<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-7427875471984993866</id><updated>2012-01-28T22:16:46.727-08:00</updated><category term='RESPUESTA ALTERNATIVA'/><category term='AVIADOR DRO'/><category term='Gerogerigegege'/><category term='C. AMNESIA'/><category term='NO UNAUTHORIZED'/><category term='COMANDO BRUNO'/><category term='HUMAN FLESH'/><category term='X RAY POP'/><category term='Masonna'/><category term='LA IDEE DU FEMELLE'/><category term='New Blockaders'/><category term='F.A.R.'/><category term='V. NUBLA'/><category term='VIVENZA'/><category term='N W W'/><category term='A.C.M.E.'/><category term='ZERO'/><category term='PSEUDO CODE'/><category term='DE FABRIEK'/><category term='ENHANTA BODLER'/><category term='MATAPARDA'/><category term='LUIS MESA'/><category term='M. TONIUTTI'/><category term='BBK AND MAN'/><category term='NOCT. EMISSIONS'/><category term='Josep Maria Soler'/><category term='Esplendor Geométrico'/><category term='Jesús Díaz'/><category term='Asmus Tietchens'/><category term='LELU LU&apos;S'/><category term='MINORÍA TZARA'/><category term='TEST DEPT.'/><category term='B. GESSERIT'/><category term='VOX POPULI'/><category term='KOSA NOSTRA'/><category term='OPERA MULTISTEEL'/><category term='Muslimgauze'/><category term='John Duncan'/><category term='CHRIS AND COSEY'/><category term='LOS HUMILLADOS'/><category term='LINEA TACTICA'/><category term='LOS HECHOS'/><category term='Hijo Kaidan'/><category term='Autopsia'/><category term='IRRITANT'/><category term='UHP'/><category term='PAX ROMANA'/><category term='DAZIBAO'/><category term='P16.D4'/><category term='Stahlfabrik'/><category term='incapacitants'/><category term='BLECH TROMMELL'/><category term='RADIO PRAGUE'/><category term='ATTRITION'/><category term='SOMNIUM'/><category term='UVEGRAF'/><category term='M.T.T.'/><category term='FISODO'/><category term='E.C.U.'/><category term='A. FIORICARONES'/><category term='P. CONTROL'/><category term='IAN BODDY'/><category term='ANTON IGNORANT'/><category term='KONSTRUKTIVITS'/><category term='Merzbow'/><category term='M.A.D.'/><category term='HYMN'/><category term='PACIFIC 231'/><category term='DDAA'/><category term='PGR'/><category term='UN DEPT.'/><category term='ALESIA COSMOS'/><category term='DZYAN AND F. MAN'/><category term='Das Synthetische Mischgewebe'/><category term='PH. LAURENT'/><category term='Cranioclast'/><category term='OST MORBI'/><title type='text'>WET DREAMS</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default?start-index=101&amp;max-results=100'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>165</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-1053390204279855672</id><published>2012-01-21T03:32:00.000-08:00</published><updated>2012-01-21T03:32:30.819-08:00</updated><title type='text'>LE SYNDICAT ELECTRONIQUE: PHILOSOPHIE (INVASION PLANÈTE RECORDINGS 2003)</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-u-DK-Gj4WEs/TxqiQm4jTcI/AAAAAAAABMc/-i4jd7nK08Y/s1600/R-93986-1111750063.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-u-DK-Gj4WEs/TxqiQm4jTcI/AAAAAAAABMc/-i4jd7nK08Y/s400/R-93986-1111750063.jpg" width="392" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Otra de las joyitas que me pillé estas navidades en Barcelona, el disco Philosophie de Le Syndicat Electronique de 2003. Sonido Tecno-Pop ochentero 100%. Una auténtica joya.&lt;br /&gt;&lt;br /&gt;No os digo más, sólo escuchadlo.&lt;br /&gt;&lt;br /&gt;Tracklist:&lt;br /&gt;&lt;br /&gt;A1 &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Der Komponist &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;A2 &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Arbeiten &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;A3 &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Echelle &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;A4 &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Coexistence &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;A5 &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Transmission 001 &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;B1 &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; En Partance &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;B2 &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; L'Amour d'un Traître &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;B3 &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Systematic Tanz &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;B4 &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; A l'interieur &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;C1 &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Simple Equation &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;C2 &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Sacrifice &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;C3 &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; La Frequence Morte &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;C4 &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Ewigkeit &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;D1 &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Virus &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;D2 &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Marche Humaine &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;D3 &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Tactique &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;D4 &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Exil&lt;br /&gt;&lt;br /&gt;&lt;u&gt;&lt;b&gt;INSTRUCCIONES PARA LA DESCARGA:&lt;/b&gt;&lt;/u&gt;&lt;br /&gt;&lt;br /&gt;La fuente de descarga es un &lt;b&gt;FTP&lt;/b&gt;. Al abrir el enlace, os pedirá un nombre de usuario y un password, que son los siguientes:&lt;br /&gt;&lt;br /&gt;&lt;b&gt;USUARIO:&amp;nbsp;wetdreams@stahlfabrik09.com&lt;br /&gt;PASSWORD: 123456&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;a href="ftp://wetdreams%40stahlfabrik09%2Ecom@stahlfabrik09.com/wet%20dreams/le%20syndicat%20electronique%20-%20philosophie%20%5Binvasion%20planete%20ip14%5D.rar"&gt;&lt;span style="font-size: x-large;"&gt;&lt;span style="color: blue;"&gt;LE SYNDICAT ELECTRONIQUE: PHILOSOPHIE&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-1053390204279855672?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/1053390204279855672/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2012/01/le-syndicat-electronique-philosophie.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/1053390204279855672'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/1053390204279855672'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2012/01/le-syndicat-electronique-philosophie.html' title='LE SYNDICAT ELECTRONIQUE: PHILOSOPHIE (INVASION PLANÈTE RECORDINGS 2003)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-u-DK-Gj4WEs/TxqiQm4jTcI/AAAAAAAABMc/-i4jd7nK08Y/s72-c/R-93986-1111750063.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-1542951670647566574</id><published>2012-01-19T15:19:00.000-08:00</published><updated>2012-01-19T15:19:36.053-08:00</updated><title type='text'>EL FBI CIERRA MEGAUPLOAD</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-VZkG6_aPZzs/Txik-Sesb8I/AAAAAAAABME/0_pQvVp7vOs/s1600/MEGAUPLOAD.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="298" src="http://4.bp.blogspot.com/-VZkG6_aPZzs/Txik-Sesb8I/AAAAAAAABME/0_pQvVp7vOs/s400/MEGAUPLOAD.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Acabo de enterarme que el FBI ha cerrado Megaupload. Al parecer, han realizado este acto para combatir la piratería, o al menos ese es el argumento que han dado.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;La verdad es que Megaupload y el resto de plataformas de subida y descarga de archivos no eran precisamente unos angelitos del señor, porque cobrarte una pasta al año para poder disponer de un lugar donde compartir archivos, no es precisamente un acto de buena voluntad, pero si lo miramos desde el punto de vista cultural y no desde el económico, no cabe duda que lo que acaban de hacer es una cabronada monumental al libre acceso a la cultura. Porque hay que dejar claro que por Megaupload no sólo circulaba material con copyright, sino también muchísimo material de personas particulares que usaban este medio para difundir, compartir y divulgar sus aportaciones a la cultura. Pero claro, ese tipo de cultura no interesa que esté en manos del pueblo, al pueblo hay que aborregarlo y darle pan y circo, hay que atormentarlo para que se sienta culpable ante cualquier muestra de interés por las cosas diferentes y hacerlo claudicar con la cultura-basura que nos inculcan a través de todos los medios. A las masas hay que advertirles de lo pernicioso que resulta que Rosario Flores no venda discos por culpa de las descargas en internet, de la misma forma que hay que enseñarles que cualquier movimiento cultural que se sitúe al margen de las modas y los estándares establecidos es letal para su bienestar mental.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Pues bien, como podeis comprender, a la mecánica de los blogs que os vengo ofreciendo desde hace algunos años, le han extirpado una pieza importante, una pieza con la que todos nos beneficiábamos para acceder a un material discográfico, literario y videográfico que difícilmente se puede encontrar en los medios habituales. Pero esta pieza no es vital para nuestro fin, ya que internet es un enorme campo con posibilidades infinitas para lograr los objetivos de estos blogs y de otros muchísimos que espero y deseo estén en línea muchos años más.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Si nos han quitado Megaupload, mañana será Rapidshare, pasado Mediafire y la semana que viene quien sabe qué otra plataforma similar será liquidada, pero nuestros blogs siguen vivos al igual que nuestros empeños, así que no nos demos por vencidos porque desde ya empezaré a crear una alternativa para que podamos seguir existiendo y llevando a cabo nuestros fines.&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Estoy tramitando la confección de un FTP, que me llevará algo de tiempo y que espero que funcione a la perfección para seguir compartiendo material con vosotros, aunque también estoy sondeando otras opciones, pero que sepais que la actividad de estos, vuestros blogs, seguirá en pie.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Nada más por el momento, un saludo para todos.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Seguimos en contacto.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-1542951670647566574?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/1542951670647566574/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2012/01/el-fbi-cierra-megaupload.html#comment-form' title='4 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/1542951670647566574'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/1542951670647566574'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2012/01/el-fbi-cierra-megaupload.html' title='EL FBI CIERRA MEGAUPLOAD'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-VZkG6_aPZzs/Txik-Sesb8I/AAAAAAAABME/0_pQvVp7vOs/s72-c/MEGAUPLOAD.jpg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-3128449696876411330</id><published>2012-01-13T10:31:00.001-08:00</published><updated>2012-01-13T10:31:23.033-08:00</updated><title type='text'>LE SYNDICAT ELECTRONIQUE - DEFENDING MAN (12") - (INVASION PLANÈTE RECORDINGS 1999)</title><content type='html'>&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-Xxg6tKGVPmc/TxB0OXQZoTI/AAAAAAAABLU/otpGw6tGYkY/s1600/190029005009.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://1.bp.blogspot.com/-Xxg6tKGVPmc/TxB0OXQZoTI/AAAAAAAABLU/otpGw6tGYkY/s400/190029005009.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Le Syndicat Electronique, el grupo francés que fue el máximo exponente de lo que ahora se viene en llamar "Retro-Garde", o lo que es lo mismo, Tecno-Pop ochentero hecho en la última década. (No confundir con "Le Syndicat", otro grupo francés de sonido industrial/ruidista).&lt;br /&gt;&lt;br /&gt;Sintetizadores analógicos, cajas de ritmo, vocoders, letras y voces oscuras... todas aquellas cosas que de vez en cuando necesitamos meternos de forma intravenosa para seguir vivos.&lt;br /&gt;&lt;br /&gt;El que os presento es otra de las joyitas que conseguí en Barcelona en estas navidades, un maxi fechado en 1999 y que suena lo suficientemente bien como para querer compartirlo con vosotros.&lt;br /&gt;&lt;br /&gt;Tracklist:&lt;br /&gt;&lt;br /&gt;1- Defending Man&lt;br /&gt;2- Shooting Star&lt;br /&gt;3- No message&lt;br /&gt;4- Crashland&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: blue; font-size: x-large;"&gt;&lt;a href="http://www.megaupload.com/?d=8DBV7TWN"&gt;LE SYNDICAT ELECTRONIQUE - DEFENDING MAN&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-3128449696876411330?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/3128449696876411330/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2012/01/le-syndicat-electronique-defending-man.html#comment-form' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/3128449696876411330'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/3128449696876411330'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2012/01/le-syndicat-electronique-defending-man.html' title='LE SYNDICAT ELECTRONIQUE - DEFENDING MAN (12&quot;) - (INVASION PLANÈTE RECORDINGS 1999)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-Xxg6tKGVPmc/TxB0OXQZoTI/AAAAAAAABLU/otpGw6tGYkY/s72-c/190029005009.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-2603260709908682052</id><published>2012-01-12T03:10:00.000-08:00</published><updated>2012-01-12T03:10:55.976-08:00</updated><title type='text'>PINA - ONDA CORTA (LAPSUS RECORDS 2011)</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-CK_gop6gMYQ/Tw65n4IW2bI/AAAAAAAABK8/vzi7e0p_Fmo/s1600/DSC_3147.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="366" src="http://3.bp.blogspot.com/-CK_gop6gMYQ/Tw65n4IW2bI/AAAAAAAABK8/vzi7e0p_Fmo/s400/DSC_3147.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Estas navidades he estado en Barcelona y, como no podía ser de otra forma, hice mi paseo habitual por la calle Tallers y alrededores en busca de material discográfico. Entre otras de las joyitas que me auto-regalé en esos días (y que ya iré colgando por aquí), quiero destacar este vinilo que me recomendaron encarecidamente en la tienda CD-DROME de la Plaza Castilla de Barcelona. Se trata de la ya cuarta referencia del sello catalán LAPSUS RECORDS, un disco del proyecto PINA, a cargo del artista PEDRO PINA. Este álbum hace una reivindicación al ruido electrónico, con elegancia y con una concepción totalmente rítmica, al más puro estilo de los primeros Autechre. Electrónica sobria, elegante, extremadamente seductora y adictiva. Desde que lo compré no dejo de escucharlo, es un disco que me llena completamente y que me tiene enganchadísimo.&lt;br /&gt;&lt;br /&gt;Espero que lo disfruteis.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Tracklist:&lt;br /&gt;A1&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt; Atencion&lt;br /&gt;A2&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt; Lincs Poacher&lt;br /&gt;A3&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt; Fife Free&lt;br /&gt;A4&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt; 2-8 7-Oblique 0-0&lt;br /&gt;B1&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt; Uvb-76&lt;br /&gt;B2&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt; Stimme&lt;br /&gt;B3&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt; Hotel Kilo&lt;br /&gt;B4&lt;span class="Apple-tab-span" style="white-space: pre;"&gt; &lt;/span&gt; Terminat&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: blue; font-size: x-large;"&gt;&lt;a href="http://www.megaupload.com/?d=43XE1CC3"&gt;PINA - ONDA CORTA&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-2603260709908682052?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/2603260709908682052/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2012/01/pina-onda-corta-lapsus-records-2011.html#comment-form' title='2 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/2603260709908682052'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/2603260709908682052'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2012/01/pina-onda-corta-lapsus-records-2011.html' title='PINA - ONDA CORTA (LAPSUS RECORDS 2011)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-CK_gop6gMYQ/Tw65n4IW2bI/AAAAAAAABK8/vzi7e0p_Fmo/s72-c/DSC_3147.JPG' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-1371809100130748860</id><published>2011-12-23T12:14:00.000-08:00</published><updated>2011-12-23T12:14:06.757-08:00</updated><title type='text'>NUEVO BLOG: SYNTHEMESCO</title><content type='html'>&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-ReCyYlDBkIQ/TvTgyvqp_TI/AAAAAAAABHs/FjlrhxM697Y/s1600/SYNTHEMESCO.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="440" src="http://3.bp.blogspot.com/-ReCyYlDBkIQ/TvTgyvqp_TI/AAAAAAAABHs/FjlrhxM697Y/s640/SYNTHEMESCO.png" width="640" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="background-color: #141414; color: white; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: #141414; color: white; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: #141414; color: white; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"&gt;La familia de blogs de STAHLFABRIK sigue creciendo. Ya tenemos a WET DREAMS, un blog dedicado exclusivamente a la música electrónica experimental, al tecno-pop y a todas las expresiones sonoras que se cultivaron y se siguen cultivando a su alrededor. También disponemos de ELECTRONIC ORGY, un blog destinado a divulgar las movidas electrónicas más antiguas y con un claro enfoque a la escuela alemana. Los libros, revistas y fanzines de temática electrónico-musical también tienen lugar en EX-LIBRIS.&lt;/span&gt;&lt;br /&gt;&lt;div style="background-color: #141414; color: white; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: #141414; color: white; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"&gt;Pero había un vacío en todo este proceso de divulgación y es el de los videos. De todos es sabido que Youtube es una fuente inagotable de material videográfico, pero desde SYNTHEMESCO, nuestro nuevo blog, vamos a filtrar todo aquello relacionado con el medio musical electrónico, ya sean documentales, conciertos o cualquier otra cosa que pueda iluminarnos al respecto.&lt;/div&gt;&lt;div style="background-color: #141414; color: white; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: #141414; color: white; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"&gt;Así que, mis queridos drugos, vamos a iniciar un viaje para alimentar nuestras quijoteras videando cosas nutritivas.&lt;/div&gt;&lt;div style="background-color: #141414; color: white; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: #141414; color: white; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"&gt;Aquí teneis el link al nuevo blog:&amp;nbsp;&lt;a href="http://synthemesco-stahlfabrik.blogspot.com/" style="font-family: 'Times New Roman'; font-size: medium; line-height: normal;"&gt;http://synthemesco-stahlfabrik.blogspot.com/&lt;/a&gt;&lt;/div&gt;&lt;div style="background-color: #141414; color: white; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: #141414; color: white; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 13px; line-height: 18px;"&gt;Saludos a todos y espero que sea de vuestro agrado.&lt;/div&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-1371809100130748860?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/1371809100130748860/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/12/nuevo-blog-synthemesco.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/1371809100130748860'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/1371809100130748860'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/12/nuevo-blog-synthemesco.html' title='NUEVO BLOG: SYNTHEMESCO'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-ReCyYlDBkIQ/TvTgyvqp_TI/AAAAAAAABHs/FjlrhxM697Y/s72-c/SYNTHEMESCO.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-5624154529094573412</id><published>2011-12-22T03:06:00.000-08:00</published><updated>2011-12-22T03:06:36.105-08:00</updated><title type='text'>DE FABRIEK - GOLD (Cassette C-10) (1980)</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-uWuAb4rC11I/TvMOfyu9N7I/AAAAAAAABGI/OQKgIdbFGw8/s1600/folder.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-uWuAb4rC11I/TvMOfyu9N7I/AAAAAAAABGI/OQKgIdbFGw8/s400/folder.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Hoy ha caído en mis manos, vía ftp, esta cassette del grupo Holandés De Fabriek. Se trata de una C-10 producida en 1980, una de las primeras cintas del grupo, que en aquellos años se prodigaba con cintas de escasa duración. El sonido es 100% industrial, minimalista pero bastante asimilable, no es para nada de lo menos accesible del grupo.&lt;br /&gt;&lt;br /&gt;Os recomiendo su escucha.&lt;br /&gt;&lt;br /&gt;Saludos.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-G3PeCJmRH80/TvMOZV4v9wI/AAAAAAAABF8/ZhgymvtWPp0/s1600/cassette+sleeve.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="235" src="http://1.bp.blogspot.com/-G3PeCJmRH80/TvMOZV4v9wI/AAAAAAAABF8/ZhgymvtWPp0/s400/cassette+sleeve.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="color: blue; font-size: x-large;"&gt;&lt;a href="http://www.megaupload.com/?d=0SFNPNR5"&gt;DE FABRIEK - GOLD&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-5624154529094573412?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/5624154529094573412/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/12/de-fabriek-gold-cassette-c-10-1980.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/5624154529094573412'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/5624154529094573412'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/12/de-fabriek-gold-cassette-c-10-1980.html' title='DE FABRIEK - GOLD (Cassette C-10) (1980)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-uWuAb4rC11I/TvMOfyu9N7I/AAAAAAAABGI/OQKgIdbFGw8/s72-c/folder.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-6835927200514469550</id><published>2011-12-19T02:41:00.001-08:00</published><updated>2011-12-19T02:41:59.451-08:00</updated><title type='text'>PYROLATOR – INLAND (1979)</title><content type='html'>&lt;p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px; margin-top: 0px; margin-right: 0px; margin-bottom: 1.625em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(187, 187, 187); line-height: 24px; text-align: -webkit-auto; background-color: rgb(15, 15, 15); "&gt;&lt;a href="http://www.wetdreams.stahlfabrik09.com/wp-content/uploads/2011/12/inland.jpg" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-family: inherit; font-style: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(31, 228, 191); "&gt;&lt;img class="aligncenter size-full wp-image-178" title="inland" src="http://www.wetdreams.stahlfabrik09.com/wp-content/uploads/2011/12/inland.jpg" alt="" width="600" height="597" style="border-top-width: 1px; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-style: initial; border-color: initial; margin-top: 0.4em; clear: both; display: block; margin-left: auto; margin-right: auto; max-width: 97.5%; height: auto; width: auto; margin-bottom: 1.625em; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(68, 68, 68); border-right-color: rgb(68, 68, 68); border-bottom-color: rgb(68, 68, 68); border-left-color: rgb(68, 68, 68); padding-top: 6px; padding-right: 6px; padding-bottom: 6px; padding-left: 6px; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: rgb(44, 44, 44); background-position: initial initial; background-repeat: initial initial; " /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px; margin-top: 0px; margin-right: 0px; margin-bottom: 1.625em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(187, 187, 187); line-height: 24px; text-align: -webkit-auto; background-color: rgb(15, 15, 15); "&gt;El líder de Der Plan, Pyrolator, trabajaba en solitario a la vez que con sus compañeros de grupo desde finales de los 70. Su sonido es una prolongación de Der Plan, sonidos mecánicos, fríos y sin muchas concesiones, toda una revolución en el panorama musical germano que supuso la explosión de la New Wave del país teutón.&lt;/p&gt;&lt;p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px; margin-top: 0px; margin-right: 0px; margin-bottom: 1.625em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(187, 187, 187); line-height: 24px; text-align: -webkit-auto; background-color: rgb(15, 15, 15); "&gt;Éste es el primer disco de Pyrolator, todo un torrente de ideas, experimentación y energía sonora, no os lo perdáis.&lt;/p&gt;&lt;p style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-family: 'Helvetica Neue', Helvetica, Arial, sans-serif; font-size: 15px; margin-top: 0px; margin-right: 0px; margin-bottom: 1.625em; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(187, 187, 187); line-height: 24px; text-align: -webkit-auto; background-color: rgb(15, 15, 15); "&gt;&lt;span style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-family: inherit; font-style: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(0, 0, 255); "&gt;&lt;strong style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-family: inherit; font-style: inherit; font-weight: bold; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; "&gt;&lt;a title="PYROLATOR INLAND" href="http://www.megaupload.com/?d=3FLY2IEQ" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; font-family: inherit; font-style: inherit; font-weight: inherit; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(31, 228, 191); text-decoration: none; "&gt;PYROLATOR – INLAND&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-6835927200514469550?