperatura II     1:21
B4     –Prima Materia     From My Bedroom To Yours     7:49
B5     –391     Temperatura III     5:00
B6     –Front Line Assembly     Holy War, Part Two     2:59

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Radio Diffusor Maracaibo - Radio Diffusor Maracaibo (Corrosive Tapes ‎- C015, c30, 1988) (MP3 256)

RE-SUBO ESTE MATERIAL APORTADO POR MORS MEA EN SU DÍA Y QUE TENÍA EL LINK CAÍDO.

The project is from Germany and is out on Belgian Corrosive Tapes. I always connect Radio Diffusor Maracaibo with Czech due it's involvement with Czech(oslovakian) projects either as being on Frankfurt/Praha compilation either as collaboration with Odvážná Srdce.
Comes in jewelcase with several B/W xeroxed photographs by Tobias Regenfuss inside.

Thank you, Phillip B. Klingler!


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Etat Des Stocks ‎– Opération Coup De Poing (C-60, Red Neon Tapes ‎– RN 1, 19??) FLAC

Etat Des Stocks ‎– Opération Coup De Poing
Label:Red Neon Tapes ‎– RN 1
Format:Cassette, C60
Country:Belgium
Released:????
Genre:Electronic
Style:Experimental, Synth-pop, Minimal 

A1	The Piano Syndrome
A2	Massacre
A3	Synthédance
A4	Fatigue
A5	Voices
A6	Morsure
A7	L'Aspirateur
A8	A Song
A9	Echantillons
A10	Fantaisie N° 5
A11	Le Repos
B1	Let There Be Drums
B2	Fantaisie N° 2
B3	Fantaisie N° 3
B4	Les Animaux
B5	Fantaisie N° 1
B6	Fantaisie N° 4

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Z V E Z D O L I K I - Maria de Buenos Aires

Z V E Z D O L I K I (http://www.zvezdoliki.be) is celebrating its 10th anniversary in 2018. We will record a live album for Evil Penguin Records (http://www.eprclassic.eu/) label 'Antarctica'. This will happen on 3rd and 4th of February in KC Nona (https://www.nona.be/) in Mechelen (BE), an atmospheric former cinema hall. We chose this location because possibly also a film will be made.

And you can be part of this. For already the modest donation of 10 EUR you can help us realize our dream to make the ensemble grow internationally. We are also selling tickets for the live recording days, so here's your chance to a unique experience : a rarely played tango opera 'bijou', performed by leading musicians : the best you can get.

There are different funding perks available, please visit this link and make a donation :
https://www.indiegogo.com/projects/piazzolla-s-tango-operita-maria-de-buenos-aires#/

Zvezdoliki ensemble, begun in 2009, named after Igor Stravinsky’s collaboration with Russian symbolist poet and author, Konstantin Balmont (which was premiered in Brussels), whereby historical and recent music and instruments are deprioritized – whilst otherwise overlooked similarity is considered ; Zvezdoliki has always stayed creative, adventurous, unaligned, independent and original. https://www.facebook.com/zvezdoliki/

Before sharing my personal 1st hand experience of this spectacular production of ‘Maria De Buenos Aires’, some brief insight and explanation is needed. The originators and main performers behind this independent and accessible opportunity are Antwerp’s Zvezdoliki* ensemble. As part of the Noot Voor Nood outreach program and initiative. Both of which each share the same founder-member, main driving-force and artistic-director, namely the virtuoso classical flutist and polymath, Oriana Dierinck. By way of introductory background and history, the Spanish-language tango-opera, ‘Maria De Buenos Aires’ was a collaborative joint-venture co-written between the Argentine duo: “Nuevo Tango” composer and musician, Astor Piazzolla, working with poet and lyricist, Horacio Ferrer; from an idea by Piazzolla’s then-mistress (and perhaps muse), Egle Martin. The dance-element adds at least some dimension of choreography and even ballet, alongside or even replacing opera’s theatre and acting aspects. To some extent, partially an updated version or possible parody of the Mary, Joseph and Jesus story – and arguably anti-clericalism, blasphemy, potential provocation and scandal – due to the title-heroine and lead-role, Maria, being a prostitute. The world debut of ‘Maria De Buenos Aires’ was premiered at Sala Planeta venue, in Buenos Aires, around or actually during the national and global developments and upheaval of May 1968. However, this time around, the host venue was Antwerp’s historical and splendid Toneelhuis’ Bourla-Schouwburg, in that city’s “Theaterbuurt”. A theatre and concert hall, dating back to the early 19th century, which still retains many original features from then. Built on former textile trade premises; so yet another example of urban renewal and development using deindustrialized sites and areas for completely different and often cultural purposes – only far predating more recent times and our present day & age. Another interesting factor is there has been a long tradition of charitable and fundraising benefit events presented at the Toneelhuis’ Bourla-Schouwburg – which the Zvezdoliki ensemble and the Noot Voor Nood outreach program and initiative are continuing. Reminders that all such tendencies and phenomena are nothing new – being constant and ongoing – like everything else – whilst forever progressive and evolving. The performance itself enjoyed an impressive (or even enviable!) audience-turnout; including those, perhaps otherwise less prepared or actually able to consider or attempt undertaking such an experience; a satisfactory fulfilment of the prime hope, intention, aim and plan. The Zvezdoliki ensemble were joined by especially chosen and sympathetic musicians and singers. Not just some mere support-act, session-artistes, backing-group, secondary-extension or anything like that; but instead, proper equals, fully included, truly contributing, to the overall entirety. Audience engagement and fascination. Dedicated musicians and singers. Endlessly, all along, from expectations beforehand, then at the start, throughout the performance itself, until after the ending. A maybe obvious comparison or similarity is to classical Greek drama (which could have been intended by Piazzolla and Ferrer), because of the commentary and narration, as well as implied action and also occasional masks and other props or minimal costume. Each musician and singer could be distinctly heard and appreciated, amidst tremendous balance, harmony, belonging and togetherness. Effort was demanded to hear and listen, even for those unable to follow or use Spanish language. True specialness and magic proved impossible to avoid, ignore, resist or deny. The only missing reaction was mass breakout of accepting defeat and surrender to urge for joyous and wild dancing. The Zvezdoliki ensemble and the other musicians and singer’s heartfelt energy and vibrancy made an electrifying atmosphere and buzz, causing uplift and widespread pleasure. Another notable and praiseworthy distinction is the untiring help, welcome and friendliness that tuntiring help, welcome and friendliness that the personnel at the Toneelhuis’ Bourlaschouwburg showed and gave to the Zvezdoliki ensemble and the singers. Lasting impression created, leaving a desire, hunger and need for still more. Finally, thanks must go to Antwerpen District / Burgerbegroting, ProArte and De Pianotemmer for their support. * Zvezdoliki ensemble, begun in 2009, named after Igor Stravinsky’s collaboration with Russian symbolist poet and author, Konstantin Balmont (which was premiered in Brussels), whereby historical and recent music and instruments are deprioritized – whilst otherwise overlooked similarity is considered ; Zvezdoliki has always stayed creative, adventurous, unaligned, independent and original. © Douglas Park (U.K. based and internationally active visual artist, author of literary prose and critical essays, also exhibition curator, as well as all practices combined.)

http://www.zvezdoliki.be/news/douglas-park-about-zvezdolikis-maria-de-buenos-aires
http://www.orianadierinck.be/news/douglas-park-on-zvezdolikis-maria-de-buenos-aires

Schicksal ‎– 24 Hours (Vinyl, 12", 45 RPM, Belgium, 1988, Subway ‎– SUBWAY 048) WAV

Classic Belgian NEW BEAT release! Enjoy..!