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/6835927200514469550/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/12/pyrolator-inland-1979.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/6835927200514469550'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/6835927200514469550'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/12/pyrolator-inland-1979.html' title='PYROLATOR – INLAND (1979)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-4185219383159908343</id><published>2011-12-19T02:34:00.001-08:00</published><updated>2011-12-19T02:35:19.915-08:00</updated><title type='text'>ORPHX - INSURGENT FLOWS - 2005</title><content type='html'>&lt;p style="color: rgb(51, 51, 51); font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; line-height: 24px; margin-bottom: 1.625em; font-size: 15px; text-align: -webkit-auto; "&gt;&lt;a href="http://www.wetdreams.stahlfabrik09.com/wp-content/uploads/2011/12/Orphx+2.jpg" style="color: rgb(27, 139, 224); font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; text-decoration: none; "&gt;&lt;img class="alignnone size-medium wp-image-172" title="Orphx+2" src="http://www.wetdreams.stahlfabrik09.com/wp-content/uploads/2011/12/Orphx+2-300x225.jpg" alt="" width="300" height="225" style="color: inherit; font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; border-top-width: 1px; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-style: initial; border-color: initial; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(221, 221, 221); border-right-color: rgb(221, 221, 221); border-bottom-color: rgb(221, 221, 221); border-left-color: rgb(221, 221, 221); padding-top: 6px; padding-right: 6px; padding-bottom: 6px; padding-left: 6px; margin-top: 0.4em; height: auto; max-width: 97.5%; " /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; line-height: 24px; margin-bottom: 1.625em; font-size: 15px; text-align: -webkit-auto; "&gt;&lt;span class="Apple-style-span" &gt;Formado en 1994, Orphx es un proyecto de música electrónica de los canadienses Richard Oddie y Christina Sealey. Provenientes de Hamilton, Ontario, Canadá, Orphx es un grupo muy activo en la escena internacional de música industrial y experimental. Han actuado en todo el continente americano y en toda Europa y han lanzado quince álbumes en CD, vinilo y cassette a través de varios sellos discográficos independientes, incluyendo Xcreteria, Hands Productions, Hymen Records y Malignant Records.&lt;/span&gt;&lt;/p&gt;&lt;p style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; line-height: 24px; margin-bottom: 1.625em; font-size: 15px; text-align: -webkit-auto; "&gt;&lt;span class="Apple-style-span" &gt;Escuchando a Orphx te vienen reminiscencias a Esplendor Geométrico (sobretodo), pero tienen un toque muy personal que los diferencia de otros muchos proyectos en la misma línea. El sonido de Orphx es contundente, enérgico y altamente adictivo para los oídos ávidos de sensaciones sonoras que destilen industrialidad y electrónica a raudales.&lt;/span&gt;&lt;/p&gt;&lt;p style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; line-height: 24px; margin-bottom: 1.625em; font-size: 15px; text-align: -webkit-auto; "&gt;&lt;span class="Apple-style-span" &gt;Disfrutad de este torrente de energía sónica.&lt;/span&gt;&lt;/p&gt;&lt;p style="color: rgb(51, 51, 51); font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; line-height: 24px; margin-bottom: 1.625em; font-size: 15px; text-align: -webkit-auto; "&gt;&lt;a href="http://www.wetdreams.stahlfabrik09.com/wp-content/uploads/2011/12/orphx-insurgent-flows.jpg" style="color: rgb(27, 139, 224); font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; text-decoration: none; "&gt;&lt;img class="alignnone size-medium wp-image-173" title="orphx insurgent flows" src="http://www.wetdreams.stahlfabrik09.com/wp-content/uploads/2011/12/orphx-insurgent-flows-300x261.jpg" alt="" width="300" height="261" style="color: inherit; font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; border-top-width: 1px; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-style: initial; border-color: initial; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(221, 221, 221); border-right-color: rgb(221, 221, 221); border-bottom-color: rgb(221, 221, 221); border-left-color: rgb(221, 221, 221); padding-top: 6px; padding-right: 6px; padding-bottom: 6px; padding-left: 6px; margin-top: 0.4em; height: auto; max-width: 97.5%; " /&gt;&lt;/a&gt;&lt;/p&gt;&lt;table id="playlist-0" width="263" class="mceItemTable" style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; cursor: default; border-top-style: dashed; border-right-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(187, 187, 187); border-collapse: collapse; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; text-align: left; margin-top: 0px; margin-right: 0px; margin-bottom: 1.625em; margin-left: 0px; width: 584px; border-top-width: 1px; border-right-width: 1px; border-left-width: 1px; border-top-color: rgb(187, 187, 187); border-right-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;&lt;tbody style="color: inherit; font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; "&gt;&lt;tr style="color: inherit; font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; "&gt;&lt;td style="text-align: left;"&gt;&lt;table id="playlist-0" class="mceItemTable" style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; cursor: default; border-top-style: dashed; border-right-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(187, 187, 187); border-collapse: collapse; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; text-align: left; margin-top: 0px; margin-right: 0px; margin-bottom: 1.625em; margin-left: 0px; width: 480px; border-top-width: 1px; border-right-width: 1px; border-left-width: 1px; border-top-color: rgb(187, 187, 187); border-right-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;&lt;tbody style="color: inherit; font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; "&gt;&lt;tr style="color: inherit; font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; "&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;1&lt;/td&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt; &lt;/td&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;Catalyst Rmx&lt;/td&gt;&lt;td width="25" style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;6:00&lt;/td&gt;&lt;td width="1" style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt; &lt;/td&gt;&lt;/tr&gt;&lt;tr style="color: inherit; font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; "&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;2&lt;/td&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt; &lt;/td&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;La Nebuleuse&lt;/td&gt;&lt;td width="25" style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;6:48&lt;/td&gt;&lt;td width="1" style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt; &lt;/td&gt;&lt;/tr&gt;&lt;tr style="color: inherit; font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; "&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;3&lt;/td&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt; &lt;/td&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;Pox Americana&lt;/td&gt;&lt;td width="25" style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;6:37&lt;/td&gt;&lt;td width="1" style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt; &lt;/td&gt;&lt;/tr&gt;&lt;tr style="color: inherit; font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; "&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;4&lt;/td&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt; &lt;/td&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;Black Box&lt;/td&gt;&lt;td width="25" style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;7:02&lt;/td&gt;&lt;td width="1" style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt; &lt;/td&gt;&lt;/tr&gt;&lt;tr style="color: inherit; font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; "&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;5&lt;/td&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt; &lt;/td&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;Threshold&lt;/td&gt;&lt;td width="25" style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;7:00&lt;/td&gt;&lt;td width="1" style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt; &lt;/td&gt;&lt;/tr&gt;&lt;tr style="color: inherit; font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; "&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;6&lt;/td&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt; &lt;/td&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;Insurgent Flows&lt;/td&gt;&lt;td width="25" style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;7:19&lt;/td&gt;&lt;td width="1" style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt; &lt;/td&gt;&lt;/tr&gt;&lt;tr style="color: inherit; font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; "&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;7&lt;/td&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt; &lt;/td&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;Temps Mort&lt;/td&gt;&lt;td width="25" style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;1:48&lt;/td&gt;&lt;td width="1" style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt; &lt;/td&gt;&lt;/tr&gt;&lt;tr style="color: inherit; font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; "&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;8&lt;/td&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt; &lt;/td&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;Uprising&lt;/td&gt;&lt;td width="25" style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;6:55&lt;/td&gt;&lt;td width="1" style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt; &lt;/td&gt;&lt;/tr&gt;&lt;tr style="color: inherit; font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; "&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;9&lt;/td&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt; &lt;/td&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;Autogestion&lt;/td&gt;&lt;td width="25" style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;7:25&lt;/td&gt;&lt;td width="1" style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt; &lt;/td&gt;&lt;/tr&gt;&lt;tr style="color: inherit; font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; "&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;10&lt;/td&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt; &lt;/td&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;Burning Flags&lt;/td&gt;&lt;td width="25" style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;6:36&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt; &lt;/td&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt; &lt;/td&gt;&lt;td width="25" style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt; &lt;/td&gt;&lt;td width="1" style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt; &lt;/td&gt;&lt;/tr&gt;&lt;tr style="color: inherit; font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; "&gt;&lt;td style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 11px; margin-top: 8px; margin-right: 8px; margin-bottom: 8px; margin-left: 8px; border-right-style: dashed; border-bottom-style: dashed; border-left-style: dashed; border-width: initial !important; border-color: initial !important; border-top-width: 1px; border-top-style: dashed; border-top-color: rgb(187, 187, 187); padding-top: 6px; padding-right: 10px; padding-bottom: 6px; padding-left: 0px; cursor: text; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-right-color: rgb(187, 187, 187); border-bottom-color: rgb(187, 187, 187); border-left-color: rgb(187, 187, 187); "&gt;&lt;h1 style="font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; font-size: 15px; clear: both; margin-top: 0px; margin-right: 0px; margin-bottom: 0.8125em; margin-left: 0px; "&gt;&lt;span style="color: #333399;"&gt;&lt;a href="http://www.megaupload.com/?d=3ZMTFTTU" style="color: rgb(27, 139, 224); font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; line-height: 1.625; text-decoration: none; "&gt;&lt;span style="color: #333399;"&gt;&lt;strong style="color: rgb(27, 139, 224); font: normal normal normal 15px/normal 'Helvetica Neue', Helvetica, Arial, sans-serif; font-style: inherit; font-weight: bold; line-height: 1.625; text-decoration: none; "&gt;ORPHX - INSURGENT FLOWS - 2005&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/h1&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-4185219383159908343?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/4185219383159908343/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/12/orphx-insurgent-flows-2005.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/4185219383159908343'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/4185219383159908343'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/12/orphx-insurgent-flows-2005.html' title='ORPHX - INSURGENT FLOWS - 2005'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-6215580335730648723</id><published>2011-12-19T02:29:00.000-08:00</published><updated>2011-12-19T02:30:16.507-08:00</updated><title type='text'>AVISO !!!! DE VUELTA A BLOGGER</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-mo1vjO9xQM4/Tu8Pu3KqQBI/AAAAAAAABD4/J0KP8jM_Vbs/s1600/google-blogger-wallpaper-by-smartjean4u.jpg" style="color: rgb(255, 25, 0); font-family: Georgia, Utopia, 'Palatino Linotype', Palatino, serif; font-size: 15px; line-height: 21px; text-align: -webkit-auto; background-color: rgb(255, 249, 238); "&gt;&lt;img src="http://3.bp.blogspot.com/-mo1vjO9xQM4/Tu8Pu3KqQBI/AAAAAAAABD4/J0KP8jM_Vbs/s320/google-blogger-wallpaper-by-smartjean4u.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5687782152149286930" style="border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-width: initial; border-color: initial; position: relative; padding-top: 5px; padding-right: 5px; padding-bottom: 5px; padding-left: 5px; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: rgb(255, 255, 255); border-top-width: 1px; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-top-color: rgb(238, 238, 238); border-right-color: rgb(238, 238, 238); border-bottom-color: rgb(238, 238, 238); border-left-color: rgb(238, 238, 238); -webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; display: block; margin-top: 0px; margin-right: auto; margin-bottom: 10px; margin-left: auto; text-align: center; cursor: pointer; width: 320px; height: 250px; background-position: initial initial; background-repeat: initial initial; " /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="color: rgb(34, 34, 34); font-family: Georgia, Utopia, 'Palatino Linotype', Palatino, serif; font-size: 15px; line-height: 21px; text-align: -webkit-auto; background-color: rgb(255, 249, 238); "&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="color: rgb(34, 34, 34); font-family: Georgia, Utopia, 'Palatino Linotype', Palatino, serif; font-size: 15px; line-height: 21px; text-align: -webkit-auto; background-color: rgb(255, 249, 238); "&gt;&lt;br /&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: rgb(34, 34, 34); font-family: Georgia, Utopia, 'Palatino Linotype', Palatino, serif; font-size: 15px; line-height: 21px; background-color: rgb(255, 249, 238); "&gt;Después de unos meses en la plataforma Wordpress, he tenido que volver a mi viejo Blogger. ¿Las razones? pues básicamente que, si bien el entorno Wordpress es mucho más profesional y amplio que el de Blogger, hay ciertos detalles que no vienen incluídos de serie, como el listado de blogs en el panel lateral, el backup de la base de datos, etc..., que resulta ser que son "plugins" que has de solicitar a Mr. Wordpress para que te los pongan en funcionamiento. Desde que hice la mudanza he estado esperando que me mandaran estos plugins y a fecha de hoy todavía los estoy esperando. Pa postre, hoy he tenido un "fatal error" en el blog de Electronic Orgy que no me ha dejado recuperar lo perdido, así que, personalmente, que le den morcilla al Wordpress de las pelotas y vuelvo a mi bienamado Blogger que nunca me dejó tirado.&lt;/span&gt;&lt;div style="color: rgb(34, 34, 34); font-family: Georgia, Utopia, 'Palatino Linotype', Palatino, serif; font-size: 15px; line-height: 21px; text-align: -webkit-auto; background-color: rgb(255, 249, 238); "&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="color: rgb(34, 34, 34); font-family: Georgia, Utopia, 'Palatino Linotype', Palatino, serif; font-size: 15px; line-height: 21px; text-align: -webkit-auto; background-color: rgb(255, 249, 238); "&gt;Siento los inconvenientes que todo ésto puede ocasionar a mis lectores, pero espero que no me odieis por tanta mudanza.&lt;/div&gt;&lt;div style="color: rgb(34, 34, 34); font-family: Georgia, Utopia, 'Palatino Linotype', Palatino, serif; font-size: 15px; line-height: 21px; text-align: -webkit-auto; background-color: rgb(255, 249, 238); "&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="color: rgb(34, 34, 34); font-family: Georgia, Utopia, 'Palatino Linotype', Palatino, serif; font-size: 15px; line-height: 21px; text-align: -webkit-auto; background-color: rgb(255, 249, 238); "&gt;Un abrazo a todos y felices vacaciones de invierno.&lt;/div&gt;&lt;div style="color: rgb(34, 34, 34); font-family: Georgia, Utopia, 'Palatino Linotype', Palatino, serif; font-size: 15px; line-height: 21px; text-align: -webkit-auto; background-color: rgb(255, 249, 238); "&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="color: rgb(34, 34, 34); font-family: Georgia, Utopia, 'Palatino Linotype', Palatino, serif; font-size: 15px; line-height: 21px; text-align: -webkit-auto; background-color: rgb(255, 249, 238); "&gt;Saludos.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-6215580335730648723?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/6215580335730648723/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/12/aviso-de-vuelta-blogger.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/6215580335730648723'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/6215580335730648723'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/12/aviso-de-vuelta-blogger.html' title='AVISO !!!! DE VUELTA A BLOGGER'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-mo1vjO9xQM4/Tu8Pu3KqQBI/AAAAAAAABD4/J0KP8jM_Vbs/s72-c/google-blogger-wallpaper-by-smartjean4u.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-3498483399443278884</id><published>2011-11-09T14:14:00.000-08:00</published><updated>2011-11-09T14:31:14.022-08:00</updated><title type='text'>PEOPLING - PEOPLING EP (2011)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-K-Zfc-ad1x0/Trr93olUOSI/AAAAAAAABCw/vk6rSODeeo4/s1600/PEOPLING%2BEP.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 602px; height: 602px;" src="http://3.bp.blogspot.com/-K-Zfc-ad1x0/Trr93olUOSI/AAAAAAAABCw/vk6rSODeeo4/s320/PEOPLING%2BEP.jpg" alt="" id="BLOGGER_PHOTO_ID_5673125812855126306" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Un artista de Brooklyn, que responde al nombre de PEOPLING, me ha hecho partícipe de su música a través de un email. Se trata de un EP al más puro estilo "Power Electronics", aunque suavizado de tal manera que lo hace accesible a los oídos más reacios al mundillo "Noise". Personalmente me ha dejado muy sorprendido, me parece un trabajo soberbio y con mucha personalidad, a pesar de que la palabra "Chrome" se me ha aparecido varias veces durante la escucha, pero es pura influencia, no hay clonación ni emulación, lo cual es de agradecer.&lt;br /&gt;&lt;br /&gt;Muchas gracias a Peopling por su aportación.&lt;br /&gt;&lt;br /&gt;Tracklist:&lt;br /&gt;&lt;br /&gt;&lt;table class="track_list track_table" id="track_table"&gt;&lt;tbody&gt;&lt;tr class="track_row_view" rel="tracknum=1" itemprop="tracks" itemscope="" itemtype="http://www.schema.org/MusicRecording"&gt;&lt;td class="play_col"&gt;&lt;br /&gt;&lt;/td&gt; &lt;td class="track_number_col"&gt;&lt;div class="track_number secondaryText"&gt;1.&lt;/div&gt;&lt;/td&gt; &lt;td&gt;     &lt;div class="title"&gt;                    &lt;a href="http://peopling.bandcamp.com/track/come-home-eccentric" itemprop="url"&gt;&lt;span itemprop="name"&gt;come home eccentric&lt;/span&gt;&lt;/a&gt;                 &lt;span class="time secondaryText"&gt;              04:36          &lt;/span&gt;            &lt;/div&gt;  &lt;/td&gt; &lt;td&gt;&lt;br /&gt;&lt;/td&gt; &lt;td&gt;&lt;br /&gt;&lt;/td&gt; &lt;/tr&gt;                                                                                                                                                                                                                                                &lt;tr class="track_row_view" rel="tracknum=2" itemprop="tracks" itemscope="" itemtype="http://www.schema.org/MusicRecording"&gt;&lt;td class="play_col"&gt;&lt;br /&gt;&lt;/td&gt; &lt;td class="track_number_col"&gt;&lt;div class="track_number secondaryText"&gt;2.&lt;/div&gt;&lt;/td&gt; &lt;td&gt;     &lt;div class="title"&gt;                    &lt;a href="http://peopling.bandcamp.com/track/regprog" itemprop="url"&gt;&lt;span itemprop="name"&gt;regprog&lt;/span&gt;&lt;/a&gt;                 &lt;span class="time secondaryText"&gt;              01:25          &lt;/span&gt;            &lt;/div&gt;  &lt;/td&gt; &lt;td&gt;&lt;br /&gt;&lt;/td&gt; &lt;td&gt;&lt;br /&gt;&lt;/td&gt; &lt;/tr&gt;                                                                                                                                                                                                                                                &lt;tr class="track_row_view" rel="tracknum=3" itemprop="tracks" itemscope="" itemtype="http://www.schema.org/MusicRecording"&gt;&lt;td class="play_col"&gt;&lt;br /&gt;&lt;/td&gt; &lt;td class="track_number_col"&gt;&lt;div class="track_number secondaryText"&gt;3.&lt;/div&gt;&lt;/td&gt; &lt;td&gt;     &lt;div class="title"&gt;                    &lt;a href="http://peopling.bandcamp.com/track/fiji" itemprop="url"&gt;&lt;span itemprop="name"&gt;fiji&lt;/span&gt;&lt;/a&gt;                 &lt;span class="time secondaryText"&gt;              03:48          &lt;/span&gt;            &lt;/div&gt;  &lt;/td&gt; &lt;td&gt;&lt;br /&gt;&lt;/td&gt; &lt;td&gt;&lt;br /&gt;&lt;/td&gt; &lt;/tr&gt;                                                                                                                                                                                                                                                &lt;tr class="track_row_view" rel="tracknum=4" itemprop="tracks" itemscope="" itemtype="http://www.schema.org/MusicRecording"&gt;&lt;td class="play_col"&gt;&lt;br /&gt;&lt;/td&gt; &lt;td class="track_number_col"&gt;&lt;div class="track_number secondaryText"&gt;4.&lt;/div&gt;&lt;/td&gt; &lt;td&gt;     &lt;div class="title"&gt;                    &lt;a href="http://peopling.bandcamp.com/track/summer-such-and-such" itemprop="url"&gt;&lt;span itemprop="name"&gt;summer such and such&lt;/span&gt;&lt;/a&gt;                 &lt;span class="time secondaryText"&gt;              01:54          &lt;/span&gt;            &lt;/div&gt;  &lt;/td&gt; &lt;td&gt;&lt;br /&gt;&lt;/td&gt; &lt;td&gt;&lt;br /&gt;&lt;/td&gt; &lt;/tr&gt;                                                                                                                                                                                                                                                &lt;tr class="track_row_view" rel="tracknum=5" itemprop="tracks" itemscope="" itemtype="http://www.schema.org/MusicRecording"&gt;&lt;td class="play_col"&gt;&lt;br /&gt;&lt;/td&gt; &lt;td class="track_number_col"&gt;&lt;div class="track_number secondaryText"&gt;5.&lt;/div&gt;&lt;/td&gt; &lt;td&gt;     &lt;div class="title"&gt;                    &lt;a href="http://peopling.bandcamp.com/track/middle-vanessa-yeast" itemprop="url"&gt;&lt;span itemprop="name"&gt;middle vanessa yeast&lt;/span&gt;&lt;/a&gt;                 &lt;span class="time secondaryText"&gt;              02:13          &lt;/span&gt;            &lt;/div&gt;  &lt;/td&gt; &lt;td&gt;&lt;br /&gt;&lt;/td&gt; &lt;td&gt;&lt;br /&gt;&lt;/td&gt; &lt;/tr&gt;                                                                                                                                                                                                                                                &lt;tr class="track_row_view" rel="tracknum=6" itemprop="tracks" itemscope="" itemtype="http://www.schema.org/MusicRecording"&gt;&lt;td class="play_col"&gt;&lt;br /&gt;&lt;/td&gt; &lt;td class="track_number_col"&gt;&lt;div class="track_number secondaryText"&gt;6.&lt;/div&gt;&lt;/td&gt; &lt;td&gt;     &lt;div class="title"&gt;                    &lt;a href="http://peopling.bandcamp.com/track/meetings" itemprop="url"&gt;&lt;span itemprop="name"&gt;meetings&lt;/span&gt;&lt;/a&gt;                 &lt;span class="time secondaryText"&gt;              02:41          &lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=TT6GNQPR"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold;"&gt;PEOPLING EP&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-3498483399443278884?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/3498483399443278884/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/11/peopling-peopling-ep-2011.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/3498483399443278884'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/3498483399443278884'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/11/peopling-peopling-ep-2011.html' title='PEOPLING - PEOPLING EP (2011)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-K-Zfc-ad1x0/Trr93olUOSI/AAAAAAAABCw/vk6rSODeeo4/s72-c/PEOPLING%2BEP.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-2411892522592940489</id><published>2011-11-05T09:30:00.000-07:00</published><updated>2011-11-05T09:47:02.196-07:00</updated><title type='text'>SATISFACCIÓN LAB - AD NUTUM EP (ZERONOISE 2011)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-Pq3CMoK5EjA/TrVoQQ9GLCI/AAAAAAAAA9U/2TJyBdHgdhU/s1600/Ad%2Bnutum.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 580px; height: 434px;" src="http://3.bp.blogspot.com/-Pq3CMoK5EjA/TrVoQQ9GLCI/AAAAAAAAA9U/2TJyBdHgdhU/s320/Ad%2Bnutum.jpg" alt="" id="BLOGGER_PHOTO_ID_5671553934381427746" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span id="result_box" class="" lang="es"&gt;&lt;span class="hps atn"&gt;&lt;br /&gt;&lt;br /&gt;"&lt;/span&gt;&lt;span class=""&gt;Ad nutum&lt;/span&gt; &lt;span class="hps"&gt;refleja&lt;/span&gt; &lt;span class="hps"&gt;los&lt;/span&gt; &lt;span class="hps"&gt;momentos del día en&lt;/span&gt; que &lt;span class="hps"&gt;nuestra mente&lt;/span&gt; &lt;span class="hps"&gt;trata de escapar&lt;/span&gt; &lt;span class="hps"&gt;de la rutina diaria&lt;/span&gt; &lt;span class="hps"&gt;a través de&lt;/span&gt; &lt;span class="hps"&gt;la fantasía&lt;/span&gt;&lt;span class=""&gt;, por lo que&lt;/span&gt; &lt;span class="hps"&gt;se produce&lt;/span&gt;&lt;span class="hps"&gt;&lt;/span&gt; &lt;span class="hps"&gt;una dialéctica entre la&lt;/span&gt; &lt;span class="hps"&gt;atmósfera&lt;/span&gt; &lt;span class="hps"&gt;irreal y&lt;/span&gt; &lt;span class="hps"&gt;&lt;/span&gt;&lt;span class="hps"&gt;los sonidos&lt;/span&gt; &lt;span class="hps"&gt;ordinarios&lt;/span&gt;&lt;span class=""&gt;, es decir,&lt;/span&gt; &lt;span class="hps"&gt;una mirada fantástica&lt;/span&gt; &lt;span class="hps"&gt;de lo&lt;/span&gt; &lt;span class="hps"&gt;real y de&lt;/span&gt; &lt;span class="hps"&gt;la parte&lt;/span&gt; &lt;span class="hps"&gt;real de&lt;/span&gt; &lt;span class="hps"&gt;lo fantástico.&lt;/span&gt; &lt;span class="hps atn"&gt;"&lt;br /&gt;&lt;br /&gt;Así presenta su último EP "Ad Nutum" el responsable de Satisfacción Lab, un proyecto sonoro llevado a cabo por un tal Jorge, de Extremadura, del que no tengo más datos. A través de un email me ha hecho llegar el link para descargar su EP publicado en el netlabel Zeronoise y aquí os lo presento después de una muy satisfactoria escucha que realmente me ha dejado impresionado.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;Como el mismo Jorge me describe en su email, el estilo se podría definir como una mezcla entre música concreta, noise, música para cinta y psicodelia oscura.&lt;br /&gt;&lt;span id="result_box" class="" lang="es"&gt;&lt;span class="hps atn"&gt;&lt;br /&gt;Os lo recomiendo 100%.&lt;br /&gt;&lt;br /&gt;Aquí os dejo el link al netlabel Zeronoise: http://zeronoize.org/&lt;br /&gt;&lt;br /&gt;Y aquí el link directo a su disco: http://zeronoize.org/release/zn021/&lt;br /&gt;&lt;br /&gt;Saludos.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span id="result_box" class="" lang="es"&gt;&lt;span class="hps atn"&gt;&lt;/span&gt;&lt;span class=""&gt;&lt;/span&gt;&lt;span class="hps"&gt;&lt;/span&gt;&lt;span class="hps"&gt;&lt;/span&gt;&lt;span class="hps"&gt;&lt;/span&gt;&lt;span class="hps"&gt;&lt;/span&gt;&lt;span class="hps"&gt;&lt;/span&gt;&lt;span class="hps"&gt;&lt;/span&gt;&lt;span class="hps"&gt;&lt;/span&gt;&lt;span class="hps"&gt;&lt;/span&gt;&lt;span class=""&gt;&lt;/span&gt;&lt;span class="hps"&gt;&lt;/span&gt;&lt;span class="hps"&gt;&lt;/span&gt;&lt;span class="hps"&gt;&lt;/span&gt;&lt;span class="hps"&gt;&lt;/span&gt;&lt;span class="hps"&gt;&lt;/span&gt;&lt;span class="hps"&gt;&lt;/span&gt;&lt;span class="hps"&gt;&lt;/span&gt;&lt;span class="hps"&gt;&lt;/span&gt;&lt;span class=""&gt;&lt;/span&gt;&lt;span class="hps"&gt;&lt;/span&gt;&lt;span class="hps"&gt;&lt;/span&gt;&lt;span class="hps"&gt;&lt;/span&gt;&lt;span class="hps"&gt;&lt;/span&gt;&lt;span class="hps"&gt;&lt;/span&gt;&lt;span class="hps"&gt;&lt;/span&gt;&lt;span class="hps atn"&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-2411892522592940489?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/2411892522592940489/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/11/satisfaccion-lab-ad-nutum-ep-zeronoise.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/2411892522592940489'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/2411892522592940489'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/11/satisfaccion-lab-ad-nutum-ep-zeronoise.html' title='SATISFACCIÓN LAB - AD NUTUM EP (ZERONOISE 2011)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-Pq3CMoK5EjA/TrVoQQ9GLCI/AAAAAAAAA9U/2TJyBdHgdhU/s72-c/Ad%2Bnutum.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-8358770132515014350</id><published>2011-11-02T01:09:00.001-07:00</published><updated>2011-11-02T01:28:36.441-07:00</updated><title type='text'>LA FURA DELS BAUS – AJÖE (DRO 1986)</title><content type='html'>&lt;p style="text-align: center;"&gt;&lt;a href="http://stahlfabrik.files.wordpress.com/2011/11/fura-dels-baus-ajc3b6e-front1.jpg"&gt;&lt;img class="alignnone size-medium wp-image-554 aligncenter" title="fura dels baus - ajöe-front" src="http://stahlfabrik.files.wordpress.com/2011/11/fura-dels-baus-ajc3b6e-front1.jpg?w=436&amp;amp;h=418" alt="" height="418" width="436" /&gt;&lt;/a&gt;&lt;/p&gt; &lt;p&gt;La Fura dels Baus, antes de dejarse llevar por las mieles de la fama  tras su horterada olímpica, eran un grupo de culto dentro de la escena  electrónico-industrial, tanto en este trozo de la Península Ibérica como  en gran parte del mundo. Sus espectáculos eran auténticas performances  de ambiente industrial, con contundente sonido sintetizado y una  estética afín a las movidas de entidades como Etant Donnés, Test Dept. o  S.P.K.&lt;/p&gt; &lt;p&gt;En 1985 graban AJÖE, un maxi cuyos temas fueron creados originalmente  para su espectáculo “SUZ O SUZ” y que tras algunos arreglos, se publicó  al año siguiente bajo el sello DRO y co-producido por Servando  Carballar. AJÖE es un maxi de intensa y rítmica música industrial  amacerada con las nuevas tendencias EBM que en aquellos años estaban  inundando el mercado electrónico musical, una muestra del “savoir faire”  de los Baus y una muy digna obra para los amantes del sonido industrial  ochentero.&lt;/p&gt; &lt;p&gt;Os recomiendo encarecidamente la escucha de este maxi.&lt;/p&gt; &lt;p&gt;Saludos.&lt;/p&gt; &lt;p&gt;&lt;strong&gt;&lt;a href="http://www.megaupload.com/?d=02FQRFBT"&gt;LA FURA DELS BAUS – AJÖE&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-8358770132515014350?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/8358770132515014350/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/11/la-fura-dels-baus-ajoe-dro-1986.html#comment-form' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/8358770132515014350'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/8358770132515014350'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/11/la-fura-dels-baus-ajoe-dro-1986.html' title='LA FURA DELS BAUS – AJÖE (DRO 1986)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-4497216912651576812</id><published>2011-10-27T01:37:00.000-07:00</published><updated>2011-10-27T01:49:08.476-07:00</updated><title type='text'>La Profecía By LANY</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/-KagkUefDRLI/Tqka6vaHmII/AAAAAAAAA8A/AJc9bDXzoqg/s1600/lany.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 174px;" src="http://1.bp.blogspot.com/-KagkUefDRLI/Tqka6vaHmII/AAAAAAAAA8A/AJc9bDXzoqg/s320/lany.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5668091202483230850" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;No se trata de nada relacionado con los temas que venimos tratando en este blog desde sus inicios, pero haciendo una excepción quiero presentaros un video que ha creado una compañera de mi clase en el instituto en el que estoy estudiando. La chica en cuestión cuenta tan sólo con 22 añitos, pero está demostrando ser todo un cerebrito en las artes audiovisuales. La verdad es que este video me ha dejado impresionado, tanto por su calidad como por la idea en si.&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;No espereis escuchar rugidos de osciladores o filtros de sintetizadores analógicos, pero creo que es algo suficientemente cualitativo como para ser degustado. No os lo perdais.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;br /&gt;&lt;iframe width="420" height="315" src="http://www.youtube.com/embed/X8TetJqTfcM" frameborder="0" allowfullscreen=""&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-4497216912651576812?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/4497216912651576812/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/10/la-profecia-by-lany.html#comment-form' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/4497216912651576812'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/4497216912651576812'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/10/la-profecia-by-lany.html' title='La Profecía By LANY'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-KagkUefDRLI/Tqka6vaHmII/AAAAAAAAA8A/AJc9bDXzoqg/s72-c/lany.png' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-7484789155374187477</id><published>2011-10-25T04:03:00.000-07:00</published><updated>2011-10-26T03:24:07.043-07:00</updated><title type='text'>WAM CYBORG - GODS VALLEY (1984)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-i3CAh2uOgDg/TqaYO2emsrI/AAAAAAAAA7o/HEjHNeOZsRI/s1600/front.jpeg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 466px; height: 413px;" src="http://2.bp.blogspot.com/-i3CAh2uOgDg/TqaYO2emsrI/AAAAAAAAA7o/HEjHNeOZsRI/s320/front.jpeg" alt="" id="BLOGGER_PHOTO_ID_5667384562001818290" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;VAM CYBORG&lt;br /&gt;UN GRUPO (distinto) PIONERO EN LA MUSICA ELECTRONICA.&lt;br /&gt;&lt;br /&gt;    Vam Cyborg fue creado a mediados de 1975 por Vicente Aguilera, con el nombre de Cyborg, funcionando como una entidad abierta a toda clase de actividades musicales, ideas e instrumentos. Paso por diversas formaciones, desde la clasica (baterias, bajo, guitarras, teclados y voz) hasta las mas atrevidas para la epoca (sintetizadores, computadores de ritmos, secuenciadores, maquinas modificadas… y solo un ser humano).&lt;br /&gt;&lt;br /&gt;   En septiembre de 1981 se incorpora Ricardo Lopez y comienzan una serie de actuaciones (como duo electronico) que arrancan en el Pais Vasco y continuan en Aragon. Incorporan en sus conciertos proyecciones de imagenes, estructuras metalicas, maquillajes y otros elementos que dotan al Directo de mayor teatralidad. Graban dos maquetas oficiales "MORTAL JOY" y "VAM" e intervienen en diversos programas de TV.&lt;br /&gt;&lt;br /&gt;   En 1983 sale al mercado su primer disco: "ACTOS DE MALDAD" un Maxi Single. Luego vino "GODS VALLEY" editado por LINACERO en 1984 (incluido despues en el primer MAX MIX de Mike Platinas y Javier Ussia) y en 1986 con el nombre de DIRECCION PROHIBIDA se edita su tercer trabajo, en Barcelona.&lt;br /&gt;&lt;br /&gt;   En estas etapas han pasado por VAM CYBORG musicos como Eduardo Bayona (musico - fotografo), Maria Jose Cid (actualmente concertista de piano y profesora de conservatorio), Jesus Aparicio (ex - Vocoder), Jose Antonio Rodriguez (ex - Pedro Botero), Gloria Nadeau, Ricardo Polo (ex - Codorniz), Del Moran (actualmente con Bunbury) y otros que han colaborado en distintos momentos de la vida del grupo.&lt;br /&gt;&lt;br /&gt;   Desde 1987 Vicente Aguilera ha estado descomponiendo (han sido eliminadas 197 letras y casi todas las musicas que no habian sido editadas en maqueta o disco), componiendo y arreglando nuevas y viejas canciones (no siempre, a veces descansa, y descansa mucho, lee, escucha musica, incluso ve la tele. Eso si, no juega al golf) y desarrollando su tecnica en el campo de la grabacion y el tratamiento de los sonidos.&lt;br /&gt;&lt;br /&gt;   En noviembre de 1998 sale al mercado en CD el ultimo trabajo (por ahora) de Vam Cyborg editado por el sello zaragozano Producciones Sin/Con Pasiones.&lt;br /&gt;&lt;br /&gt;   En septiembre de 1999 vuelve al grupo Ricardo Lopez y el 14 de octubre se inicia una nueva etapa de actuaciones en las fiestas del PILAR 99 (Zaragoza) sobre el escenario de Las Murallas.&lt;br /&gt;&lt;br /&gt;   Vam Cyborg se mueve en el campo de la Musica Electronica, siempre abierta a las nuevas tecnologias, y a la vanguardia. Desde el principio y aun ahora, con su ultimo trabajo, se dedica a experimentar con nuevos sonidos, y nuevos ritmos. ( Eh! Sin olvidar los clasicos).&lt;br /&gt;&lt;br /&gt;   Sigue los pasos que marcaron compositores de la llamada "Musica Contemporanea" como Stockhausen, Schoenberg, Cage, o Luis de Pablo, y reconoce influencias de grupos como Tangerine Dream, King Crimson, o Van Der Graaf Generator, y de escritores como Italo Calvino, J.G. Ballard, William Gibson, Javier Tomeo, o Miguel Mena. (Aunque a veces los musicos influyen en sus letras y los escritores en su musica).&lt;br /&gt;&lt;br /&gt;   Fiel a la filosofia de su fundacion sigue siendo un grupo abierto a toda clase de colaboraciones artisticas, no solo musicales, que giran en torno a un pequeno nucleo estable, lo que proporciona un flujo permanente de ideas y proyectos, y caracteriza su estilo como algo unico y original.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;   Aqui os presento el maxi "Gods Valley", de 1984 y que espero que, cuando menos,  os resulte interesante.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Tracklist:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;  Gods Valley (New Dance Mix)             5:06  &lt;br /&gt;  El Valle De Los Dioses (Remix D.J.)     5:27  &lt;br /&gt;  El Valle... (Version Puzzle)             1:54  &lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;&lt;a style="font-weight: bold;" href="http://www.megaupload.com/?d=FNRSN50W"&gt;WAM CYBORG: GODS VALLEY&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-7484789155374187477?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/7484789155374187477/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/10/wam-cyborg-gods-valley-1984.html#comment-form' title='4 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7484789155374187477'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7484789155374187477'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/10/wam-cyborg-gods-valley-1984.html' title='WAM CYBORG - GODS VALLEY (1984)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-i3CAh2uOgDg/TqaYO2emsrI/AAAAAAAAA7o/HEjHNeOZsRI/s72-c/front.jpeg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-4742298176559278068</id><published>2011-10-05T02:49:00.000-07:00</published><updated>2011-10-05T08:58:13.806-07:00</updated><title type='text'>HYADES ARTS 5º ANIVERSARIO (CAJA 18 CD'S)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-f24FcoPd2y4/Tow2BfqK7cI/AAAAAAAAA7E/vsw3GiPxR_s/s1600/HYADES_ARTS_TAPA.JPG"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 364px; height: 355px;" src="http://2.bp.blogspot.com/-f24FcoPd2y4/Tow2BfqK7cI/AAAAAAAAA7E/vsw3GiPxR_s/s320/HYADES_ARTS_TAPA.JPG" alt="" id="BLOGGER_PHOTO_ID_5659958231004016066" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;De la mano de mi bienamado amigo Antonio Montagut, pongo a vuestra disposición la célebre caja de 18 cd's que se puso a la venta en 1994 para celebrar el quinto aniversario del sello HYADES ARTS, especializado, como muchos ya sabreis, en "otras músicas".&lt;br /&gt;&lt;br /&gt;El trabajo para recopilar información acerca de esta recopilación ha sido arduo, habida cuenta de la ausencia total y absoluta de datos en la red de redes. Esta vez, San Google nos ha fallado, pero como dice el refrán, "el que busca, halla" y el amigo Montagut ha removido cielo y tierra hasta que ha dado con el escaneo de un folleto informativo de la época en el que consta el contenido de la caja en cuestión, así como un cupón para comprarla por correo (si clicais sobre la foto la vereis en su tamaño y definición original):&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/--p6wEdkBfAY/Tow1rETh2zI/AAAAAAAAA68/MPu5BO2a-GI/s1600/Screenshot%2B-%2B05_10_2011%2B%252C%2B12_46_35.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 419px; height: 575px;" src="http://4.bp.blogspot.com/--p6wEdkBfAY/Tow1rETh2zI/AAAAAAAAA68/MPu5BO2a-GI/s320/Screenshot%2B-%2B05_10_2011%2B%252C%2B12_46_35.jpg" alt="" id="BLOGGER_PHOTO_ID_5659957845704170290" border="0" /&gt;&lt;/a&gt;Aparte de ésto, Antonio ha conseguido restaurar la portada de esta caja, que es la que podeis ver y descargar en el encabezamiento de esta entrada.&lt;br /&gt;&lt;br /&gt;En cuanto a la descarga de este material, os diré que lo he comprimido en un .rar en 20 partes de 100 Mb y lo he subido a Megaupload. Aquellos que seais poseedores de una cuenta Premium de Megaupload no tendreis problema para descargar estos 20 rars de un tirón, pero &lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold; color: rgb(255, 0, 0);"&gt;para los que no disponeis de la Premium, he pagado una cuenta por un mes&lt;/span&gt;&lt;/span&gt;, cuyos datos de acceso los pasaré a quien me escriba un email dándose a conocer y solicitándolos. Mi cuenta de correo: stahlfabrik@hotmail.es&lt;br /&gt;&lt;br /&gt;Una vez descargados los 20 rars, sólo teneis que descomprimir una de las partes y automáticamente se descomprimirán todas las demás y se creará una carpeta con los 18 cd's descomprimidos y listos para ser escuchados.&lt;br /&gt;&lt;br /&gt;También quisiera recomendaros un programa llamado "Mipony", el cual gestiona mejor que ningún otro las descargas múltiples de servidores como Megaupload, Rapidshare, etc.  Podeis descargar Mipony desde &lt;a href="http://mipony.softonic.com/descargar"&gt;&lt;span style="font-weight: bold; color: rgb(255, 0, 0);"&gt;AQUÍ&lt;/span&gt;&lt;/a&gt;. El funcionamiento es muy simple, al abrir Mipony debeis abrir la pestaña herramientas y configurar la carpeta donde quereis que os deposite las descargas. En la misma pestaña de herramientas podeis poner los datos de la cuenta premium de Megaupload para que gestione las descargas con las ventajas premium. Cuando todo ello esté configurado, sólo teneis que copiar el listado de los links de Megaupload y automáticamente se creará una lista en el programa, aceptais los links y se pondrá en marcha la descarga múltiple, no hay más, ya vereis que es muy fácil.&lt;br /&gt;&lt;br /&gt;Para los usuarios de Linux, podeis usar las versiones Linux de los programas Tucan y Jdownloader, también disponibles en Softonic.&lt;br /&gt;&lt;br /&gt;Aquí teneis el listado de partes subidas a Megaupload:&lt;br /&gt;&lt;br /&gt;http://www.megaupload.com/?d=X16WVKYF&lt;br /&gt;http://www.megaupload.com/?d=GC0DSZDH&lt;br /&gt;http://www.megaupload.com/?d=IHUAD9AD&lt;br /&gt;http://www.megaupload.com/?d=OZ5ADU3S&lt;br /&gt;http://www.megaupload.com/?d=YSZMT21W&lt;br /&gt;http://www.megaupload.com/?d=SSL4LLJI&lt;br /&gt;http://www.megaupload.com/?d=TICE17HC&lt;br /&gt;http://www.megaupload.com/?d=LTTJX4M5&lt;br /&gt;http://www.megaupload.com/?d=PMPLQ8DR&lt;br /&gt;http://www.megaupload.com/?d=Z88286PA&lt;br /&gt;http://www.megaupload.com/?d=6JJELQ1Q&lt;br /&gt;http://www.megaupload.com/?d=IA26V1H9&lt;br /&gt;http://www.megaupload.com/?d=JALFM76N&lt;br /&gt;http://www.megaupload.com/?d=IBTV4R1D&lt;br /&gt;http://www.megaupload.com/?d=Z47XQMBG&lt;br /&gt;http://www.megaupload.com/?d=BA26J3JC&lt;br /&gt;http://www.megaupload.com/?d=7CLLB7DT&lt;br /&gt;http://www.megaupload.com/?d=EPI7NTZY&lt;br /&gt;http://www.megaupload.com/?d=H6NFHH0N&lt;br /&gt;http://www.megaupload.com/?d=NKKDVZ5C&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Nada más por mi parte. Quedo a la espera de vuestros emails si quereis los datos de la cuenta premium.&lt;br /&gt;&lt;br /&gt;Saludos.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-4742298176559278068?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/4742298176559278068/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/10/hyades-arts-5-aniversario-caja-18-cds.html#comment-form' title='8 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/4742298176559278068'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/4742298176559278068'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/10/hyades-arts-5-aniversario-caja-18-cds.html' title='HYADES ARTS 5º ANIVERSARIO (CAJA 18 CD&apos;S)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-f24FcoPd2y4/Tow2BfqK7cI/AAAAAAAAA7E/vsw3GiPxR_s/s72-c/HYADES_ARTS_TAPA.JPG' height='72' width='72'/><thr:total>8</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-2390214730471044487</id><published>2011-09-26T03:03:00.001-07:00</published><updated>2011-09-26T22:58:37.172-07:00</updated><title type='text'>BRIAN HENRY: PERSONAL PROUNS (2011)</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a style="margin-left: 1em; margin-right: 1em;" href="http://3.bp.blogspot.com/-M4eDaJnWRzI/ToBNiRUgVNI/AAAAAAAAANY/Hidme0q0jQ0/s1600/cover_big.jpg"&gt;&lt;img src="http://3.bp.blogspot.com/-M4eDaJnWRzI/ToBNiRUgVNI/AAAAAAAAANY/Hidme0q0jQ0/s400/cover_big.jpg" style="width: 542px; height: 542px;" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;Nuevo trabajo de mi amigo Brian Henry, un discazo de sonido electrónico experimental que sorprende desde el primer segundo, como es habitual en sus trabajos.&lt;br /&gt;&lt;br /&gt;Una auténtica ducha de sonido electrónico para extasiarse a fondo.&lt;br /&gt;&lt;br /&gt;Saludos.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=UP19HPBF"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold;"&gt;DESCARGAR&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-2390214730471044487?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/2390214730471044487/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/09/nuevo-trabajo-de-mi-amigo-brian-henry.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/2390214730471044487'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/2390214730471044487'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/09/nuevo-trabajo-de-mi-amigo-brian-henry.html' title='BRIAN HENRY: PERSONAL PROUNS (2011)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-M4eDaJnWRzI/ToBNiRUgVNI/AAAAAAAAANY/Hidme0q0jQ0/s72-c/cover_big.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-5054150789309407290</id><published>2011-09-23T00:16:00.000-07:00</published><updated>2011-09-23T00:29:25.882-07:00</updated><title type='text'>PROGRAMA "ATMÓSFERAS" DE RNE - RECORDANDO A CONRAD SCHNITZLER (4 DE SEPTIEMBRE DE 2011)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-8jMWPhg30-g/Tnw1Q5azF3I/AAAAAAAAA6s/Iyb18UegFOA/s1600/tumblr_lpiqhyoQr51r17mcmo1_500.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 622px; height: 595px;" src="http://1.bp.blogspot.com/-8jMWPhg30-g/Tnw1Q5azF3I/AAAAAAAAA6s/Iyb18UegFOA/s320/tumblr_lpiqhyoQr51r17mcmo1_500.jpg" alt="" id="BLOGGER_PHOTO_ID_5655453796477900658" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;El pasado día 4 de septiembre el programa "Atmósferas" de RNE emitió un digno homenaje a Conrad Schnitzler. Durante una hora se dió un repaso a su obra, su filosofía sonora y las influencias que todo ello dejó en la historia reciente de la música electrónica.&lt;br /&gt;&lt;br /&gt;La emisión en si dura casi dos horas, ya que después del recordatorio a Schnitzler, el programa siguió con su estructura habitual presentando temas de otros autores. He dejado la grabación entera porque considero que es interesante en toda su totalidad.&lt;br /&gt;&lt;br /&gt;Saludos a todos y buen fin de semana.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=RR163R1K"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold;"&gt;RECORDANDO A CONRAD SCHNITZLER &lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-5054150789309407290?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/5054150789309407290/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/09/programa-atmosferas-de-rne-recordando.html#comment-form' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/5054150789309407290'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/5054150789309407290'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/09/programa-atmosferas-de-rne-recordando.html' title='PROGRAMA &quot;ATMÓSFERAS&quot; DE RNE - RECORDANDO A CONRAD SCHNITZLER (4 DE SEPTIEMBRE DE 2011)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-8jMWPhg30-g/Tnw1Q5azF3I/AAAAAAAAA6s/Iyb18UegFOA/s72-c/tumblr_lpiqhyoQr51r17mcmo1_500.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-7671558448933500557</id><published>2011-09-21T10:13:00.000-07:00</published><updated>2011-09-21T10:21:22.555-07:00</updated><title type='text'>STAHLFABRIK - GROC (HOMENAJE A CONRAD SCHNITZLER) (ESPAIS NETLAB 2011)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-HUSi06XB4wQ/TnoccZOOjmI/AAAAAAAAA5g/DJjy4GHy0e8/s1600/GROC%2BCOVER.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 581px; height: 581px;" src="http://4.bp.blogspot.com/-HUSi06XB4wQ/TnoccZOOjmI/AAAAAAAAA5g/DJjy4GHy0e8/s320/GROC%2BCOVER.jpg" alt="" id="BLOGGER_PHOTO_ID_5654863556249554530" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Os presento el nuevo trabajo de STAHLFABRIK. Su título: GROC y es un homenaje a Conrad Schnitzler, mi mayor influencia y al que debo mucho.&lt;br /&gt;&lt;br /&gt;No os voy a decir nada más sobre este disco, lo escuchais y ya me direis vuestras opiniones.&lt;br /&gt;&lt;br /&gt;Saludos.&lt;br /&gt;&lt;br /&gt;Tracklist:&lt;br /&gt;&lt;br /&gt;&lt;ol&gt;&lt;li&gt;13.57&lt;/li&gt;&lt;li&gt;06.28&lt;/li&gt;&lt;li&gt;16.21&lt;/li&gt;&lt;li&gt;17.28&lt;/li&gt;&lt;/ol&gt;&lt;a href="http://www.megaupload.com/?d=1W94FYML"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold;"&gt;STAHLFABRIK - GROC&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-7671558448933500557?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/7671558448933500557/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/09/stahlfabrik-groc-homenaje-conrad.html#comment-form' title='3 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7671558448933500557'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7671558448933500557'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/09/stahlfabrik-groc-homenaje-conrad.html' title='STAHLFABRIK - GROC (HOMENAJE A CONRAD SCHNITZLER) (ESPAIS NETLAB 2011)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-HUSi06XB4wQ/TnoccZOOjmI/AAAAAAAAA5g/DJjy4GHy0e8/s72-c/GROC%2BCOVER.