Label:Subway ‎– SUBWAY 048, Subway ‎– SUB 048-12
Format:Vinyl, 12", 45 RPM
Country:Belgium
Released:1988
Genre:Electronic
Style:New Beat, Hard Beat

A     24 Hours     6:02
B1     24 Hours (Acid)     4:03
B2     Manipulation$     3:20 

pass for unzip : savecueandlog

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ETAT BRUT - GEOMETRIE D'UN ASSASSINAT (ETAT BRUT TAPES 1982) (MP3 320)

Otra espléndida obra de los belgas Etat Brut. en esta cinta se nota más el trabajo de los efectos hechos con Revox, con ecos, delays, etc... Sonido electrónico analógico al 100%, crudo, industrial y experimental, muy recomendado para noches como ésta, para desintoxicarse de tanto dj y de tanta música-basura que nos envuelve.

Disfrutad...


Tracklist:

Hélicoptères
Intro
J. Michaux
Hertz
Pôles Du Cerveau
Dealey Plaza
Karol Simon
7 H 30
Allright


MEDIAFIRE

MEGA

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Password para descomprimir el rar: STAHLFABRIK
Password to unzip the rar: STAHLFABRIK

ETAT BRUT ‎– EMISSIONS 1 (ETAT BRUT ‎EB 07) (CASSETTE 1981) (MP3 320)

Segundo trabajo de estos pioneros belgas del sonido electrónico industrial. Una vez más nos encontramos con ambientes fabriles, sintetizadores, ruidismo, ritmos obsesivos, voces salmódicas.... 
Un muy buen trabajo de este grupo belga, cuya obra, revisaremos a fondo en lo sucesivo en este, vuestro blog.

Disfrutad...

Tracklist:

A1 Introduction
A2 Lines Of Murder
A3 Psychosomatique
A4 Fragments
A5 Salade
A6 Une Meilleure Nutrition
A7 Indigestion
A8 Compréhension Et Communication
B1 Une Machine Qui Reproduit Mes Paroles
B2 Variations
B3 Sermon
B4 Sifflets
B5 Poubelles
B6 Imbibés D'Urine
B7 Belfast
B8 Interlude
B9 Manoeuvres Politiques
B10 Un Certain Plan De Maîtrise Intérieure
B11 Pollution
B12 Locus Solus



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MEGA

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Password to unzip the rar: STAHLFABRIK

ETAT BRUT - EB001 (CASSETTE 1980) (MP3 192)

Etat Brut fue una banda belga pionera del noise que funcionó desde 1979 hasta 1984. Editaron 13 cassettes y sobretodo mucho material gráfico, básicamente folletos fotocopiados. Los miembros son dos profesores de ciencias y están estrechamente relacionados con el grupo Club Moral, otra banda belga, pionera del noise. La mayoría de sus trabajos están disponibles a través de la web del Club Moral Stocklist. Podéis visitarla AQUÍ para encontrar otras golosinas de estos grupos.

La cinta que os presento es el primer trabajo de Etat Brut y se estrenó en noviembre de 1980 en una edición de 100 ejemplares. Iba alojada en una bolsa de plástico con algunas fotocopias. Club Moral reeditó esta cinta en 1986. Os adjunto una imagen de la cinta original, una fotocopia de acompañamiento y la cubierta de la reedición, no podéis quejaros...

Disfrutad...

TRACKLIST:

1- Instant 1
2- Dérapages
3- Spasmes á Koekelberg
4- Lundi Matin
5- Que Faut-il Vous Dire?
6- Ivrogne
7- Saturation
8- Usine
9- Media-Impression
10- Tunnel
11- Home
12- Raid
13- WWII
14- Nuit et Brouillard
15- Instant 2
16- Game
17- Zone Sinistrée


MEDIAFIRE

MEGA

GOOGLE DRIVE

Password para descomprimir el rar: STAHLFABRIK
Password to unzip the rar: STAHLFABRIK

Radio Diffusor Maracaibo - Radio Diffusor Maracaibo (Corrosive Tapes ‎- C015, c30, 1988)

The project is from Germany and is out on Belgian Corrosive Tapes. I always connect Radio Diffusor Maracaibo with Czech due it's involvement with Czech(oslovakian) projects either as being on Frankfurt/Praha compilation either as collaboration with Odvážná Srdce.

Comes in jewelcase with several B/W xeroxed photographs by Tobias Regenfuss inside.

Thank you, Phillip B. Klingler!

DOWNLOAD.