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-2212343936673892383</id><published>2011-08-31T14:49:00.000-07:00</published><updated>2011-08-31T15:03:01.342-07:00</updated><title type='text'>Survival Research Laboratories – Illusions Of Shameless Abundance (Charnel Music 1989)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-wdcn72PUk4g/Tl6u_AjinNI/AAAAAAAAA3c/DhZNgO6Ugbw/s1600/survival.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 275px; height: 320px;" src="http://3.bp.blogspot.com/-wdcn72PUk4g/Tl6u_AjinNI/AAAAAAAAA3c/DhZNgO6Ugbw/s320/survival.jpg" alt="" id="BLOGGER_PHOTO_ID_5647143380273241298" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;Survival Research Laboratories fue concebido y fundado por Mark Pauline en noviembre de 1978. Desde su creación SRL ha operado como una organización de técnicos creativos dedicados a re-dirigir las técnicas, herramientas y principios de la industria, la ciencia, y el ejército fuera de sus manifestaciones típicas.&lt;br /&gt;Desde 1979, SRL ha sido escenario de más de 45 presentaciones mecanizadas en los Estados Unidos y Europa. Cada presentación se compone de un conjunto único de interacciones ritualizadas entre las máquinas, robots y dispositivos de efectos especiales, empleados en el desarrollo satírico de temas socio-políticos. Los seres humanos sólo están presentes como público o como operadores.&lt;br /&gt;La cinta que os presento es de 1989 y recoge su más brutal expresión sonora: sonidos industriales, incursiones de voces radiofónicas, percusiones metálicas... mucho más allá de la música industrial y mucho más allá del sonido. Es... sensación sonora.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;h3 class="rounded_top group"&gt;     &lt;span class="fleft"&gt;Tracklist&lt;/span&gt;&lt;span class="fright"&gt;&lt;/span&gt;&lt;/h3&gt;                                   &lt;table class="playlist mini_playlist" id="playlist-0"&gt;&lt;tbody&gt;&lt;tr class="first"&gt;              &lt;td style="width: 25px;" class="track_pos"&gt;A1&lt;/td&gt;              &lt;td class="track_artists"&gt;         &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Untitled&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;         &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;         &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width: 25px;" class="track_pos"&gt;B1&lt;/td&gt;              &lt;td class="track_artists"&gt;         &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Untitled&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=ELH77O0W"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold;"&gt;SRL: ILLUSIONS OF SHAMELESS ABUNDANCE&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-2212343936673892383?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/2212343936673892383/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/08/survival-research-laboratories.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/2212343936673892383'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/2212343936673892383'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/08/survival-research-laboratories.html' title='Survival Research Laboratories – Illusions Of Shameless Abundance (Charnel Music 1989)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-wdcn72PUk4g/Tl6u_AjinNI/AAAAAAAAA3c/DhZNgO6Ugbw/s72-c/survival.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-8133440629317825461</id><published>2011-08-29T04:05:00.000-07:00</published><updated>2011-08-29T05:35:22.239-07:00</updated><title type='text'>A.B.G.S. - ECHTE (1992)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-1gyNmYt4Cqs/Tlt3oGyI97I/AAAAAAAAA3E/xRzkc4ctwz4/s1600/ECHTE.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 460px; height: 598px;" src="http://2.bp.blogspot.com/-1gyNmYt4Cqs/Tlt3oGyI97I/AAAAAAAAA3E/xRzkc4ctwz4/s320/ECHTE.jpg" alt="" id="BLOGGER_PHOTO_ID_5646238088738437042" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Hoy voy a compartir con vosotros algo más durillo de lo que suelo poner por aquí, que os tengo mal acostumbrados y no puede ser. Esto es música industrial en el más estricto uso del término: sonidos metálicos, ecos subterráneos, voces procesadas, ambientes apocalípticos...&lt;br /&gt;&lt;br /&gt;A.B.G.S. son de Alemania y trabajaron en la primera mitad de la década de los 90, aunque hay muy poca información sobre ellos. Sólo sé que sacaron tres discos y una cassette de fuerte música electrónica industrial, al más puro estilo de los años 80, con reminiscencias de artistas como Vivenza, Maurizio Bianchi e incluso Asmus Tietchens. Agradeceré más información al respecto.&lt;br /&gt;&lt;br /&gt;Sonido siderúrgico, maquinaria pesada, atmósferas fabriles... sonido industrial para gente industrial.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="rounded_top group"&gt;     &lt;span class="fleft"&gt;Tracklist&lt;/span&gt; &lt;span class="fright"&gt;&lt;a class="toggle_section smallish"&gt;▼&lt;/a&gt;&lt;/span&gt;&lt;/h3&gt;                                   &lt;table class="playlist mini_playlist" id="playlist-None"&gt;&lt;tbody&gt;&lt;tr class="first"&gt;               &lt;td class="track_artists"&gt;          &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Railway Bridge Dorstfeld - 30/10/91&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;0:24&lt;/span&gt;             &lt;/td&gt;             &lt;td width="1"&gt;          &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;               &lt;td class="track_artists"&gt;          &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Railway Bridge Dorstfeld - 15/12/91&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;6:55&lt;/span&gt;             &lt;/td&gt;             &lt;td width="1"&gt;          &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;               &lt;td class="track_artists"&gt;          &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Silo At Port Dortmund - 28/12/91&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;1:11&lt;/span&gt;             &lt;/td&gt;             &lt;td width="1"&gt;          &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;               &lt;td class="track_artists"&gt;          &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Air-Raid Shelter Dortmunder Feld - 20/09/91&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;5:09&lt;/span&gt;             &lt;/td&gt;             &lt;td width="1"&gt;          &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;               &lt;td class="track_artists"&gt;          &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Tube At Dortmund-EMS-Kanal - 08/12/91&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;1:37&lt;/span&gt;             &lt;/td&gt;             &lt;td width="1"&gt;          &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;               &lt;td class="track_artists"&gt;          &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Gasometer At Iron-Works Duisburg - 29/12/91&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;8:39&lt;/span&gt;             &lt;/td&gt;             &lt;td width="1"&gt;          &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;               &lt;td class="track_artists"&gt;          &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Railway Bridge Dorstfeld - 15/12/91&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;4:01&lt;/span&gt;             &lt;/td&gt;             &lt;td width="1"&gt;          &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;               &lt;td class="track_artists"&gt;          &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Air-Raid Shelter Dortmunder Feld - 06/10/91&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;2:53&lt;/span&gt;             &lt;/td&gt;             &lt;td width="1"&gt;          &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;               &lt;td class="track_artists"&gt;          &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Silo At Port Dortmund - 09/02/92&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;5:06&lt;/span&gt;             &lt;/td&gt;             &lt;td width="1"&gt;          &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;               &lt;td class="track_artists"&gt;          &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Air-Raid Shelter Dortmunder Feld - 07/05/92&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;11:24&lt;/span&gt;             &lt;/td&gt;             &lt;td width="1"&gt;          &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;               &lt;td class="track_artists"&gt;          &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Railway Bridge Dorstfeld - 15/12/91&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;1:44&lt;/span&gt;             &lt;/td&gt;             &lt;td width="1"&gt;          &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;               &lt;td class="track_artists"&gt;          &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Silo At Port Dortmund - 09/02/92&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;3:28&lt;/span&gt;             &lt;/td&gt;             &lt;td width="1"&gt;          &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;               &lt;td class="track_artists"&gt;          &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Tube At Dortmund-EMS-Kanal - 08/12/91&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;3:27&lt;/span&gt;             &lt;/td&gt;             &lt;td width="1"&gt;          &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;               &lt;td class="track_artists"&gt;          &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Air-Raid Shelter Dortmunder Feld - 24/01/92&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;2:08&lt;/span&gt;             &lt;/td&gt;             &lt;td width="1"&gt;          &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;               &lt;td class="track_artists"&gt;          &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Silo At Port Dortmund - 28/12/91&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;4:22&lt;/span&gt;             &lt;/td&gt;             &lt;td width="1"&gt;          &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;               &lt;td class="track_artists"&gt;          &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Tube At Dortmund-EMS-Kanal - 08/12/91&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;7:37&lt;/span&gt;             &lt;/td&gt;             &lt;td width="1"&gt;          &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;               &lt;td class="track_artists"&gt;          &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Gasometer At Iron-Works Duisburg - 29/12/91&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;4:12&lt;/span&gt;             &lt;/td&gt;             &lt;td width="1"&gt;          &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;               &lt;td class="track_artists"&gt;          &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Air-Raid Shelter Dortmunder Feld - 07/05/92&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;0:34&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=IB0UHB5C"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold;"&gt;ECHTE&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-8133440629317825461?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/8133440629317825461/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/08/abgs-echte-1992.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/8133440629317825461'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/8133440629317825461'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/08/abgs-echte-1992.html' title='A.B.G.S. - ECHTE (1992)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-1gyNmYt4Cqs/Tlt3oGyI97I/AAAAAAAAA3E/xRzkc4ctwz4/s72-c/ECHTE.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-730605129565102820</id><published>2011-08-15T02:01:00.000-07:00</published><updated>2011-08-15T03:06:03.180-07:00</updated><title type='text'>CABARET VOLTAIRE - METHODOLOGY ’74-’78. Attic Tapes</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-zj2N-WIqhf0/Tkjgek6kzQI/AAAAAAAAA2E/UG8WnjxDgm0/s1600/R-167809-001.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 491px; height: 492px;" src="http://1.bp.blogspot.com/-zj2N-WIqhf0/Tkjgek6kzQI/AAAAAAAAA2E/UG8WnjxDgm0/s320/R-167809-001.jpg" alt="" id="BLOGGER_PHOTO_ID_5641005349191601410" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Esta es una caja de tres cd's que traza el desarrollo de Cabaret Voltaire a partir de su primer período experimental de 74 / 75. El paquete contiene las grabaciones realizadas durante el mismo período que las que aparecen en la célebre cassette, "1974-1976", lanzado por Industrial Records en 1978, pero lo realmente atractivo de esta compilación es que se incluyen las grabaciones originales de clásicos como 'Nag Nag Nag "," No Escape "," The Set Up "," The Baader Meinhof", '"Here She Comes Now "y" Do The Mussolini (Headkick)", que más tarde volvieron a grabar con nuevos equipos y publicado por Rough Trade en los últimos años 70.&lt;br /&gt;&lt;br /&gt;El material contenido en esta caja suena impresionantemente fresco, incluso hoy en día. “METHODOLOGY ’74-’78. Attic Tapes” es una experiencia de increíble valor ya que nos muestra como la banda evolucionó antes y durante la explosión punk pero al margen de modas e imposiciones comerciales.&lt;br /&gt;&lt;br /&gt;Cabaret Voltaire, estaban en la cúspide de la vanguardia electrónica del Reino Unido de finales de los 70 y es uno de los grupos más verdaderamente influyentes e innovadores de la historia de la música electrónica.&lt;br /&gt;&lt;br /&gt;Saboread este material.&lt;br /&gt;&lt;br /&gt;&lt;p&gt;Tracks:&lt;/p&gt; &lt;p&gt;Methodology ’74 / ’75. Attic Tapes One;&lt;/p&gt; &lt;ol&gt;&lt;li&gt;Exhaust&lt;/li&gt;&lt;li&gt;Synthi Aks Piece One&lt;/li&gt;&lt;li&gt;Synthi Aks Piece Two&lt;/li&gt;&lt;li&gt;Jet Passing Over&lt;/li&gt;&lt;li&gt;Sad Synth&lt;/li&gt;&lt;li&gt;Treated Guitar&lt;/li&gt;&lt;li&gt;Treated Clarinet&lt;/li&gt;&lt;li&gt;Treated Drum Machine&lt;/li&gt;&lt;li&gt;Possibility of a Bum Trip&lt;/li&gt;&lt;li&gt;Space Patrol&lt;/li&gt;&lt;li&gt;Jack Stereo Unit&lt;/li&gt;&lt;li&gt;Magnet&lt;/li&gt;&lt;li&gt;Counter Reaction&lt;/li&gt;&lt;li&gt;Capsules Version&lt;/li&gt;&lt;li&gt;Makes Your Mouth Go Funny&lt;/li&gt;&lt;li&gt;Dream Sequence Number Three [Short Version]&lt;/li&gt;&lt;li&gt;Reverse Piece One&lt;/li&gt;&lt;li&gt;Stolen from Spectra&lt;/li&gt;&lt;li&gt;Shes Back, Pt. 1&lt;/li&gt;&lt;li&gt;Jive&lt;/li&gt;&lt;li&gt;Single&lt;/li&gt;&lt;li&gt;Speed Kills&lt;/li&gt;&lt;li&gt;Fascist Police State&lt;/li&gt;&lt;/ol&gt; &lt;p&gt;Methodology ’75 / ’76. Attic Tapes Two;&lt;/p&gt; &lt;ol&gt;&lt;li&gt;Synthi Aks Piece Three&lt;/li&gt;&lt;li&gt;Data Processing Instructions&lt;/li&gt;&lt;li&gt;Fuse Mountain&lt;/li&gt;&lt;li&gt;Calling Moscow&lt;/li&gt;&lt;li&gt;Dream Sequence Number Two [Ethel's Voice]&lt;/li&gt;&lt;li&gt;Attic Tapes&lt;/li&gt;&lt;li&gt;Treated Speech&lt;/li&gt;&lt;li&gt;Dream Sequence Number Three [Long Version]&lt;/li&gt;&lt;li&gt;Henderson Reversed Piece Two&lt;/li&gt;&lt;li&gt;Bed Time Stories&lt;/li&gt;&lt;li&gt;Loves in Vein&lt;/li&gt;&lt;li&gt;Do the Mussolini (Head Kick) [They Kill Him Dub]&lt;/li&gt;&lt;li&gt;Shes Black, Pt. 2&lt;/li&gt;&lt;/ol&gt; &lt;p&gt;Methodology ’77 / ’78. Attic Tapes Three;&lt;/p&gt; &lt;ol&gt;&lt;li&gt;Its Not Music&lt;/li&gt;&lt;li&gt;Slo Change&lt;/li&gt;&lt;li&gt;Original Voice of America&lt;/li&gt;&lt;li&gt;Heaven and Hell&lt;/li&gt;&lt;li&gt;Do the Mussolini (Head Kick)&lt;/li&gt;&lt;li&gt;Here She Comes Now&lt;/li&gt;&lt;li&gt;Capsules&lt;/li&gt;&lt;li&gt;Oh Roger&lt;/li&gt;&lt;li&gt;Havoc&lt;/li&gt;&lt;li&gt;Talkover&lt;/li&gt;&lt;li&gt;No Escape&lt;/li&gt;&lt;li&gt;Photophobia&lt;/li&gt;&lt;li&gt;Set Up&lt;/li&gt;&lt;li&gt;Minute Is a Life Time&lt;/li&gt;&lt;li&gt;Baader Meinhof&lt;/li&gt;&lt;li&gt;Nag Nag Nag&lt;/li&gt;&lt;li&gt;Its About Now&lt;/li&gt;&lt;/ol&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;&lt;a href="http://www.megaupload.com/?d=8Q7Z5YXB"&gt;CD-1&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=2ORE8EXS"&gt;CD-2&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=VPP32NUB"&gt;CD-3&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=CKNW4YBG"&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;COVERS&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-730605129565102820?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/730605129565102820/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/08/cabaret-voltaire-methodology-74-78.html#comment-form' title='2 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/730605129565102820'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/730605129565102820'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/08/cabaret-voltaire-methodology-74-78.html' title='CABARET VOLTAIRE - METHODOLOGY ’74-’78. Attic Tapes'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-zj2N-WIqhf0/Tkjgek6kzQI/AAAAAAAAA2E/UG8WnjxDgm0/s72-c/R-167809-001.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-7506226758616983248</id><published>2011-08-13T04:38:00.000-07:00</published><updated>2011-08-13T04:38:00.680-07:00</updated><title type='text'>VARIOUS - THE LOST TAPES - A COMPILATION OF MINIMAL WAVE FROM EUROPE 1981-1986</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-d9QnbFBo5g4/TkUSpeHmVQI/AAAAAAAAA1s/f53QcUrqaEQ/s1600/R-719254-1151521276.jpeg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://3.bp.blogspot.com/-d9QnbFBo5g4/TkUSpeHmVQI/AAAAAAAAA1s/f53QcUrqaEQ/s320/R-719254-1151521276.jpeg" alt="" id="BLOGGER_PHOTO_ID_5639934612020286722" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Tal y como os prometí, aquí teneis la recopilación que el sello Minimal Wave editó un año antes del "Found Tapes" que colgué anteriormente, pero en este caso, está dedicado al pop electrónico underground europeo.&lt;br /&gt;&lt;br /&gt;En esta recopilación se ubican auténticas vacas sagradas del minimal synth hecho en Europa, como los Bene Gesserit, los Autumn (pre-Twilight Ritual), Absolute Body Control, Portion Control, Neon Judgement, etc...&lt;br /&gt;&lt;br /&gt;Música sintética, oscura a veces pero agradable de escuchar.&lt;br /&gt;&lt;br /&gt;Y ahora os dejo que he de celebrar mi 44 cumpleaños...&lt;br /&gt;&lt;br /&gt;... qué viejo soy... !!!!   :(&lt;br /&gt;&lt;br /&gt;&lt;h3 class="rounded_top group"&gt;     &lt;span class="fleft"&gt;Tracklist&lt;/span&gt;:&lt;span class="fright"&gt;&lt;/span&gt; &lt;/h3&gt;                                   &lt;table class="playlist mini_playlist" id="playlist-0"&gt;&lt;tbody&gt;&lt;tr class="first"&gt;              &lt;td style="width:25px" class="track_pos"&gt;A1&lt;/td&gt;              &lt;td class="track_artists"&gt;                     &lt;a href="http://www.discogs.com/artist/Absolute+Body+Control"&gt;Absolute Body Control&lt;/a&gt;                       &lt;span style="margin: 0 .3em"&gt;–&lt;/span&gt;             &lt;/td&gt;              &lt;td class="track" width="50%"&gt;                 &lt;span class="track_title"&gt;Automatic I&lt;/span&gt;                      &lt;blockquote&gt;                                          Vocals, Synthesizer, Electronic Drums [Rhythm Box] – &lt;a href="http://www.discogs.com/artist/Dirk+Ivens"&gt;Dirk Ivens&lt;/a&gt;&lt;br /&gt;Synthesizer, Electronic Drums [Rhythm Box] – &lt;a href="http://www.discogs.com/artist/Eric+Van+Wonterghem"&gt;Eric Van Wonterghem&lt;/a&gt;                     &lt;/blockquote&gt;             &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;           &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;           &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width:25px" class="track_pos"&gt;A2&lt;/td&gt;              &lt;td class="track_artists"&gt;                     &lt;a href="http://www.discogs.com/artist/Autumn"&gt;Autumn&lt;/a&gt;                       &lt;span style="margin: 0 .3em"&gt;–&lt;/span&gt;             &lt;/td&gt;              &lt;td class="track" width="50%"&gt;                 &lt;span class="track_title"&gt;Time Is On Our Side&lt;/span&gt;                      &lt;blockquote&gt;                                          Vocals, Synthesizer, Electronic Drums [Rhythm Box] – &lt;a href="http://www.discogs.com/artist/Geert+Coppens"&gt;Geert Coppens&lt;/a&gt;, &lt;a href="http://www.discogs.com/artist/Peter+Bonne"&gt;Peter Bonne&lt;/a&gt;                     &lt;/blockquote&gt;             &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;           &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;           &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width:25px" class="track_pos"&gt;A3&lt;/td&gt;              &lt;td class="track_artists"&gt;                     &lt;a href="http://www.discogs.com/artist/Bene+Gesserit"&gt;Bene Gesserit&lt;/a&gt;                       &lt;span style="margin: 0 .3em"&gt;–&lt;/span&gt;             &lt;/td&gt;              &lt;td class="track" width="50%"&gt;                 &lt;span class="track_title"&gt;Mickey, Please…&lt;/span&gt;                      &lt;blockquote&gt;                                          Organ [String], Synthesizer, Electronic Drums [Rhythm Box, Electronic Percussion], Cymbal, Guitar – &lt;a href="http://www.discogs.com/artist/B.+Ghola"&gt;B. Ghola&lt;/a&gt;&lt;br /&gt;Vocals, Lyrics By [Text] – &lt;a href="http://www.discogs.com/artist/Benedict+G"&gt;Benedict G&lt;/a&gt;                     &lt;/blockquote&gt;             &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;           &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;           &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width:25px" class="track_pos"&gt;A4&lt;/td&gt;              &lt;td class="track_artists"&gt;                     &lt;a href="http://www.discogs.com/artist/Linear+Movement"&gt;Linear Movement&lt;/a&gt;                       &lt;span style="margin: 0 .3em"&gt;–&lt;/span&gt;             &lt;/td&gt;              &lt;td class="track" width="50%"&gt;                 &lt;span class="track_title"&gt;The Game&lt;/span&gt;                      &lt;blockquote&gt;                                          Vocals, Synthesizer, Electronic Drums [Rhythm Box] – &lt;a href="http://www.discogs.com/artist/Peter+Bonne"&gt;Peter Bonne&lt;/a&gt;&lt;br /&gt;Vocals – &lt;a href="http://www.discogs.com/artist/Lieve+Van+Steerthegem"&gt;Lieve Van Steerthegem&lt;/a&gt;                     &lt;/blockquote&gt;             &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;           &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;           &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width:25px" class="track_pos"&gt;A5&lt;/td&gt;              &lt;td class="track_artists"&gt;                     &lt;a href="http://www.discogs.com/artist/Stratis"&gt;Stratis&lt;/a&gt;                       &lt;span style="margin: 0 .3em"&gt;–&lt;/span&gt;             &lt;/td&gt;              &lt;td class="track" width="50%"&gt;                 &lt;span class="track_title"&gt;Green Village&lt;/span&gt;                      &lt;blockquote&gt;                                          Synthesizer, Programmed By – &lt;a href="http://www.discogs.com/artist/Albert+Klein"&gt;Albert Klein&lt;/a&gt;&lt;br /&gt;Vocals, Synthesizer, Programmed By – &lt;a href="http://www.discogs.com/artist/Antonios+Stratis"&gt;Antonios Stratis&lt;/a&gt;                     &lt;/blockquote&gt;             &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;           &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;           &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width:25px" class="track_pos"&gt;B1&lt;/td&gt;              &lt;td class="track_artists"&gt;                     &lt;a href="http://www.discogs.com/artist/Neon+Judgement%2C+The"&gt;Neon Judgement, The&lt;/a&gt;                       &lt;span style="margin: 0 .3em"&gt;–&lt;/span&gt;             &lt;/td&gt;              &lt;td class="track" width="50%"&gt;                 &lt;span class="track_title"&gt;Schizophrenic Freddy&lt;/span&gt;                      &lt;blockquote&gt;                                          Vocals, Synthesizer, Electronic Drums [Rhythm Box] – &lt;a href="http://www.discogs.com/artist/Dirk+Da+Davo?anv=Dirk+DaDavo"&gt;Dirk DaDavo&lt;/a&gt;*&lt;br /&gt;Vocals, Synthesizer, Guitar – &lt;a href="http://www.discogs.com/artist/TB+Frank"&gt;TB Frank&lt;/a&gt;                     &lt;/blockquote&gt;             &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;           &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;           &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width:25px" class="track_pos"&gt;B2&lt;/td&gt;              &lt;td class="track_artists"&gt;                     &lt;a href="http://www.discogs.com/artist/ADN%27+La+Catastrophe"&gt;ADN' La Catastrophe&lt;/a&gt;                       &lt;span style="margin: 0 .3em"&gt;–&lt;/span&gt;             &lt;/td&gt;              &lt;td class="track" width="50%"&gt;                 &lt;span class="track_title"&gt;Sex Cinema&lt;/span&gt;                      &lt;blockquote&gt;                                          Vocals, Synthesizer, Electronic Drums [Rhythm Box] – &lt;a href="http://www.discogs.com/artist/Erick+Moncollin?anv=%C3%A9rickrystall+Moncollin"&gt;érickrystall Moncollin&lt;/a&gt;*&lt;br /&gt;Synthesizer – &lt;a href="http://www.discogs.com/artist/Cris+Marejano"&gt;Cris Marejano&lt;/a&gt;&lt;br /&gt;Tape [Tape Noise From A X-movie Soundtrack] – &lt;a href="http://www.discogs.com/artist/Max+%2847%29"&gt;Max (47)&lt;/a&gt;                     &lt;/blockquote&gt;             &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;           &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;           &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width:25px" class="track_pos"&gt;B3&lt;/td&gt;              &lt;td class="track_artists"&gt;                     &lt;a href="http://www.discogs.com/artist/Unovidual"&gt;Unovidual&lt;/a&gt;                       &lt;span style="margin: 0 .3em"&gt;–&lt;/span&gt;             &lt;/td&gt;              &lt;td class="track" width="50%"&gt;                 &lt;span class="track_title"&gt;Like I Am, Comme Je Suis&lt;/span&gt;                      &lt;blockquote&gt;                                          Vocals, Synthesizer, Electronic Drums [Rhythm Box] – &lt;a href="http://www.discogs.com/artist/Tara+Cross"&gt;Tara Cross&lt;/a&gt;, &lt;a href="http://www.discogs.com/artist/Unovidual"&gt;Unovidual&lt;/a&gt;                     &lt;/blockquote&gt;             &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;           &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;           &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width:25px" class="track_pos"&gt;B4&lt;/td&gt;              &lt;td class="track_artists"&gt;                     &lt;a href="http://www.discogs.com/artist/Ensemble+Pittoresque"&gt;Ensemble Pittoresque&lt;/a&gt;                       &lt;span style="margin: 0 .3em"&gt;–&lt;/span&gt;             &lt;/td&gt;              &lt;td class="track" width="50%"&gt;                 &lt;span class="track_title"&gt;My Baby&lt;/span&gt;                      &lt;blockquote&gt;                                          Vocals, Tape, Programmed By – &lt;a href="http://www.discogs.com/artist/Richard+Neum%C3%B6ller"&gt;Richard Neumöller&lt;/a&gt;&lt;br /&gt;Mastered By [Live Mastering] – &lt;a href="http://www.discogs.com/artist/Ton+Willekes"&gt;Ton Willekes&lt;/a&gt;&lt;br /&gt;Guitar ["fripp"] – &lt;a href="http://www.discogs.com/artist/Paulus+Wieland"&gt;Paulus Wieland&lt;/a&gt;&lt;br /&gt;Synthesizer [Juno 106], Trumpet [Flares], Vocals [Yells] – &lt;a href="http://www.discogs.com/artist/Le+Biquo"&gt;Le Biquo&lt;/a&gt;&lt;br /&gt;Bass [Guitar] – &lt;a href="http://www.discogs.com/artist/Ed+van+Hoven"&gt;Ed van Hoven&lt;/a&gt;&lt;br /&gt;Synthesizer [Roland Sh-2 Bass Pulses] – &lt;a href="http://www.discogs.com/artist/Marion+Prinz?anv=Marion+Prins"&gt;Marion Prins&lt;/a&gt;*                     &lt;/blockquote&gt;             &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;           &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;           &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width:25px" class="track_pos"&gt;B5&lt;/td&gt;              &lt;td class="track_artists"&gt;                     &lt;a href="http://www.discogs.com/artist/Portion+Control"&gt;Portion Control&lt;/a&gt;                       &lt;span style="margin: 0 .3em"&gt;–&lt;/span&gt;             &lt;/td&gt;              &lt;td class="track" width="50%"&gt;                 &lt;span class="track_title"&gt;Pressure Is High&lt;/span&gt;                      &lt;blockquote&gt;                                          Synthesizer, Programmed By – &lt;a href="http://www.discogs.com/artist/Ian+Sharp"&gt;Ian Sharp&lt;/a&gt;, &lt;a href="http://www.discogs.com/artist/John+Whybrew"&gt;John Whybrew&lt;/a&gt;&lt;br /&gt;Vocals – &lt;a href="http://www.discogs.com/artist/Dean+Piavanni"&gt;Dean Piavanni&lt;/a&gt;                     &lt;/blockquote&gt;             &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;           &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;           &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width:25px" class="track_pos"&gt;B6&lt;/td&gt;              &lt;td class="track_artists"&gt;                     &lt;a href="http://www.discogs.com/artist/Elisa+Waut"&gt;Elisa Waut&lt;/a&gt;                       &lt;span style="margin: 0 .3em"&gt;–&lt;/span&gt;             &lt;/td&gt;              &lt;td class="track" width="50%"&gt;                 &lt;span class="track_title"&gt;Russia&lt;/span&gt;                      &lt;blockquote&gt;                                          Programmed By – &lt;a href="http://www.discogs.com/artist/Chery+Derycke"&gt;Chery Derycke&lt;/a&gt;&lt;br /&gt;Synthesizer – &lt;a href="http://www.discogs.com/artist/Hans+Helewaut"&gt;Hans Helewaut&lt;/a&gt;&lt;br /&gt;Vocals – &lt;a href="http://www.discogs.com/artist/Els+Helewaut?anv=Elsje+Helewaut"&gt;Elsje Helewaut&lt;/a&gt;*                     &lt;/blockquote&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=XIRF1A0E"&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;THE LOST TAPES&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-7506226758616983248?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/7506226758616983248/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/08/various-lost-tapes-compilation-of.html#comment-form' title='4 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7506226758616983248'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7506226758616983248'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/08/various-lost-tapes-compilation-of.html' title='VARIOUS - THE LOST TAPES - A COMPILATION OF MINIMAL WAVE FROM EUROPE 1981-1986'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-d9QnbFBo5g4/TkUSpeHmVQI/AAAAAAAAA1s/f53QcUrqaEQ/s72-c/R-719254-1151521276.jpeg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-7538966940922148044</id><published>2011-08-12T03:21:00.000-07:00</published><updated>2011-08-12T04:37:41.823-07:00</updated><title type='text'>VARIOUS - THE FOUND TAPES - A COMPILATION OF MINIMAL WAVE FROM NORTH AMERICA 1981-1987</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-YnZjcUaFjIA/TkUCHJzRtfI/AAAAAAAAA1k/jRzEtv9Zj5w/s1600/R-1160291-1197225175.jpeg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 459px; height: 459px;" src="http://1.bp.blogspot.com/-YnZjcUaFjIA/TkUCHJzRtfI/AAAAAAAAA1k/jRzEtv9Zj5w/s320/R-1160291-1197225175.jpeg" alt="" id="BLOGGER_PHOTO_ID_5639916430264743410" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Curiosa recopilación de synthpop o lo que ahora se ha dado en llamar minimal wave o minimal synth hecho en Norte América. Pop sintético bien trabajado y realizado en la era de oro de la música pop underground hecha con sintetizadores.&lt;br /&gt;&lt;br /&gt;Un año antes, el sello Minimal Wave sacó otro recopilatorio gemelo de éste, pero dedicado al synthpop underground hecho en Europa entre 1981 y 1986. Pronto lo colgaré.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="rounded_top group"&gt;     &lt;span class="fleft"&gt;Tracklist:&lt;/span&gt;&lt;span class="fright"&gt;&lt;a class="toggle_section smallish"&gt;&lt;/a&gt;&lt;/span&gt; &lt;/h3&gt;                                   &lt;table class="playlist mini_playlist" id="playlist-0"&gt;&lt;tbody&gt;&lt;tr class="first"&gt;              &lt;td style="width:25px" class="track_pos"&gt;A1&lt;/td&gt;              &lt;td class="track_artists"&gt;                     &lt;a href="http://www.discogs.com/artist/Futurisk"&gt;Futurisk&lt;/a&gt;                       &lt;span style="margin: 0 .3em"&gt;–&lt;/span&gt;             &lt;/td&gt;              &lt;td class="track" width="50%"&gt;                 &lt;span class="track_title"&gt;Meteoright (1982)&lt;/span&gt;                      &lt;blockquote&gt;                                          Vocals, Synthesizer, Electronic Drums [Rhythm Box], Electronics [Vocoder] – &lt;a href="http://www.discogs.com/artist/Jeremy+Kolosine"&gt;Jeremy Kolosine&lt;/a&gt;&lt;br /&gt;Producer – &lt;a href="http://www.discogs.com/artist/Futurisk"&gt;Futurisk&lt;/a&gt;&lt;br /&gt;Mastered By – &lt;a href="http://www.discogs.com/artist/Tom+Ohmsen"&gt;Tom Ohmsen&lt;/a&gt;&lt;br /&gt;Drums, Electronic Drums [Rhythm Box, Syndrums] – &lt;a href="http://www.discogs.com/artist/Jack+Howard+%282%29"&gt;Jack Howard (2)&lt;/a&gt;&lt;br /&gt;Synthesizer, Electronic Drums [Rhythm Box], Electronics [Vocoder] – &lt;a href="http://www.discogs.com/artist/Richard+Hess"&gt;Richard Hess&lt;/a&gt;&lt;br /&gt;Co-producer – &lt;a href="http://www.discogs.com/artist/Barry+Patten"&gt;Barry Patten&lt;/a&gt;&lt;br /&gt;Engineer – &lt;a href="http://www.discogs.com/artist/Mike+Couzzi"&gt;Mike Couzzi&lt;/a&gt;                     &lt;/blockquote&gt;             &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;           &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;           &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width:25px" class="track_pos"&gt;A2&lt;/td&gt;              &lt;td class="track_artists"&gt;                     &lt;a href="http://www.discogs.com/artist/Ohama"&gt;Ohama&lt;/a&gt;                       &lt;span style="margin: 0 .3em"&gt;–&lt;/span&gt;             &lt;/td&gt;              &lt;td class="track" width="50%"&gt;                 &lt;span class="track_title"&gt;T.V.&lt;/span&gt;                      &lt;blockquote&gt;                                          Vocals, Synthesizer, Electronic Drums [Rhythm Box] – &lt;a href="http://www.discogs.com/artist/Ohama"&gt;Ohama&lt;/a&gt;                     &lt;/blockquote&gt;             &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;           &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;           &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width:25px" class="track_pos"&gt;A3&lt;/td&gt;              &lt;td class="track_artists"&gt;                     &lt;a href="http://www.discogs.com/artist/Iron+Curtain"&gt;Iron Curtain&lt;/a&gt;                       &lt;span style="margin: 0 .3em"&gt;–&lt;/span&gt;             &lt;/td&gt;              &lt;td class="track" width="50%"&gt;                 &lt;span class="track_title"&gt;The Condos&lt;/span&gt;                      &lt;blockquote&gt;                                          Synthesizer [Mini Moog] – &lt;a href="http://www.discogs.com/artist/Doug+Morton"&gt;Doug Morton&lt;/a&gt;&lt;br /&gt;Bass Guitar – &lt;a href="http://www.discogs.com/artist/Bruce+Cooper"&gt;Bruce Cooper&lt;/a&gt;&lt;br /&gt;Vocals, Synthesizer – &lt;a href="http://www.discogs.com/artist/Steven+Fields?anv=Steve+Fields"&gt;Steve Fields&lt;/a&gt;*                     &lt;/blockquote&gt;             &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;           &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;           &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width:25px" class="track_pos"&gt;A4&lt;/td&gt;              &lt;td class="track_artists"&gt;                     &lt;a href="http://www.discogs.com/artist/Deo+Toy"&gt;Deo Toy&lt;/a&gt;                       &lt;span style="margin: 0 .3em"&gt;–&lt;/span&gt;             &lt;/td&gt;              &lt;td class="track" width="50%"&gt;                 &lt;span class="track_title"&gt;Love Me Or Leave Me&lt;/span&gt;                      &lt;blockquote&gt;                                          Vocals – &lt;a href="http://www.discogs.com/artist/Diana+%2813%29"&gt;Diana (13)&lt;/a&gt;&lt;br /&gt;Synthesizer [Korg], Electronic Drums [Rhythm Box] – &lt;a href="http://www.discogs.com/artist/Bill+Owens+%282%29"&gt;Bill Owens (2)&lt;/a&gt;                     &lt;/blockquote&gt;             &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;           &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;           &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width:25px" class="track_pos"&gt;A5&lt;/td&gt;              &lt;td class="track_artists"&gt;                     &lt;a href="http://www.discogs.com/artist/Mark+Lane"&gt;Mark Lane&lt;/a&gt;                       &lt;span style="margin: 0 .3em"&gt;–&lt;/span&gt;             &lt;/td&gt;              &lt;td class="track" width="50%"&gt;                 &lt;span class="track_title"&gt;Who's Really Listening?&lt;/span&gt;                      &lt;blockquote&gt;                                          Vocals, Synthesizer, Electronic Drums [Rhythm Box] – &lt;a href="http://www.discogs.com/artist/Mark+Lane"&gt;Mark Lane&lt;/a&gt;&lt;br /&gt;Synthesizer – &lt;a href="http://www.discogs.com/artist/Rickman+%282%29"&gt;Rickman (2)&lt;/a&gt;&lt;br /&gt;Synthesizer, Electronic Drums [Rhythm Box] – &lt;a href="http://www.discogs.com/artist/Alan+R."&gt;Alan R.&lt;/a&gt;                     &lt;/blockquote&gt;             &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;           &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;           &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width:25px" class="track_pos"&gt;B1&lt;/td&gt;              &lt;td class="track_artists"&gt;                     &lt;a href="http://www.discogs.com/artist/Crash+Course+In+Science"&gt;Crash Course In Science&lt;/a&gt;                       &lt;span style="margin: 0 .3em"&gt;–&lt;/span&gt;             &lt;/td&gt;              &lt;td class="track" width="50%"&gt;                 &lt;span class="track_title"&gt;Flying Turns&lt;/span&gt;                      &lt;blockquote&gt;                                          Vocals, Synthesizer, Electronic Drums [Syndrum] – &lt;a href="http://www.discogs.com/artist/Mallory+Yago"&gt;Mallory Yago&lt;/a&gt;&lt;br /&gt;Vocals, Synthesizer – &lt;a href="http://www.discogs.com/artist/Michael+Zodorozny"&gt;Michael Zodorozny&lt;/a&gt;&lt;br /&gt;Synthesizer, Electronic Drums [Rhythm Box] – &lt;a href="http://www.discogs.com/artist/Dale+Feliciello"&gt;Dale Feliciello&lt;/a&gt;&lt;br /&gt;Producer – &lt;a href="http://www.discogs.com/artist/John+Wicks"&gt;John Wicks&lt;/a&gt;                     &lt;/blockquote&gt;             &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;           &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;           &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width:25px" class="track_pos"&gt;B2&lt;/td&gt;              &lt;td class="track_artists"&gt;                     &lt;a href="http://www.discogs.com/artist/Dark+Day"&gt;Dark Day&lt;/a&gt;                       &lt;span style="margin: 0 .3em"&gt;–&lt;/span&gt;             &lt;/td&gt;              &lt;td class="track" width="50%"&gt;                 &lt;span class="track_title"&gt;Danger / Dancer&lt;/span&gt;                      &lt;blockquote&gt;                                          Vocals, Synthesizer, Electronic Drums [Rhythm Box] – &lt;a href="http://www.discogs.com/artist/Robin+Lee+Crutchfield?anv=Robin+Crutchfield"&gt;Robin Crutchfield&lt;/a&gt;*&lt;br /&gt;Synthesizer, Electronic Drums [Rhythm Box] – &lt;a href="http://www.discogs.com/artist/Bill+Sack"&gt;Bill Sack&lt;/a&gt;                     &lt;/blockquote&gt;             &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;           &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;           &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width:25px" class="track_pos"&gt;B3&lt;/td&gt;              &lt;td class="track_artists"&gt;                     &lt;a href="http://www.discogs.com/artist/Craig+Sibley"&gt;Craig Sibley&lt;/a&gt;                       &lt;span style="margin: 0 .3em"&gt;–&lt;/span&gt;             &lt;/td&gt;              &lt;td class="track" width="50%"&gt;                 &lt;span class="track_title"&gt;You See Art, I See Clay&lt;/span&gt;                      &lt;blockquote&gt;                                          Vocals, Synthesizer, Electronic Drums [Rhythm Box] – &lt;a href="http://www.discogs.com/artist/Craig+Sibley"&gt;Craig Sibley&lt;/a&gt;                     &lt;/blockquote&gt;             &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;           &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;           &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width:25px" class="track_pos"&gt;B4&lt;/td&gt;              &lt;td class="track_artists"&gt;                     &lt;a href="http://www.discogs.com/artist/Tara+Cross"&gt;Tara Cross&lt;/a&gt;                       &lt;span style="margin: 0 .3em"&gt;–&lt;/span&gt;             &lt;/td&gt;              &lt;td class="track" width="50%"&gt;                 &lt;span class="track_title"&gt;Tempus Fugit&lt;/span&gt;                      &lt;blockquote&gt;                                          Vocals, Synthesizer, Electronic Drums [Rhythm Box] – &lt;a href="http://www.discogs.com/artist/Tara+Cross"&gt;Tara Cross&lt;/a&gt;                     &lt;/blockquote&gt;             &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;           &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;           &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width:25px" class="track_pos"&gt;B5&lt;/td&gt;              &lt;td class="track_artists"&gt;                     &lt;a href="http://www.discogs.com/artist/Experimental+Products"&gt;Experimental Products&lt;/a&gt;                       &lt;span style="margin: 0 .3em"&gt;–&lt;/span&gt;             &lt;/td&gt;              &lt;td class="track" width="50%"&gt;                 &lt;span class="track_title"&gt;Another Green World&lt;/span&gt;                      &lt;blockquote&gt;                                          Vocals, Synthesizer, Electronic Drums [Rhythm Box] – &lt;a href="http://www.discogs.com/artist/Michael+Gross+%283%29"&gt;Michael Gross (3)&lt;/a&gt;&lt;br /&gt;Written-By – &lt;a href="http://www.discogs.com/artist/Brian+Eno"&gt;Brian Eno&lt;/a&gt;                     &lt;/blockquote&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=HSPFI3EF"&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;THE FOUND TAPES&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-7538966940922148044?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/7538966940922148044/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/08/various-found-tapes-compilation-of.html#comment-form' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7538966940922148044'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7538966940922148044'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/08/various-found-tapes-compilation-of.html' title='VARIOUS - THE FOUND TAPES - A COMPILATION OF MINIMAL WAVE FROM NORTH AMERICA 1981-1987'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-YnZjcUaFjIA/TkUCHJzRtfI/AAAAAAAAA1k/jRzEtv9Zj5w/s72-c/R-1160291-1197225175.jpeg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-410241987492767229</id><published>2011-08-10T08:03:00.000-07:00</published><updated>2011-08-10T08:06:55.483-07:00</updated><title type='text'>NUEVO BLOG: SYNTH BLOGS</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-2Mkf7U50p-U/TkKd2z42nqI/AAAAAAAAA0M/qqFB6aQS298/s1600/SYNTH%2BBLOGS3.png"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 226px;" src="http://2.bp.blogspot.com/-2Mkf7U50p-U/TkKd2z42nqI/AAAAAAAAA0M/qqFB6aQS298/s320/SYNTH%2BBLOGS3.png" alt="" id="BLOGGER_PHOTO_ID_5639243248388447906" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:small;"&gt;&lt;br /&gt;&lt;br /&gt;Os presento el nuevo blog de la familia Wet Dreams. Se llama SYNTH BLOGS (http://stahlfabrik-synthblogs.blogspot.com/), aunque éste no es   un blog cualquiera, porque se  trata de una base de datos de blogs  relacionados con la música electrónica en sus vertientes menos  divulgadas (industrial, experimental, minimal synth, secuencial,  pioneros, sintetizadores, etc...). Intentaremos hacer acopio de  cuantas  direcciones bloggeras existan  en la red relacionadas con este  tema, o  al menos el máximo posible,  para que todos podamos disponer de  un  listado amplio, detallado y  actualizado, por tanto agradeceremos que   nos faciliteis los enlaces a  vuestros blogs en el caso de que no los   veais ya en el listado actual,  de manera que este proyecto será   realizado entre todos.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size:small;"&gt;Podeis mandar vuestros links a: stahlfabrik@hotmail.es&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-size:small;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:small;"&gt;Muchas gracias por adelantado y saludos cordiales.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://stahlfabrik-synthblogs.blogspot.com/"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold;"&gt;IR A SYNTH BLOGS&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-410241987492767229?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/410241987492767229/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/08/nuevo-blog-synth-blogs.html#comment-form' title='4 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/410241987492767229'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/410241987492767229'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/08/nuevo-blog-synth-blogs.html' title='NUEVO BLOG: SYNTH BLOGS'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-2Mkf7U50p-U/TkKd2z42nqI/AAAAAAAAA0M/qqFB6aQS298/s72-c/SYNTH%2BBLOGS3.png' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-7545839595440906257</id><published>2011-08-06T10:07:00.000-07:00</published><updated>2011-08-06T10:42:48.805-07:00</updated><title type='text'>FALLECE CONRAD SCHNITZLER</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-1FIaMUE7qMw/Tj19BmvfWwI/AAAAAAAAAzY/FRPnYPY0xQE/s1600/images.jpeg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 458px; height: 342px;" src="http://1.bp.blogspot.com/-1FIaMUE7qMw/Tj19BmvfWwI/AAAAAAAAAzY/FRPnYPY0xQE/s320/images.jpeg" alt="" id="BLOGGER_PHOTO_ID_5637799775070804738" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;El cuatro de agosto moría Conrad Schnitzler, la leyenda viviente de la música electrónica y pionero de casi todo lo acontecido en la historia del medio musical electrónico en los últimos cuarenta años.&lt;br /&gt;&lt;br /&gt;Componente de Tangerine Dream en sus comienzos, mentor de Kluster junto a Moebius y Roedelius y creador de una impresionante lista de grabaciones, Schnitzler fue uno de esos inconformistas que transgredió el panorama musical con una forma de crear única y exclusiva, llevando hasta el infinito el concepto de "minimalismo electrónico" con una calidad fuera de toda duda. Su idea del "intermedialismo" sonoro no tenía precedentes ni apenas coetáneos, siguiendo en su brecha hasta el fin de sus días, no olvidemos que hasta hace muy poco seguía publicando discos.&lt;br /&gt;&lt;br /&gt;Un cáncer de estómago se ha llevado, a la edad de 74 años, al último héroe de una aventura sonora que empezó en unos años difíciles y prematuros para la electrónica musical y que ha expirado en una época demasiado hostil para este medio, pero nos ha dejado una lección magistral de como ser uno mismo y hacer lo que uno quiere a pesar de los agentes externos, un auténtico testarudo que ha sabido como nadie mantener su creatividad y ponerla en práctica por encima de tendencias, estilos y comercialismos.&lt;br /&gt;&lt;br /&gt;Amigo Conrad, allá donde estés, recibe la mayor muestra de cariño, respeto y admiración de todos tus seguidores, a los que, a pesar de los años, nos seguías impresionando y sorprendiendo disco tras disco.&lt;br /&gt;&lt;br /&gt;Saludos a todos.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-7545839595440906257?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/7545839595440906257/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/08/fallece-conrad-schnitzler.html#comment-form' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7545839595440906257'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7545839595440906257'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/08/fallece-conrad-schnitzler.html' title='FALLECE CONRAD SCHNITZLER'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-1FIaMUE7qMw/Tj19BmvfWwI/AAAAAAAAAzY/FRPnYPY0xQE/s72-c/images.jpeg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-7658383708164018478</id><published>2011-08-03T02:03:00.000-07:00</published><updated>2011-08-03T02:31:36.339-07:00</updated><title type='text'>Sobre el blog Audionautas</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-_hU0g8HlLAU/TjkVZZu4eUI/AAAAAAAAAzI/OZPYyXdBV0k/s1600/Pantallazo.png"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 501px; height: 101px;" src="http://1.bp.blogspot.com/-_hU0g8HlLAU/TjkVZZu4eUI/AAAAAAAAAzI/OZPYyXdBV0k/s320/Pantallazo.png" alt="" id="BLOGGER_PHOTO_ID_5636559934779324738" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;No es por desmerecer a ningún otro blog, porque cada uno en su estilo, todos los que nos dedicamos a compartir por la red bajo este formato aportamos, en mayor o menor medida, nuestro granito de arena para que los movimientos musicales minoritarios no pasen al olvido. Pero es que el blog de Audionautas es mucho más que todo eso, lo que hace Pablo Freire es divulgar, impartir clases magistrales sobre la historia de la música electrónica, esparcir conocimiento... y todo ello abnegada y apasionadamente, como debe ser.&lt;br /&gt;&lt;br /&gt;Audionautas es una auténtica enciclopedia "work in progress", una fuente inacabable de datos que poco a poco se va conformando en la mejor biblioteca de la historia del medio musical electrónico, hecha con rigor, con información contrastada y trabajada al máximo para no caer en innecesarios charcos de desinformación. Pablo cuida hasta el extremo todo cuanto publica en su blog, son datos veraces, tratados con pasión y publicados con abnegación, para que su divulgación llegue a todos sus lectores completamente limpia y cristalina, sin opiniones subjetivas. Eso, sin duda es lo que lo hace tan grande.&lt;br /&gt;&lt;br /&gt;Mi admiración por Pablo y su blog no se reducen a una simple simpatía, sino que considero (y me consta que no soy el único) que su aportación es absolutamente necesaria, en unos momentos en los que la deformación de la información y los intereses mediáticos han llevado a un terreno indeseable a la unión de las palabras "música" y "electrónica".&lt;br /&gt;&lt;br /&gt;Espero y deseo que Audionautas siga ahí por muchos años, porque los que amamos la música electrónica lo necesitamos.&lt;br /&gt;&lt;br /&gt;Un abrazo para Pablo y para todos vosotros, nuestros lectores.&lt;br /&gt;&lt;br /&gt;El link de Audionautas: http://www.audionautas.com/&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-7658383708164018478?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/7658383708164018478/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/08/sobre-el-blog-audionautas.html#comment-form' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7658383708164018478'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7658383708164018478'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/08/sobre-el-blog-audionautas.html' title='Sobre el blog Audionautas'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-_hU0g8HlLAU/TjkVZZu4eUI/AAAAAAAAAzI/OZPYyXdBV0k/s72-c/Pantallazo.png' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-664480485630491988</id><published>2011-07-26T10:07:00.000-07:00</published><updated>2011-07-26T10:55:30.272-07:00</updated><title type='text'>ECM - Electronica Cuerpo Musica (2011)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-I33SBFP79J0/Ti7-74qUOiI/AAAAAAAAAx4/VyBsA47OOzw/s1600/Portada.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 576px; height: 552px;" src="http://4.bp.blogspot.com/-I33SBFP79J0/Ti7-74qUOiI/AAAAAAAAAx4/VyBsA47OOzw/s320/Portada.jpg" alt="" id="BLOGGER_PHOTO_ID_5633720488662678050" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Hace un  par de días recibo un email en el que me piden la inclusión en estos, vuestros blogs, del disco de ECM (Electrónica-Cuerpo-Música). Sergio, que así se llama el remitente del email, me hace llegar un link de su blog (http://ecm-musicadegusto.blogspot.com/) en el que accedo a su música.&lt;br /&gt;&lt;br /&gt;La primera impresión ha sido increíblemente impactante, sonido electrónico denso, rítmico, bailable y altamente adictivo. Las siglas D.A.F. sobrevuelan mis sentidos mientras escucho el sonido de este grupo, impregnándome de esa fuerza, ese sudor y ese sonido tan crudo a la vez que caliente pero con mucha identidad propia, que es lo que me atrae de ellos.&lt;br /&gt;&lt;br /&gt;ECM es un proyecto sonoro que calificaría casi de necesario, como una isla inteligente en medio de un inmenso mar de delirio, como una de esas serendipias que acontecen una vez cada muchos años. Pues bien, ahora tenemos la oportunidad de gozar de lo que ECM nos proponen a partir de este disco, como ellos mismos dicen: "&lt;span&gt;&lt;span style="font-style: italic;"&gt;Esto es ECM,  esto es musica de baile.      Esto es ECM, esto es musica de guerra.      Esto es ECM, esto es musica de&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;span style="font-style: italic;"&gt; gusto.     wwuuuaaaahhhh!!!&lt;/span&gt;"&lt;br /&gt;&lt;br /&gt;TRACKLIST:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;img src="file:///C:/Documents%20and%20Settings/STAHLFABRIK/Escritorio/Screenshot%20-%2026_07_2011%20,%2019_49_54.jpg" alt="" /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-N285IE3rHCo/Ti7-dPXGuEI/AAAAAAAAAxw/27YtdUTi-v0/s1600/Screenshot%2B-%2B26_07_2011%2B%252C%2B19_49_54.jpg"&gt;&lt;br /&gt;&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-oaiY3e2WNik/Ti7_bErMWnI/AAAAAAAAAyA/NAlF97xs3jY/s1600/Contraportada.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 545px; height: 435px;" src="http://1.bp.blogspot.com/-oaiY3e2WNik/Ti7_bErMWnI/AAAAAAAAAyA/NAlF97xs3jY/s320/Contraportada.jpg" alt="" id="BLOGGER_PHOTO_ID_5633721024463526514" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;&lt;a href="http://www.megaupload.com/?d=TGFDZZ1R"&gt;DESCARGAR&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-664480485630491988?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/664480485630491988/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/07/ecm-electronica-cuerpo-musica-2011.html#comment-form' title='3 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/664480485630491988'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/664480485630491988'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/07/ecm-electronica-cuerpo-musica-2011.html' title='ECM - Electronica Cuerpo Musica (2011)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-I33SBFP79J0/Ti7-74qUOiI/AAAAAAAAAx4/VyBsA47OOzw/s72-c/Portada.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-2606925609663279756</id><published>2011-07-11T04:21:00.000-07:00</published><updated>2011-07-11T08:51:51.337-07:00</updated><title type='text'>THE HUMAN LEAGUE / THE FUTURE - THE GOLDEN HOUR OF THE FUTURE (2002)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-AH3iBKRvutI/ThrfTcMgAlI/AAAAAAAAAvg/PJ4dmCtz_rM/s1600/R-94959-1224252249.jpeg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 545px; height: 541px;" src="http://2.bp.blogspot.com/-AH3iBKRvutI/ThrfTcMgAlI/AAAAAAAAAvg/PJ4dmCtz_rM/s320/R-94959-1224252249.jpeg" alt="" id="BLOGGER_PHOTO_ID_5628056209431986770" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: normal;font-family:arial;" &gt;&lt;br /&gt;Seguimos dando un repaso a la obra  de lo&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: normal;font-family:arial;" &gt;s primeros tiempos de The Human League. En&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span style=" font-weight: normal;font-family:arial;" &gt; esta ocasión accedemos a los temas que crearon, primero como "The Future" y más tarde, ya con Oakey, como The Human League. &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-family:arial;"&gt;Como decía en mi anterior post dedicado a "The Dignity of Labour", estos chicos fueron infinitamente más creativos y sorprendentes antes de su boom comercial, una auténtica pena.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family:arial;"&gt;Disfrutemos con esta recopilación de sus mejores creaciones (al menos para mi).&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-CtNrWzAHFAk/Thrg-qk9sRI/AAAAAAAAAvw/qEd9xoPs2hg/s1600/R-1487172-1223389124.jpeg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 510px; height: 447px;" src="http://4.bp.blogspot.com/-CtNrWzAHFAk/Thrg-qk9sRI/AAAAAAAAAvw/qEd9xoPs2hg/s320/R-1487172-1223389124.jpeg" alt="" id="BLOGGER_PHOTO_ID_5628058051538694418" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=R54W2WHN"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold;"&gt;THE GOLDEN HOUR OF THE FUTURE&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;table style="width: 1px; height: 305px;" class="playlist mini_playlist" id="playlist-0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width:25px" class="track_pos"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_artists"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_duration" width="25"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td width="1"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="width:25px" class="track_pos"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_artists"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_duration" width="25"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td width="1"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="width:25px" class="track_pos"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_artists"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_duration" width="25"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td width="1"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="width:25px" class="track_pos"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_artists"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_duration" width="25"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td width="1"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="width:25px" class="track_pos"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_artists"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_duration" width="25"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td width="1"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="width:25px" class="track_pos"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_artists"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_duration" width="25"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td width="1"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="width:25px" class="track_pos"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_artists"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_duration" width="25"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td width="1"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="width:25px" class="track_pos"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_artists"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_duration" width="25"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td width="1"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="width:25px" class="track_pos"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_artists"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_duration" width="25"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td width="1"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="width:25px" class="track_pos"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_artists"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_duration" width="25"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td width="1"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="width:25px" class="track_pos"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_artists"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_duration" width="25"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td width="1"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="width:25px" class="track_pos"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_artists"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_duration" width="25"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td width="1"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="width:25px" class="track_pos"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_artists"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_duration" width="25"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td width="1"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="width:25px" class="track_pos"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_artists"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_duration" width="25"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td width="1"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="width:25px" class="track_pos"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_artists"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_duration" width="25"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td width="1"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="width:25px" class="track_pos"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_artists"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_duration" width="25"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td width="1"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="width:25px" class="track_pos"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_artists"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_duration" width="25"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td width="1"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="width:25px" class="track_pos"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_artists"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_duration" width="25"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td width="1"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style="width:25px" class="track_pos"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_artists"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_duration" width="25"&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-2606925609663279756?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/2606925609663279756/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/07/human-league-future-golden-hour-of.html#comment-form' title='3 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/2606925609663279756'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/2606925609663279756'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/07/human-league-future-golden-hour-of.html' title='THE HUMAN LEAGUE / THE FUTURE - THE GOLDEN HOUR OF THE FUTURE (2002)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-AH3iBKRvutI/ThrfTcMgAlI/AAAAAAAAAvg/PJ4dmCtz_rM/s72-c/R-94959-1224252249.jpeg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-796752729183717742</id><published>2011-07-10T15:16:00.000-07:00</published><updated>2011-07-10T15:42:43.729-07:00</updated><title type='text'>THE HUMAN LEAGUE - THE DIGNITY OF LABOUR (FAST PRODUCT 1978)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-J_8yDbe6Mq8/Thoqy6URkGI/AAAAAAAAAvQ/CJa-9klNCvA/s1600/COVER.jpeg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 538px; height: 530px;" src="http://1.bp.blogspot.com/-J_8yDbe6Mq8/Thoqy6URkGI/AAAAAAAAAvQ/CJa-9klNCvA/s320/COVER.jpeg" alt="" id="BLOGGER_PHOTO_ID_5627857738488975458" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Otro de esos grupos ingleses de música electrónica que nunca debieron dejar su faceta experimental.&lt;br /&gt;&lt;br /&gt;The Human League fueron la versión anglosajona de lo que se cocía en la Alemania de Kraftwerk, Schnitzler, Cluster, etc... en un momento en el que las nuevas tendencias aparecidas tras el punk sentaban las bases de lo que sería años más tarde la New Wave.&lt;br /&gt;&lt;br /&gt;Al igual que Ultravox, Joy Division, Numan y tantos otros, The Human League aparecieron en plena efervescencia punk desmarcándose de lo establecido con nuevos sonidos y nuevas tecnologías, pero Marsh y Ware fueron mucho más allá que sus coetáneos, apostando por un sonido frío, mecánico y sin demasiadas concesiones, muy al estilo Düsseldorf, pero mientras los chicos de Kraftwerk ya empezaban a saborear las mieles del éxito con sus himnos dedicados a los robots y a las modelos, The Human League exprimían al máximo su perfecto "puente" entre la industrialidad de sus vecinos Cabaret Voltaire y el pop sintético más comercial que ya empezaba a asomar en el Reino Unido.&lt;br /&gt;&lt;br /&gt;Las cuatro partes de "The Dignity of Labour" demuestran el enorme potencial de Marsh y Ware, esos dos chicos a los que la ambición, las ganas de éxito y un márketing gigantesco, les llevaron a abandonar paulatinamente su lado más oscuro (y a la vez hermoso)  para pasar a formar parte del "show business" de la New Wave electrónica, eso sin desmerecer lo que posteriormente hicieron como B.E.F./Heaven 17, ni lo que Oakey y los suyos siguieron llevando adelante como Human League en los 80, pero que se sitúa a años luz de sus impresionantes primeros trabajos.&lt;br /&gt;&lt;br /&gt;The Dignity of Labour o un sonido que nunca debió cruzar la frontera hacia lo comercial.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=JN8GY1RM"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold;"&gt;THE DIGNITY OF LABOUR&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-796752729183717742?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/796752729183717742/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/07/human-league-dignity-of-labour-fast.html#comment-form' title='3 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/796752729183717742'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/796752729183717742'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/07/human-league-dignity-of-labour-fast.html' title='THE HUMAN LEAGUE - THE DIGNITY OF LABOUR (FAST PRODUCT 1978)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-J_8yDbe6Mq8/Thoqy6URkGI/AAAAAAAAAvQ/CJa-9klNCvA/s72-c/COVER.jpeg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-5938294258385964722</id><published>2011-06-27T16:04:00.000-07:00</published><updated>2011-06-27T16:30:48.683-07:00</updated><title type='text'>CABARET VOLTAIRE - OUTER LIMITS [Demo Cassette 1976]</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-zidqJUqCOa4/TgkQye-EeLI/AAAAAAAAAuQ/m6yClhBYus4/s1600/13398.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 300px;" src="http://1.bp.blogspot.com/-zidqJUqCOa4/TgkQye-EeLI/AAAAAAAAAuQ/m6yClhBYus4/s320/13398.jpg" alt="" id="BLOGGER_PHOTO_ID_5623044069241682098" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Aquí os dejo otra de esas delicatessen con la que los Cabaret Voltaire iluminaron a los aficionados del momento. Nos situamos en 1976, año de eclosión punk por excelencia, la experimentación sonora está a la orden del día, así como la transgresión y las ganas de hacer saltar por los aires todos los estereotipos musicales, pero Cabaret Voltaire ya llevaban algunos años haciendo todo eso, en la más profunda oscuridad y con una alevosía extrema, sin límites, con rumbo hacia lo desconocido.&lt;br /&gt;&lt;br /&gt;Cabaret Voltaire o la atemporalidad hecha sonido.&lt;br /&gt;&lt;br /&gt;Degustadlo.&lt;br /&gt;&lt;br /&gt;TRACKLIST:&lt;br /&gt;&lt;br /&gt;1. Capsules (7:33) &lt;br /&gt;2. Is That Me (Finding Someone At The Door Again?) (4:57) &lt;br /&gt;3. The Single (3:30)  &lt;br /&gt;4. Ooraseal (4:14) &lt;br /&gt;5. Love's In Vein (4:29)&lt;br /&gt;6. Dream Sequence 1 (2:46) &lt;br /&gt;7. Dream Sequence 2 (2:19) &lt;br /&gt;8. Do The Snake (7:10) &lt;br /&gt;9. A Sunday Night In Biot (3:28) &lt;br /&gt;10. She Loved You (4:38)&lt;br /&gt;11. Stolen From Spectra (4:08) &lt;br /&gt;12. Bed Time Stories (6:11)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=39YCK19G"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold;"&gt;OUTER LIMITS&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-5938294258385964722?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/5938294258385964722/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/06/cabaret-voltaire-outer-limits-demo.html#comment-form' title='3 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/5938294258385964722'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/5938294258385964722'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/06/cabaret-voltaire-outer-limits-demo.html' title='CABARET VOLTAIRE - OUTER LIMITS [Demo Cassette 1976]'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-zidqJUqCOa4/TgkQye-EeLI/AAAAAAAAAuQ/m6yClhBYus4/s72-c/13398.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-9123760472109237507</id><published>2011-06-13T08:34:00.000-07:00</published><updated>2011-06-13T08:54:49.618-07:00</updated><title type='text'>EL KALEVALA - LA GRAN EPOPEYA NACIONAL FINLANDESA (HÉCTOR HERNÁNDEZ) (HYADES ARTS 1987)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-wUuzWdLUNt4/TfYyHLuXF6I/AAAAAAAAAtQ/5GT3frcxOvI/s1600/Kalevala2.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 221px; height: 320px;" src="http://4.bp.blogspot.com/-wUuzWdLUNt4/TfYyHLuXF6I/AAAAAAAAAtQ/5GT3frcxOvI/s320/Kalevala2.jpg" alt="" id="BLOGGER_PHOTO_ID_5617732684178986914" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-K_RG7pgT0w0/TfYxz_qc0AI/AAAAAAAAAtI/Zad6RdC5BYs/s1600/Kalevala3.jpg"&gt;&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;Otra magnífica aportación de Héctor Hernández, en este caso se trata de la cassette "El Kalevala", creación de 1986/87 lanzada por HYADES ARTS. Se grabó con el viejo truco de pegar esparadrapo en las cabezas de  borrado de una pletina de cassette, y esta hecha  con un Polysix y un Ensoniq Mirage.&lt;br /&gt;&lt;br /&gt;A mí me ha parecido fascinante, música electrónica excelentemente trabajada. En especial me encanta "El crepúsculo. Los Tiempos Nuevos." por su impresionante concepción épica y también destacaría una pieza muy corta pero preciosa titulada "Vainamonan".&lt;br /&gt;&lt;br /&gt;En conjunto es una cassette a tener muy en cuenta y recomendable para todos aquellos que amamos los sonidos electrónicos "de verdad".&lt;br /&gt;&lt;br /&gt;Disfrutadla.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/-K_RG7pgT0w0/TfYxz_qc0AI/AAAAAAAAAtI/Zad6RdC5BYs/s1600/Kalevala3.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 211px; height: 320px;" src="http://4.bp.blogspot.com/-K_RG7pgT0w0/TfYxz_qc0AI/AAAAAAAAAtI/Zad6RdC5BYs/s320/Kalevala3.jpg" alt="" id="BLOGGER_PHOTO_ID_5617732354523844610" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=NFJ6YNCZ"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold;"&gt;EL KALEVALA&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-9123760472109237507?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/9123760472109237507/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/06/el-kalevala-la-gran-epopeya-nacional.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/9123760472109237507'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/9123760472109237507'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/06/el-kalevala-la-gran-epopeya-nacional.html' title='EL KALEVALA - LA GRAN EPOPEYA NACIONAL FINLANDESA (HÉCTOR HERNÁNDEZ) (HYADES ARTS 1987)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-wUuzWdLUNt4/TfYyHLuXF6I/AAAAAAAAAtQ/5GT3frcxOvI/s72-c/Kalevala2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-9054849190068764901</id><published>2011-06-05T10:30:00.000-07:00</published><updated>2011-06-05T10:50:30.456-07:00</updated><title type='text'>HÉCTOR HERNÁNDEZ: SEIS IMPROVISACIONES SOBRE YAMAHA CS-70M (1991)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-FuEEZaGQbZg/TevBK3c4BjI/AAAAAAAAAtA/j9Gruolc80I/s1600/Screen%2Bshot%2B2010-11-10%2Bat%2B12.01.25%2BAM.png"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 214px;" src="http://1.bp.blogspot.com/-FuEEZaGQbZg/TevBK3c4BjI/AAAAAAAAAtA/j9Gruolc80I/s320/Screen%2Bshot%2B2010-11-10%2Bat%2B12.01.25%2BAM.png" alt="" id="BLOGGER_PHOTO_ID_5614793752875370034" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Héctor Hernández sigue haciendo aportaciones al grupo de blogs de Stahlfabrik. En esta ocasión se trata de material sonoro: seis improvisaciones realizadas en 1991 sobre el sintetizador Yamaha CS-70M. Las grabaciones están hechas "a pelo", sin reverbs ni delays y grabadas sobre cinta magnetofónica.&lt;br /&gt;&lt;br /&gt;Escuchando improvisaciones tan impresionantes como estas es cuando se percibe el potencial de un músico, y en el caso de Héctor Hernández el resultado es abrumador.&lt;br /&gt;&lt;br /&gt;No os digo nada más, saboread estos seis temas con la dedicación que merecen&lt;br /&gt;&lt;br /&gt;Saludos.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=W59XDAKG"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold;"&gt;DESCARGAR&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-9054849190068764901?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/9054849190068764901/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/06/hector-hernandez-seis-improvisaciones.html#comment-form' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/9054849190068764901'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/9054849190068764901'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/06/hector-hernandez-seis-improvisaciones.html' title='HÉCTOR HERNÁNDEZ: SEIS IMPROVISACIONES SOBRE YAMAHA CS-70M (1991)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-FuEEZaGQbZg/TevBK3c4BjI/AAAAAAAAAtA/j9Gruolc80I/s72-c/Screen%2Bshot%2B2010-11-10%2Bat%2B12.01.25%2BAM.png' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-2976334849834703265</id><published>2011-05-24T11:17:00.000-07:00</published><updated>2011-05-24T11:36:29.216-07:00</updated><title type='text'>CABARET VOLTAIRE - LIVE 18-08-1983 AT ELECTRIC BALLROOM (LONDON)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-CCsUzk0ipAI/Tdv49Bt6wkI/AAAAAAAAAsg/4pY2mf2TA7U/s1600/R-2493030-1287031663.jpeg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 298px; height: 320px;" src="http://4.bp.blogspot.com/-CCsUzk0ipAI/Tdv49Bt6wkI/AAAAAAAAAsg/4pY2mf2TA7U/s320/R-2493030-1287031663.jpeg" alt="" id="BLOGGER_PHOTO_ID_5610351488136823362" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Concierto del grupo de Sheffield CABARET VOLTAIRE. El evento ocurrió el 18 de agosto de 1983 en el "Electric Ballroom" de Londres.&lt;br /&gt;&lt;br /&gt;El sonido es bastante bueno, pero en ocasiones hay algunos errores de stéreo. De todas maneras, se puede escuchar muy bien.&lt;br /&gt;&lt;br /&gt;Si consigo ganar la subasta de Ebay, próximamente colgaré otro concierto de Cabaret Voltaire pero de 1981, con una magna selección de sus temas pre-Crackdown.&lt;br /&gt;&lt;br /&gt;Venga, a disfrutar con los C.V. de 1983.&lt;br /&gt;&lt;br /&gt;&lt;h3 class="rounded_top group"&gt;     &lt;span class="fleft"&gt;Tracklist&lt;/span&gt; &lt;/h3&gt;                                   &lt;table class="playlist mini_playlist" id="playlist-0"&gt;&lt;tbody&gt;&lt;tr class="first"&gt;              &lt;td style="width: 25px;" class="track_pos"&gt;A1&lt;/td&gt;              &lt;td class="track_artists"&gt;            &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Gut Level (Version)&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;            &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;            &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width: 25px;" class="track_pos"&gt;A2&lt;/td&gt;              &lt;td class="track_artists"&gt;            &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;The Dream Ticket&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;            &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;            &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width: 25px;" class="track_pos"&gt;A3&lt;/td&gt;              &lt;td class="track_artists"&gt;            &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;24-24&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;            &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;            &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width: 25px;" class="track_pos"&gt;A4&lt;/td&gt;              &lt;td class="track_artists"&gt;            &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;In The Shadows&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;            &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;            &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width: 25px;" class="track_pos"&gt;A5&lt;/td&gt;              &lt;td class="track_artists"&gt;            &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Over And Over&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;            &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;            &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width: 25px;" class="track_pos"&gt;A6&lt;/td&gt;              &lt;td class="track_artists"&gt;            &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Just Fascination&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;            &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;            &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width: 25px;" class="track_pos"&gt;B1&lt;/td&gt;              &lt;td class="track_artists"&gt;            &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Animation&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;            &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;            &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width: 25px;" class="track_pos"&gt;B2&lt;/td&gt;              &lt;td class="track_artists"&gt;            &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Talking Time&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;            &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;            &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width: 25px;" class="track_pos"&gt;B3&lt;/td&gt;              &lt;td class="track_artists"&gt;            &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Crackdown&lt;/span&gt;              &lt;/td&gt;             &lt;td class="track_duration" width="25"&gt;                 &lt;span&gt;&lt;/span&gt;            &lt;br /&gt;&lt;/td&gt;             &lt;td width="1"&gt;            &lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                           &lt;tr&gt;              &lt;td style="width: 25px;" class="track_pos"&gt;B4&lt;/td&gt;              &lt;td class="track_artists"&gt;            &lt;br /&gt;&lt;/td&gt;              &lt;td class="track"&gt;                 &lt;span class="track_title"&gt;Product Patrol&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=0TKTK97I"&gt;&lt;span style="font-weight: bold;"&gt;CABARET VOLTAIRE - LIVE 18-08-1983 AT ELECTRIC BALLROOM&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-2976334849834703265?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/2976334849834703265/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/05/cabaret-voltaire-live-18-08-1983-at.html#comment-form' title='3 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/2976334849834703265'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/2976334849834703265'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/05/cabaret-voltaire-live-18-08-1983-at.html' title='CABARET VOLTAIRE - LIVE 18-08-1983 AT ELECTRIC BALLROOM (LONDON)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-CCsUzk0ipAI/Tdv49Bt6wkI/AAAAAAAAAsg/4pY2mf2TA7U/s72-c/R-2493030-1287031663.jpeg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-9013993158697289203</id><published>2011-05-08T11:38:00.000-07:00</published><updated>2011-05-08T11:48:14.369-07:00</updated><title type='text'>LOS PUNSETES REMIX  (POPSTOCK 2011 - LP)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-k7-h-7dJGYs/TcblZti_6RI/AAAAAAAAArs/sIIz2OMiH2A/s1600/PUNSETES.jpeg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 320px;" src="http://2.bp.blogspot.com/-k7-h-7dJGYs/TcblZti_6RI/AAAAAAAAArs/sIIz2OMiH2A/s320/PUNSETES.jpeg" alt="" id="BLOGGER_PHOTO_ID_5604419016195041554" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Mejor no os digo nada y os dejo la descripción del catálogo de ROTOR:&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;br /&gt;Surrealismo español:  Arturo Lanz de Esplendor Geométrico remezclando  un tema de un joven grupo madrileño indie de prestigio (Los Punsetes).  Nos consta que no tenía ni idea a quien mezclaba pero le daba igual, ha  destruido el tema  y lo ha convertido en 8 minutos de puro Esplendor  Geométrico (grabaciones pornográficas incluidas). Es una rareza muy  limitada y SOLO EN VINILO, hay otras remezclas de otros artistas (cuatro  temas en total: El Guincho, Avalan e Hidrogenesse  ) pero nada que ver  claro…&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;El vinilo no tiene portada, por lo que he puesto una foto genérica del grupo.&lt;br /&gt;&lt;p style="font-weight: bold;"&gt;TRACKLIST:&lt;/p&gt;1- MONO Y GALGO (HIDROGENESSE)&lt;br /&gt;2- POR EL VICIO (ESPLENDOR GEOMETRICO)&lt;br /&gt;3- TUS AMIGOS (EL GUINCHO)&lt;br /&gt;4- CIEN METROS PARA EL CEMENTERIO (AVALON)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=XJSIDI3Z"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;LOS PUNSETES REMIX&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-9013993158697289203?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/9013993158697289203/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/05/los-punsetes-remix-popstock-2011-lp.html#comment-form' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/9013993158697289203'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/9013993158697289203'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/05/los-punsetes-remix-popstock-2011-lp.html' title='LOS PUNSETES REMIX  (POPSTOCK 2011 - LP)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-k7-h-7dJGYs/TcblZti_6RI/AAAAAAAAArs/sIIz2OMiH2A/s72-c/PUNSETES.jpeg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-439006884987228994</id><published>2011-05-03T03:57:00.000-07:00</published><updated>2011-05-03T04:09:33.036-07:00</updated><title type='text'>ORCHESTRAL MANOEUVRES IN THE DARK: THE UNRELEASED '78 TAPES (DINDISC 1980)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-T0N3Vyy6x6g/Tb_iJR6pasI/AAAAAAAAArU/YSvGA7pxdi8/s1600/unreleased%2Btapes.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 318px;" src="http://4.bp.blogspot.com/-T0N3Vyy6x6g/Tb_iJR6pasI/AAAAAAAAArU/YSvGA7pxdi8/s320/unreleased%2Btapes.jpg" alt="" id="BLOGGER_PHOTO_ID_5602445110528273090" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Hola de nuevo amigos.&lt;br /&gt;&lt;br /&gt;Después de casi un mes de nula actividad en los foros de Stahlfabrik, volvemos a la carga para seguir con el ritmo habitual.&lt;br /&gt;&lt;br /&gt;En esta ocasión os ofrezco un disco editado por el subsello Dindisc en 1980, que pretendía mostrar lo que hicieron los chicos de Orchestral Manoeuvres in the Dark algunos años antes de ser lanzados al estrellato del firmamento Tecno-Pop. En 1978, Humpreys y McCluskey tenían clara su inclinación por la electrónica experimental, tal y como podemos escuchar en estas grabaciones. Personalmente, creo que deberían haber mantenido un proyecto paralelo a sus trabajos más comerciales, porque la verdad es que hubieran dado mucho de sí en el terreno industrial.&lt;br /&gt;&lt;br /&gt;Ahora os toca a vosotros escuchar, paladear y opinar.&lt;br /&gt;&lt;br /&gt;Saludos.&lt;br /&gt;&lt;br /&gt;&lt;strong style="color: rgb(255, 255, 255);"&gt;Tracklist:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;01 Introducing Radios&lt;br /&gt;02 Distance Fades Between Us&lt;br /&gt;03 Progress&lt;br /&gt;04 Once When I Was Six&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;a style="font-weight: bold;" href="http://www.megaupload.com/?d=KQ82UP4Z"&gt;THE UNRELEASED '78 TAPES&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-439006884987228994?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/439006884987228994/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/05/orchestral-manoeuvres-in-dark.html#comment-form' title='3 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/439006884987228994'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/439006884987228994'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/05/orchestral-manoeuvres-in-dark.html' title='ORCHESTRAL MANOEUVRES IN THE DARK: THE UNRELEASED &apos;78 TAPES (DINDISC 1980)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-T0N3Vyy6x6g/Tb_iJR6pasI/AAAAAAAAArU/YSvGA7pxdi8/s72-c/unreleased%2Btapes.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-3638814643305238866</id><published>2011-04-08T03:02:00.000-07:00</published><updated>2011-04-08T03:47:29.204-07:00</updated><title type='text'>ENTREVISTA A MECÁNICA POPULAR EN EL PROGRAMA "ATMÓSFERA" DE RADIO 3 (20 DE MARZO DE 2011)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-L_qGpDKLL-U/TZ7gQ97BA0I/AAAAAAAAAq0/hn34ntFaWFU/s1600/02arteche.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 300px; height: 200px;" src="http://1.bp.blogspot.com/-L_qGpDKLL-U/TZ7gQ97BA0I/AAAAAAAAAq0/hn34ntFaWFU/s320/02arteche.jpg" alt="" id="BLOGGER_PHOTO_ID_5593154369345356610" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Mi amigo Juan Carlos Allo me pasó ayer este genial documento, una entrevista al grupo Mecánica Popular emitida en el programa "Atmósfera" de Radio-3 el día 20 de marzo pasado. Es una interesantísima entrevista de algo más de una hora aderezada por la música del grupo y en la que hablan de todo su devenir histórico en la música electrónica, sus proyectos y sus opiniones acerca del actual panorama musical. Tras la entrevista, el programa sigue con temas de otros grupos y proyectos hasta completar las dos horas de emisión.&lt;br /&gt;&lt;br /&gt;Imprescindible para fans de Mecánica Popular, no os lo perdais.&lt;br /&gt;&lt;br /&gt;Saludos.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=GV97KKWD"&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;DESCARGAR&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-3638814643305238866?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/3638814643305238866/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/04/entrevista-mecanica-popular-en-el.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/3638814643305238866'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/3638814643305238866'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/04/entrevista-mecanica-popular-en-el.html' title='ENTREVISTA A MECÁNICA POPULAR EN EL PROGRAMA &quot;ATMÓSFERA&quot; DE RADIO 3 (20 DE MARZO DE 2011)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-L_qGpDKLL-U/TZ7gQ97BA0I/AAAAAAAAAq0/hn34ntFaWFU/s72-c/02arteche.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-8053040542101132404</id><published>2011-03-26T09:18:00.000-07:00</published><updated>2011-03-26T09:27:28.660-07:00</updated><title type='text'>STAHLFABRIK ESTRENA DISCO EN ESPAISNETLAB</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-DiP_1zO-ijg/TY4T6yFnczI/AAAAAAAAAqo/O9IaYh0dIKQ/s1600/cover.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 319px; height: 320px;" src="http://3.bp.blogspot.com/-DiP_1zO-ijg/TY4T6yFnczI/AAAAAAAAAqo/O9IaYh0dIKQ/s320/cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5588426088212034354" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Tras la oferta realizada por Pepe Frías, el responsable del netlabel "ESPAIS",  el proyecto STAHLFABRIK presenta su último disco "CV-GATE".&lt;br /&gt;&lt;br /&gt;No os lo voy a describir porque prefiero que lo escucheis y saqueis vuestras propias opiniones, que me gustaría ver plasmadas en forma de críticas por aquí. Lo único que os digo es que este disco se ha realizado al 100% con sintetizadores reales, la mayoría de ellos analógicos.&lt;br /&gt;&lt;br /&gt;Espero vuestros comentarios y valoraciones.&lt;br /&gt;&lt;br /&gt;Aquí teneis el link de ESPAIS: http://espaisnetlab.wordpress.com/&lt;br /&gt;&lt;br /&gt;Y aquí el de mi disco: http://espaisnetlab.wordpress.com/005-stahlfabrik-cv-gate/&lt;br /&gt;&lt;br /&gt;Saludos.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-8053040542101132404?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/8053040542101132404/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/03/stahlfabrik-estrena-disco-en.html#comment-form' title='4 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/8053040542101132404'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/8053040542101132404'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/03/stahlfabrik-estrena-disco-en.html' title='STAHLFABRIK ESTRENA DISCO EN ESPAISNETLAB'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-DiP_1zO-ijg/TY4T6yFnczI/AAAAAAAAAqo/O9IaYh0dIKQ/s72-c/cover.jpg' height='72' width='72'/><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-7616261857818887444</id><published>2011-03-21T12:15:00.000-07:00</published><updated>2011-03-21T14:38:33.537-07:00</updated><title type='text'>A FACTORY SAMPLE (Doble 7" Factory Records 1978)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-txAB7kSpcc8/TYeotIZrbZI/AAAAAAAAAqQ/nkh3_YSTNuk/s1600/R-11395-1161168591.jpeg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 318px;" src="http://1.bp.blogspot.com/-txAB7kSpcc8/TYeotIZrbZI/AAAAAAAAAqQ/nkh3_YSTNuk/s320/R-11395-1161168591.jpeg" alt="" id="BLOGGER_PHOTO_ID_5586619356079156626" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Como homenaje a las ya superadas 90.000 visitas a Wet Dreams, os ofrezco esta fenomenal compilación en doble single, auténtico incunable de la historia de la nueva música.&lt;br /&gt;&lt;br /&gt;Antes que nada, agradeceros vuestra constancia y dedicación para con este humilde blog, ya que habeis sido vosotros los que lo habeis llevado al nivel en el que actualmente se encuentra. La verdad es que nunca hubiera imaginado llegar a tales cotas de aceptación, por lo que no me queda más que rendirme ante vosotros y dedicaros mi más sincero aplauso. Gracias a todos.&lt;br /&gt;&lt;br /&gt;Vamos al asunto:&lt;br /&gt;&lt;br /&gt;A Factory Sample es un EP doble de 7 pulgadas que fue el primer disco del sello Factory Records de Mánchester, Inglaterra. Fue lanzado el 24 de diciembre de 1978 y contenía canciones de las bandas post-punk Joy Division y The Durutti Column (de cuya banda este EP era debut discográfico), de la banda synthpop Cabaret Voltaire y del comediante birminghense John Dowie. También es el primer disco del sello producido por el aclamado productor mancuniano Martin "Zero" Hannett (acreditado en el EP como Martin Zero).&lt;br /&gt;&lt;br /&gt;Éste EP fue el segundo material discográfico realizado por Joy Division. La canción "Glass" fue incluida para el compilatorio postumo de la banda, Still, de 1981.&lt;br /&gt;&lt;br /&gt;Éste sería el primer material discográfico realizado por The Durutti Column y el único en su casi toda su alineación original. Poco antes de la grabación del EP, el cantante original Phil Rainford fue echado, mientras que el resto, compuesto por los guitarristas Vini Reilly y Dave Rowbotham, el bajista Tony Bowers y el baterista Chris Joyce grabó su parte en el EP acompañados de Colin Sharp, un amigo de Zero, en reemplazo de Rainford. Por la época del lanzamiento del EP, la banda quedaba solamente compuesta por Reilly, y años después Bruce Mitchell, quien tocó en este disco para John Dowie, se le uniría. Rowbotham, Bowers y Joyce, formaron The Mothmen, y, luego, los dos últimos alcanzarían éxito con Simply Red.&lt;br /&gt;&lt;br /&gt;Deseo que lo disfruteis.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;Tracklist:&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;h3&gt;&lt;span class="mw-headline" id="Lado_A"&gt;Cara A&lt;/span&gt;&lt;/h3&gt; &lt;ol&gt;&lt;li&gt;"Digital" (Curtis, Hook, Morris, Sumner)&lt;/li&gt;&lt;li&gt;"Glass" (Curtis, Hook, Morris, Sumner)&lt;/li&gt;&lt;/ol&gt; &lt;h3&gt;&lt;span class="editsection"&gt;Cara &lt;/span&gt;&lt;span class="mw-headline" id="Lado_B"&gt;B&lt;/span&gt;&lt;/h3&gt; &lt;ol&gt;&lt;li&gt;"No Communication" (The Durutti Column)&lt;/li&gt;&lt;li&gt;"Thin Ice (Detail)" (The Durutti Column)&lt;/li&gt;&lt;/ol&gt; &lt;h3&gt;&lt;span class="editsection"&gt;Cara &lt;/span&gt;&lt;span class="mw-headline" id="Lado_C"&gt;C&lt;/span&gt;&lt;/h3&gt; &lt;ol&gt;&lt;li&gt;"Acne" (Dowie)&lt;/li&gt;&lt;li&gt;"Idiot" (Dowie)&lt;/li&gt;&lt;li&gt;"Hitler's Liver" (Dowie)&lt;/li&gt;&lt;/ol&gt; &lt;h3&gt;&lt;span class="editsection"&gt;Cara &lt;/span&gt;&lt;span class="mw-headline" id="Lado_D"&gt;D&lt;/span&gt;&lt;/h3&gt; &lt;ol&gt;&lt;li&gt;"Baader Meinhof" (Cabaret Voltaire)&lt;/li&gt;&lt;li&gt;"Sex In Secret" (Cabaret Voltaire)&lt;/li&gt;&lt;/ol&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=TKOJ65NX"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold;"&gt;A FACTORY SAMPLE&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-7616261857818887444?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/7616261857818887444/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/03/factory-sample-doble-7-factory-records.html#comment-form' title='3 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7616261857818887444'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7616261857818887444'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/03/factory-sample-doble-7-factory-records.html' title='A FACTORY SAMPLE (Doble 7&quot; Factory Records 1978)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-txAB7kSpcc8/TYeotIZrbZI/AAAAAAAAAqQ/nkh3_YSTNuk/s72-c/R-11395-1161168591.jpeg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-66895571940520557</id><published>2011-03-11T03:13:00.000-08:00</published><updated>2011-03-12T08:02:42.493-08:00</updated><title type='text'>PROGRAMACIÓN INFANTIL - NOCHE / MAÑANA (Toracic Tapes 1988)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-fGH1uZZKJ0c/TXoJGoQEfUI/AAAAAAAAAp4/DvouVugJOJY/s1600/PORTADA.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 306px; height: 320px;" src="http://3.bp.blogspot.com/-fGH1uZZKJ0c/TXoJGoQEfUI/AAAAAAAAAp4/DvouVugJOJY/s320/PORTADA.jpg" alt="" id="BLOGGER_PHOTO_ID_5582784697567837506" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Seguimos en este improvisado homenaje al sello TORACIC TAPES de Miguel A. Ruiz, con una cassette editada en 1988 del grupo zaragozano PROGRAMACIÓN INFANTIL.&lt;br /&gt;&lt;br /&gt;Sobre esta cinta no hay (o no he sabido localizar) ninguna información en la red, por lo que lo único que puedo aportar son los datos que aparecen en la portada. El grupo está formado por Antonio García (sintetizador, bajo, guitarra manipulada), José M. Sanchez (sintetizador) y Antonio Tenas (producción). La cinta se divide en dos partes bien diferenciadas: la cara A titulada "Noche" es un espléndido trabajo de electrónica y guitarra, de temas muy bien trabajados y de ambiente entre oscuro y bucólico. La cara B de título "Mañana" es algo más oscura y completamente electrónica, desaparecieron las guitarras y el ambiente se torna más inquietante.&lt;br /&gt;&lt;br /&gt;No espereis ruidos cibernéticos ni ambientes industriales, esto va mucho más allá de lo que la electrónica underground española nos tenía acostumbrados en aquellos años, sin necesidad de calificarlo como "mejor" o "peor" que otras propuestas, simplemente es... otra historia.&lt;br /&gt;&lt;br /&gt;Me conformo con que gozeis la mitad de lo que yo he gozado con esta K-7.&lt;br /&gt;&lt;br /&gt;Saludos.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;TRACKLIST:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;CARA A (NOCHE):&lt;br /&gt;&lt;br /&gt;1- PABELLÓN DE INSOMNIOS&lt;br /&gt;2- TIERRA DE TRANCE&lt;br /&gt;3- MESCALITO (SOÑAMOS CON MÉJICO)&lt;br /&gt;4- BAJO LA TIERRA I&lt;br /&gt;5- CUERVO BLANCO&lt;br /&gt;6- ARENA ENTRE LOS DEDOS&lt;br /&gt;7- GELATINA (POSIBLE 4ª PARTE)&lt;br /&gt;&lt;br /&gt;CARA B (MAÑANA):&lt;br /&gt;&lt;br /&gt;1- SED DE MAL&lt;br /&gt;2- BAJO LA TIERRA II&lt;br /&gt;3- MARCAPASOS&lt;br /&gt;4- 39&lt;br /&gt;5- ¿QUIÉN ES EL ENFERMO?&lt;br /&gt;6- BERENICE&lt;br /&gt;7- J DE JAPÓN&lt;br /&gt;8- ZENTAURO&lt;br /&gt;9- CAMINO REAL&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=FHACT1GK"&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;NOCHE / MAÑANA&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a rel="license" href="http://creativecommons.org/licenses/by-nc-nd/3.0/"&gt;&lt;img alt="Licencia Creative Commons" style="border-width:0" src="http://i.creativecommons.org/l/by-nc-nd/3.0/88x31.png" /&gt;&lt;/a&gt;&lt;br /&gt;Este obra está bajo una &lt;a rel="license" href="http://creativecommons.org/licenses/by-nc-nd/3.0/"&gt;licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-66895571940520557?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/66895571940520557/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/03/programacion-infantil-noche-manana.html#comment-form' title='3 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/66895571940520557'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/66895571940520557'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/03/programacion-infantil-noche-manana.html' title='PROGRAMACIÓN INFANTIL - NOCHE / MAÑANA (Toracic Tapes 1988)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-fGH1uZZKJ0c/TXoJGoQEfUI/AAAAAAAAAp4/DvouVugJOJY/s72-c/PORTADA.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-3446690067985633018</id><published>2011-03-10T15:21:00.000-08:00</published><updated>2011-03-12T08:03:35.575-08:00</updated><title type='text'>VARIOUS - SCHWARZKOPF (Toracic Tapes 1988)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-D7BNZ7wyJ4I/TXltE403UxI/AAAAAAAAApo/h7DKjme2yBo/s1600/R-866743-1253988510.jpeg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 302px;" src="http://2.bp.blogspot.com/-D7BNZ7wyJ4I/TXltE403UxI/AAAAAAAAApo/h7DKjme2yBo/s320/R-866743-1253988510.jpeg" alt="" id="BLOGGER_PHOTO_ID_5582613143843459858" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-xEMFi185Rvs/TXlswuf3dQI/AAAAAAAAApg/XWy0HJfXy44/s1600/Schwarzkopf.JPG"&gt;&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Espléndida recopilación compilada por Miguel A. Ruiz que recoge los trabajos de grandes grupos y proyectos internacionales. La presencia española está representada, entre otros, por personalidades de la talla de Orfeón Gagarin, Merz, Esplendor Geométrico...&lt;br /&gt;&lt;br /&gt;Una cassette muy buscada y que conservo como oro en paño.&lt;br /&gt;&lt;br /&gt;Gozad, amigos.&lt;br /&gt;&lt;br /&gt;Tracklisting :&lt;br /&gt;&lt;br /&gt;A1. &lt;span style="font-weight: bold;"&gt;Minimax Maximalminimum&lt;/span&gt; - 23 Skidoo! (4:18)&lt;br /&gt;A2. &lt;span style="font-weight: bold;"&gt;Programacion Infantil&lt;/span&gt; - Pabellon De Insomnios (2:58)&lt;br /&gt;A3. &lt;span style="font-weight: bold;"&gt;Urban Project Music&lt;/span&gt; - Simulation V (5:17)&lt;br /&gt;A4. &lt;span style="font-weight: bold;"&gt;Proletkult&lt;/span&gt; - Acceleration (4:32)&lt;br /&gt;A5. &lt;span style="font-weight: bold;"&gt;PCR&lt;/span&gt; - Tom (4:28)&lt;br /&gt;A6. &lt;span style="font-weight: bold;"&gt;Uvegraf&lt;/span&gt; - 10000 Visiones Del Dr.Castroviejo (4:55)&lt;br /&gt;A7. &lt;span style="font-weight: bold;"&gt;Lustwig Van Biesthoven&lt;/span&gt; - Glorimental Smile (2:40)&lt;br /&gt;A8. &lt;span style="font-weight: bold;"&gt;Arcueil&lt;/span&gt; - The Fisherman And His Soul (3:03)&lt;br /&gt;A9. &lt;span style="font-weight: bold;"&gt;Doc Wör Mirran&lt;/span&gt; - Another Sighting Of The Great Loch Ness (4:05)&lt;br /&gt;A10. &lt;span style="font-weight: bold;"&gt;Merz&lt;/span&gt; - Infection I (5:13)&lt;br /&gt;A11. &lt;span style="font-weight: bold;"&gt;Kopfschmerztablette&lt;/span&gt; - Manila High Line (4:27)&lt;br /&gt;B1. &lt;span style="font-weight: bold;"&gt;Markus Breuss&lt;/span&gt; - Richard Kimball (Partes I A IV) (7:50)&lt;br /&gt;B2. &lt;span style="font-weight: bold;"&gt;Die Vorkriegszeit&lt;/span&gt; - Antalya (3:58)&lt;br /&gt;B3. &lt;span style="font-weight: bold;"&gt;Esplendor Geométrico&lt;/span&gt; - Trybuna Del Lavoro (5:32)&lt;br /&gt;B4. &lt;span style="font-weight: bold;"&gt;Siegmar Fricke&lt;/span&gt; - Clinique Obscure / The Room Was Dark (4:06)&lt;br /&gt;B5. &lt;span style="font-weight: bold;"&gt;Orfeon Gagarin&lt;/span&gt; - Ephemerol (3:38)&lt;br /&gt;B6. &lt;span style="font-weight: bold;"&gt;Roland Schiefnetter&lt;/span&gt; - Pyramide I (5:01)&lt;br /&gt;B7. &lt;span style="font-weight: bold;"&gt;Marco Dope-Ra&lt;/span&gt; - Ethno (6:34)&lt;br /&gt;B8. &lt;span style="font-weight: bold;"&gt;Krivoi Rog&lt;/span&gt; - Nabla (3:36)&lt;br /&gt;B9. &lt;span style="font-weight: bold;"&gt;Context&lt;/span&gt; - Product 41 (2:51)&lt;br /&gt;B10. &lt;span style="font-weight: bold;"&gt;Die Rache&lt;/span&gt; - Control System (2:44)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=CWJTFEGC"&gt;&lt;span style="font-size:130%;"&gt; &lt;span style="font-weight: bold;"&gt;SCHWARZKOPF&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a rel="license" href="http://creativecommons.org/licenses/by-nc-nd/3.0/"&gt;&lt;img alt="Licencia Creative Commons" style="border-width:0" src="http://i.creativecommons.org/l/by-nc-nd/3.0/88x31.png" /&gt;&lt;/a&gt;&lt;br /&gt;Este obra está bajo una &lt;a rel="license" href="http://creativecommons.org/licenses/by-nc-nd/3.0/"&gt;licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-3446690067985633018?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/3446690067985633018/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/03/various-schwarzkopf-toracic-tapes-1988.html#comment-form' title='2 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/3446690067985633018'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/3446690067985633018'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/03/various-schwarzkopf-toracic-tapes-1988.html' title='VARIOUS - SCHWARZKOPF (Toracic Tapes 1988)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-D7BNZ7wyJ4I/TXltE403UxI/AAAAAAAAApo/h7DKjme2yBo/s72-c/R-866743-1253988510.jpeg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-2491372637890266697</id><published>2011-03-04T16:28:00.000-08:00</published><updated>2011-03-12T08:04:09.999-08:00</updated><title type='text'>VARIOUS - FIX PLANET, AN INTERNATIONAL RECORD (ATA TAK 1981)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-HjWDw7_WErg/TXGLim2qD6I/AAAAAAAAApY/gEUT9ATLgG0/s1600/COVER.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 319px; height: 320px;" src="http://4.bp.blogspot.com/-HjWDw7_WErg/TXGLim2qD6I/AAAAAAAAApY/gEUT9ATLgG0/s320/COVER.jpg" alt="" id="BLOGGER_PHOTO_ID_5580394839950364578" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Hagamos un poco de historia:&lt;br /&gt;&lt;br /&gt;Corría el maravilloso año 1981, en el que, Tejeros aparte, el movimiento tecno-pop se vistió de largo a escala planetaria. En ese año surgieron los más increíbles discos de pop electrónico al mando de sus majestades los británicos, que influenciados por Kraftwerk y armados con los más poderosos sintetizadores del mercado pusieron en funcionamiento las neuronas de millones de jóvenes de todo el mundo a ritmo de sonidos sintéticos. Fue el año del boom, las emisoras de radio llenaban sus programas con temas y más temas de Human League, Depeche Mode, Gary Numan, Visage, Ultravox, OMD, Heaven 17, Thompson Twins, Blancmange, Thomas Leer...&lt;br /&gt;&lt;br /&gt;En 1981 un servidor contaba con tan solo 14 añitos y, cansado del hit parade del momento lleno de múltiples y múltiplos de las omnipresentes estrellas del rock y el pop convencional, empezó a vibrar con aquellos extraños sonidos que emitían los Human League en el single "Love Action", con las percusiones sintéticas del "New Life" de Depeche Mode y con los misteriosos ritmos del disco "Dance" de Gary Numan. Fue el inicio de una nueva forma de entender la música moderna, nada que ver con lo establecido de guitarra-bajo-batería que hubo hasta la fecha. Mis padres alucinaban viendo como los grupos que yo escuchaba salían por la tele armados solamente por teclados llenos de botones o con verdaderos armarios repletos de cables y potenciómetros, ni por asomo se parecían a los grupos de melenudos guitarreros que mi hermano escuchaba en los 60 y 70.&lt;br /&gt;&lt;br /&gt;En Alemania hubo un colectivo que se hizo eco de esa revolución sonora y, en pleno año 1981, "invitó" a una serie de grupos y músicos de diferentes partes del globo para montar un recopilatorio que sirviera de guía para los recién llegados y para que en el futuro quedase un registro de lo que aconteció en ese primer año de la década ochentera. El colectivo no era otro que el sello Ata Tak, sendero espiritual del grupo alemán Der Plan y los grupos eran de procedencias tan dispares como Alemania, Noruega, España, Ecuador, Irán, Hungría, la URSS, EEUU, Polonia, Inglaterra, Italia, Japón, Austria... Una auténtica amalgama de etnias unidas por un nexo común: el sonido electrónico.&lt;br /&gt;&lt;br /&gt;La recopilación constaba de un LP conteniendo todos los temas de los grupos internacionales y un 7" con dos temas de Der Plan.&lt;br /&gt;&lt;br /&gt;Disfrutad de esta recopilación y tened en cuenta que muy pocas recopilaciones dejaron tanta huella como ésta, considerada actualmente como la más influyente y la que más ha aportado al mundo del medio musical electrónico.&lt;br /&gt;&lt;br /&gt;Saludos.&lt;br /&gt;&lt;br /&gt;Tracklist&lt;br /&gt;A1     Sister M.  -      S.M.       &lt;br /&gt;A2     Esplendor Geometrico*  -      Moscu Esta Helado (Moscow Is Frozen)       &lt;br /&gt;             Performer - Arturo Lanz , Gabriel Riaza , J. Carlos Sastre*&lt;br /&gt;A3     Unknown Artist  -      Fiesta De Virgin Del Carmen, Atacames       &lt;br /&gt;A4     Bruchotin Automatic Band / Siluetes 61  -      Adam's Apple / Vsichni Praznj       &lt;br /&gt;             Performer [Siluetes 61] - Tom Dokupil*&lt;br /&gt;A5     Fra Lippo Lippi  -      Fabric Wardrobe       &lt;br /&gt;             Performer - Bjørn Sorknes , Morten Sjøberg , Rune Kristoffersen&lt;br /&gt;A6     Vágtá Zó Hallot Kémek*  -      Untitled       &lt;br /&gt;A7     Raha  -      Marebebus       &lt;br /&gt;B1     Man Ray Band  -      I Feel So Bad       &lt;br /&gt;             Performer - Chester Lazlo (alias Charles Ramirez)* , Jed Gould, "The Fish"* , Booji Boy      (Mark Mothersbaugh)* , Tucson Smith (P. Culp)*&lt;br /&gt;B2     Peter X, Kolja Y  -      Bblwe, Bblwe ! (Higher, Higher !)       &lt;br /&gt;B3     Kid Montana  -      Amour D'Electrons       &lt;br /&gt;             Performer - J.M. Ledermann* , Mark Beer&lt;br /&gt;B4     Eva Johanna Reichstag* &amp;amp; Die Form  -      Valium       &lt;br /&gt;B5     Semoe  -      I Think       &lt;br /&gt;B6     Surplus Stock  -      Let's Kill Each Other       &lt;br /&gt;             Performer - Bob Giddens&lt;br /&gt;B7     M.B.*  -      Milan Bruits       &lt;br /&gt;B8     Jad Fair  -      Fish Can Talk       &lt;br /&gt;B9     Alexao Sevsek  -      Das Edelweiß       &lt;br /&gt;C     Der Plan  -      Einfachheit, Brot, Klarheit, Liebe, Tod       &lt;br /&gt;D     Der Plan  -      Untitled&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=M7D94CNX"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;FIX PLANET&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a rel="license" href="http://creativecommons.org/licenses/by-nc-nd/3.0/"&gt;&lt;img alt="Licencia Creative Commons" style="border-width:0" src="http://i.creativecommons.org/l/by-nc-nd/3.0/88x31.png" /&gt;&lt;/a&gt;&lt;br /&gt;Este obra está bajo una &lt;a rel="license" href="http://creativecommons.org/licenses/by-nc-nd/3.0/"&gt;licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-2491372637890266697?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/2491372637890266697/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/03/various-fix-planet-international-record.html#comment-form' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/2491372637890266697'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/2491372637890266697'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/03/various-fix-planet-international-record.html' title='VARIOUS - FIX PLANET, AN INTERNATIONAL RECORD (ATA TAK 1981)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-HjWDw7_WErg/TXGLim2qD6I/AAAAAAAAApY/gEUT9ATLgG0/s72-c/COVER.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-1250630609529155717</id><published>2011-02-19T21:47:00.000-08:00</published><updated>2011-03-12T08:04:57.908-08:00</updated><title type='text'>DE FABRIEK / THE KLINIK - ATTENTIE (FABPROD 07 1986) (LIMITED TO 500 COPIES)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-UDdOt3bjlj4/TWCvi_kgJxI/AAAAAAAAAoA/8FMJOqFk2dg/s1600/P1010148.JPG"&gt;&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-fmHWLVKKGkQ/TWCums_m6aI/AAAAAAAAAn4/a3VV8C3RGiY/s1600/P1010150.JPG"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 320px;" src="http://3.bp.blogspot.com/-fmHWLVKKGkQ/TWCums_m6aI/AAAAAAAAAn4/a3VV8C3RGiY/s320/P1010150.JPG" alt="" id="BLOGGER_PHOTO_ID_5575648318620887458" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;En 1986, De Fabriek y The Klinik reunificaron en un mismo vinilo sendos trabajos. Por un lado el magnífico Melting Close de The Klinik, y por el lado de De Fabriek crearon para la ocasión el "Platanen" que ocupa toda la cara B del disco. Industrial de fácil asimilación, contundentes percusiones, ritmos muy trabajados y alta tecnología por todos lados conforman este discazo que todo buen aficionado a la electrónica underground debería tener, o al menos escuchar.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="content"&gt;Label:&lt;a href="http://www.discogs.com/label/De+Fabriek"&gt; De Fabriek&lt;/a&gt;&lt;/div&gt;  &lt;div class="content"&gt;Catalog#:FABPROD 07&lt;/div&gt;  &lt;div class="content"&gt;Format: Vinyl, LP, Limited Edition&lt;br /&gt; &lt;/div&gt;  &lt;div class="content"&gt;Country: Netherlands&lt;/div&gt; &lt;div class="content"&gt;Released: 1986&lt;/div&gt;    &lt;div class="content"&gt;Genre: Electronic               &lt;/div&gt;  &lt;div class="content"&gt;Style: Industrial,              Experimental           &lt;/div&gt;&lt;div class="section major tracklist"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;Tracklist:&lt;br /&gt;&lt;br /&gt;CARA A: MELTING CLOSE&lt;br /&gt;&lt;br /&gt;1- Never Get Out&lt;br /&gt;&lt;br /&gt;2- Melting Close&lt;br /&gt;&lt;br /&gt;3- Nautilus&lt;br /&gt;&lt;br /&gt;4- Feel The Evil&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;CARA B: PLATANEN&lt;br /&gt;&lt;br /&gt;1- Mensen Die Hun Planten Slaan&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://www.megaupload.com/?d=KJ9MV4C6"&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;ATTENTIE&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;div class="section_content"&gt;&lt;table style="width: 405px; height: 228px;" class="playlist mini_playlist" id="playlist-0"&gt;&lt;tbody&gt;&lt;tr class="first"&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;a rel="license" href="http://creativecommons.org/licenses/by-nc-nd/3.0/"&gt;&lt;img alt="Licencia Creative Commons" style="border-width:0" src="http://i.creativecommons.org/l/by-nc-nd/3.0/88x31.png" /&gt;&lt;/a&gt;&lt;br /&gt;Este obra está bajo una &lt;a rel="license" href="http://creativecommons.org/licenses/by-nc-nd/3.0/"&gt;licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-1250630609529155717?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/1250630609529155717/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/02/de-fabriek-klinik-attentie-fabprod-07.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/1250630609529155717'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/1250630609529155717'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/02/de-fabriek-klinik-attentie-fabprod-07.html' title='DE FABRIEK / THE KLINIK - ATTENTIE (FABPROD 07 1986) (LIMITED TO 500 COPIES)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-fmHWLVKKGkQ/TWCums_m6aI/AAAAAAAAAn4/a3VV8C3RGiY/s72-c/P1010150.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-3713680328109315781</id><published>2011-02-12T13:52:00.000-08:00</published><updated>2011-03-12T08:06:07.895-08:00</updated><title type='text'>LA OTRA CARA DE UN JARDÍN - BRIKOLLAGE</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-tBwMWcQ79VM/TVcGviJqgwI/AAAAAAAAAng/bRSfb4VhTSA/s1600/COVER.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 194px;" src="http://2.bp.blogspot.com/-tBwMWcQ79VM/TVcGviJqgwI/AAAAAAAAAng/bRSfb4VhTSA/s320/COVER.jpg" alt="" id="BLOGGER_PHOTO_ID_5572930477585236738" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Esta es otra de las cintas que me llegaron ayer. He estado intentando buscar información acerca de ella por todos lados y lo único que he encontrado ha sido en &lt;a href="http://www.discogs.com/Big-Red-Stain--La-Otra-Cara-De-Un-Jard%C3%ADn-Chronicle-Of-Consumptive-Irritation-Brikollage/release/575069"&gt;Discogs&lt;/a&gt;, pero como cara B de una cassette a medias con otro proyecto llamado Big Red Stain. La que tengo encima de mi mesa es una cinta solo de La Otra Cara de un Jardín, sin el otro grupo, como podreis comprobar en la portada que os he escaneado.&lt;br /&gt;&lt;br /&gt;Impresionantemente rotundo el sonido de LOCDUJ.&lt;br /&gt;&lt;br /&gt;Disfrutadla a fondo.&lt;br /&gt;&lt;br /&gt;Tracklist:&lt;br /&gt;&lt;br /&gt;A1- Insane Muzak&lt;br /&gt;A2- Acedía&lt;br /&gt;B1- Ahíto de Incertidumbres&lt;br /&gt;B2- Renuencia&lt;br /&gt;&lt;br /&gt;&lt;span &gt;&lt;a href="http://www.megaupload.com/?d=7O7MMAZE"&gt; &lt;span style="font-weight: bold;"&gt;LA OTRA CARA DE UN JARDÍN - BRIKOLLAGE&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;a rel="license" href="http://creativecommons.org/licenses/by-nc-nd/3.0/"&gt;&lt;img alt="Licencia Creative Commons" style="border-width:0" src="http://i.creativecommons.org/l/by-nc-nd/3.0/88x31.png" /&gt;&lt;/a&gt;&lt;br /&gt;Este obra está bajo una &lt;a rel="license" href="http://creativecommons.org/licenses/by-nc-nd/3.0/"&gt;licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-3713680328109315781?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/3713680328109315781/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/02/la-otra-cara-de-un-jardin-brikollage.html#comment-form' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/3713680328109315781'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/3713680328109315781'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/02/la-otra-cara-de-un-jardin-brikollage.html' title='LA OTRA CARA DE UN JARDÍN - BRIKOLLAGE'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-tBwMWcQ79VM/TVcGviJqgwI/AAAAAAAAAng/bRSfb4VhTSA/s72-c/COVER.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-8552118569554980263</id><published>2011-02-11T14:40:00.000-08:00</published><updated>2011-03-12T08:06:44.420-08:00</updated><title type='text'>AVANT DERNIÈRES PENSÉES - NACHTMUSIK / TOTAL DISTORSION (CINTA 1984)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-rOMOycgTZIw/TVW-JK59weI/AAAAAAAAAnY/4BYM4dQabK0/s1600/cover.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 204px; height: 320px;" src="http://1.bp.blogspot.com/-rOMOycgTZIw/TVW-JK59weI/AAAAAAAAAnY/4BYM4dQabK0/s320/cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5572569178696434146" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Acaba de aterrizar en mi casa un paquete con un verdadero montón de cintas llenas de esas cochinaditas electrónicas experimentales que tanto nos gusta escuchar y que iré colgando a medida que las vaya convirtiendo a formato digital.&lt;br /&gt;&lt;br /&gt;La primera que pongo a disposición del respetable es esta k7 de Avant Dernières Pensées, fechada en el mismo año y en el mismo sello que Arte Deshecho y cuyo contenido estoy degustando otra vez mientras escribo estas líneas, porque estoy seguro que será de aquellas cintas que escucharé muchas veces por semana, así que mejor guardo el original y me dedico a usar el mp3 a full, no sea que se me desgaste.&lt;br /&gt;&lt;br /&gt;Es una verdadera lástima que ADP no se haya prodigado sacando más discos y cintas, porque música como esta ya no se hace. Solo hay que leer un mensajillo incluido en el inside que reza &lt;span style="font-style: italic;"&gt;"no secuenciadores ni polisintes en esta cinta, MS-20, te quiero"&lt;/span&gt;. Con esto ya está dicho todo.&lt;br /&gt;&lt;br /&gt;Que la disfruteis.&lt;br /&gt;&lt;br /&gt;&lt;h1&gt;&lt;span&gt;&lt;a href="http://www.discogs.com/artist/Avant-Derni%C3%A8res+Pens%C3%A9es"&gt;&lt;span class="Apple-style-span" &gt;Avant-Dernières Pensées&lt;/span&gt;&lt;/a&gt;  &lt;span class="Apple-style-span" &gt;- Nachtmusik Y Total Distorsion&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;    &lt;div class="content"&gt;Label:&lt;a href="http://www.discogs.com/label/Cintas"&gt; Cintas&lt;/a&gt;&lt;/div&gt;  &lt;div class="content"&gt;Catalog#: none&lt;/div&gt;  &lt;div class="content"&gt;Format: Cassette&lt;br /&gt;    &lt;/div&gt;  &lt;div class="content"&gt;Country: Spain&lt;/div&gt; &lt;div class="content"&gt;Released: 1984&lt;/div&gt;    &lt;div class="content"&gt;Genre: Electronic               &lt;/div&gt;  &lt;div class="content"&gt;Style: Experimental&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;h3&gt;Tracklist:&lt;/h3&gt;1- NACHTMUSIK&lt;br /&gt;2- TOTAL DISTORSION&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;&lt;span style="font-weight: bold;"&gt;&lt;a href="http://www.megaupload.com/?d=EXY3ALE7"&gt;ADP - NACHTMUSIK/TOTAL DISTORSION&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;table class="playlist mini_playlist" id="playlist-0"&gt;&lt;tbody&gt;&lt;tr class="first"&gt;&lt;td class="track_pos"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="track_pos"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="track"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;a rel="license" href="http://creativecommons.org/licenses/by-nc-nd/3.0/"&gt;&lt;img alt="Licencia Creative Commons" style="border-width:0" src="http://i.creativecommons.org/l/by-nc-nd/3.0/88x31.png" /&gt;&lt;/a&gt;&lt;br /&gt;Este obra está bajo una &lt;a rel="license" href="http://creativecommons.org/licenses/by-nc-nd/3.0/"&gt;licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-8552118569554980263?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/8552118569554980263/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/02/avant-dernieres-pensees-nachtmusik.html#comment-form' title='3 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/8552118569554980263'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/8552118569554980263'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/02/avant-dernieres-pensees-nachtmusik.html' title='AVANT DERNIÈRES PENSÉES - NACHTMUSIK / TOTAL DISTORSION (CINTA 1984)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-rOMOycgTZIw/TVW-JK59weI/AAAAAAAAAnY/4BYM4dQabK0/s72-c/cover.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-2842804636011077490</id><published>2011-02-08T15:45:00.000-08:00</published><updated>2011-02-08T16:35:17.960-08:00</updated><title type='text'>DISEÑO CORBUSIER - CLÓNICA (1983)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_grNGPnsUTds/TVHghAGtKKI/AAAAAAAAAnQ/fN-u5H3-mQk/s1600/CLONICA.JPG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://1.bp.blogspot.com/_grNGPnsUTds/TVHghAGtKKI/AAAAAAAAAnQ/fN-u5H3-mQk/s320/CLONICA.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5571481071602444450" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;Acabo de abrir el correo y me aparece un mensaje proveniente de una cuenta de correo de hotmail que parece haber sido hecha expresa para la ocasión, cuyo título reza: "Mensaje enviado por Borrón el Encapuchado".&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Servidor trabaja con Linux, por lo que no hay apenas peligro de virus, pero por si acaso, he cerrado Ubuntu y he abierto Windows para examinar tan curioso email con mi antivirus y no ha dado señal de infección alguna. Una vez abierto, aparece el siguiente texto:&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;"De su blog, amigo apreciado, soy un fan incondicionado,&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;diariamente recién levantado, abro Wet Dreams tranquilo y sentado.&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Mucha música he descargado de ese lugar inmaculado,&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;industrial, tecno pop, experimental, sonido sintetizado...&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;todo cuanto ofrece usted ha sido de mi agrado.&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Por eso, Stahlfabrik estimado, hoy un presente le he regalado,&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;y a él podrá acceder en el link más abajo apuntado.&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Seguro que le gustará y en su blog lo querrá ver colgado,&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;por tratarse de material muy buscado.&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Sin más, que bastante tiempo le he robado, dese por saludado&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;por su amigo aficionado,&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;BORRÓN EL ENCAPUCHADO."&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;http://rapidshare.com/files/446937971/DISE__O_CORBUSIER_-_CL__NICA_.rar&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;.... y bueno, como es de rigor en estos casos, no consta ningún nombre ni ningún dato que me haga pensar en quien es el poético autor de este correo, porque la cuenta de correo tampoco ayuda: regaloparastahlfabrik@hotmail.com&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;En fin, cualquier día de éstos me abordará un hombre que fume en el párking de casa ofreciéndome cassettes de Melodinamika Sensor o quien sabe si un buen día recibo la visita de algún hijo Corleone con una maleta repleta de cintas de Ortega y Cassette... Después de ésto cualquier cosa es posible.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Eso sí: si alguien sospecha de quien pueda ser el remitente de este oscuro envío, le agradeceré que me lo haga saber. De la misma forma, se agradecerá cualquier información al respecto de esta grabación y de por qué lo llamaron el "EP maldito de 1983".&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Sea como fuere, este material me ha dejado de pasta de boniato, porque si bien me sonaba el título del disco, jamás en la vida lo había escuchado, así que, sin más, procedo a colgarlo en este, vuestro blog.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://rapidshare.com/files/446937971/DISE__O_CORBUSIER_-_CL__NICA_.rar"&gt;DISEÑO CORBUSIER - CLÓNICA&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-2842804636011077490?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/2842804636011077490/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/02/diseno-corbusier-clonica-1983.html#comment-form' title='3 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/2842804636011077490'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/2842804636011077490'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/02/diseno-corbusier-clonica-1983.html' title='DISEÑO CORBUSIER - CLÓNICA (1983)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_grNGPnsUTds/TVHghAGtKKI/AAAAAAAAAnQ/fN-u5H3-mQk/s72-c/CLONICA.JPG' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-3804734434599941815</id><published>2011-02-07T20:51:00.000-08:00</published><updated>2011-02-07T21:23:55.389-08:00</updated><title type='text'>DISEÑO CORBUSIER - STADIA</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_grNGPnsUTds/TVDO3hHXVVI/AAAAAAAAAnI/1xRQNHPCA8g/s1600/stadia%2Bcomplet.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 259px;" src="http://4.bp.blogspot.com/_grNGPnsUTds/TVDO3hHXVVI/AAAAAAAAAnI/1xRQNHPCA8g/s320/stadia%2Bcomplet.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5571180192234689874" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;Soy consciente de que más de un blog ha posteado esta K7, pero ayer recibí un ejemplar original comprado en Ebay a precio razonable y me he permitido el lujo de postearla de nuevo.&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Y es que por mucho que la escuche más me gusta, son de aquellas obras que jamás me cansaría de escuchar, como toda la discografía del grupo.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Disfrutadla a mi salud.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://www.megaupload.com/?d=SRDM0QSV"&gt;STADIA&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-3804734434599941815?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/3804734434599941815/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/02/diseno-corbusier-stadia.html#comment-form' title='2 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/3804734434599941815'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/3804734434599941815'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/02/diseno-corbusier-stadia.html' title='DISEÑO CORBUSIER - STADIA'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_grNGPnsUTds/TVDO3hHXVVI/AAAAAAAAAnI/1xRQNHPCA8g/s72-c/stadia%2Bcomplet.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-6675439367163992054</id><published>2011-02-01T10:50:00.000-08:00</published><updated>2011-02-01T11:57:01.443-08:00</updated><title type='text'>KARL RUNAU - BEYOND FREQUENCES (Galakthorrö -2000)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_grNGPnsUTds/TUhbd2oiBVI/AAAAAAAAAmY/cB3Aj9foKSo/s1600/R-140158-1198027196.jpeg"&gt;&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_grNGPnsUTds/TUhbWopXC3I/AAAAAAAAAmQ/AgnRPntfzMY/s1600/R-140158-1198027150.jpeg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 286px;" src="http://4.bp.blogspot.com/_grNGPnsUTds/TUhbWopXC3I/AAAAAAAAAmQ/AgnRPntfzMY/s320/R-140158-1198027150.jpeg" alt="" id="BLOGGER_PHOTO_ID_5568801383669762930" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Os presento el trabajo (para mí) más creativo y representativo del sonido de Karl Runau, un músico electrónico alemán que hizo cosas muy interesantes en los años 90 y que, tras casarse y convertirse en un probo padre de familia, colgó los hábitos y los cables de sus sintetizadores y ya solo toca en los cumpleaños de sus niños... muy triste, sí.&lt;a href="http://4.bp.blogspot.com/_grNGPnsUTds/TUhbd2oiBVI/AAAAAAAAAmY/cB3Aj9foKSo/s1600/R-140158-1198027196.jpeg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 285px;" src="http://4.bp.blogspot.com/_grNGPnsUTds/TUhbd2oiBVI/AAAAAAAAAmY/cB3Aj9foKSo/s320/R-140158-1198027196.jpeg" alt="" id="BLOGGER_PHOTO_ID_5568801507683468626" border="0" /&gt;&lt;/a&gt;Pero bueno, este hombre con aspecto de funcionario más que de músico electrónico experimental ha dejado un legado que, aunque corto, es más que interesante y digno de tener en cuenta para todo aficionado a las experimentaciones sonoras. Sonido electrónico analógico (hecho con sintetizadores reales, como debe ser) muy bien tratado, experimental pero es su justa medida, sin pasarse y con un savoir faire fuera de toda duda.&lt;br /&gt;&lt;br /&gt;Os invito a que escucheis este disco y si os gusta ya os colgaré otros trabajos de este ex-sintetista.&lt;br /&gt;&lt;br /&gt;&lt;div class="profile"&gt;   &lt;h1&gt;&lt;a style="color: rgb(0, 0, 0);" href="http://www.discogs.com/artist/Karl+Runau"&gt;Karl Runau&lt;/a&gt;  - Beyond Frequencies&lt;/h1&gt;    &lt;div class="head"&gt;Label:&lt;br /&gt;Galakthorrö&lt;br /&gt;&lt;/div&gt;&lt;div class="head"&gt;Catalog#:&lt;/div&gt;&lt;div class="content"&gt;Galakthorrö 010&lt;/div&gt;  &lt;div class="head"&gt;Format:&lt;/div&gt;&lt;div class="content"&gt;           CD, Album, Reissue, &lt;i&gt;2nd Edition&lt;/i&gt;&lt;br /&gt;     &lt;/div&gt;  &lt;div class="head"&gt;Country:&lt;/div&gt;&lt;div class="content"&gt;Germany&lt;/div&gt; &lt;div class="head"&gt;Released:&lt;/div&gt;&lt;div class="content"&gt;2000&lt;/div&gt;    &lt;div class="head"&gt;Genre:&lt;/div&gt;&lt;div class="content"&gt;                      Electronic               &lt;/div&gt;  &lt;div class="head"&gt;Style:&lt;/div&gt;&lt;div class="content"&gt;            Industrial,              Minimal,              Experimental           &lt;/div&gt;    &lt;/div&gt;          &lt;h3&gt;Tracklist&lt;/h3&gt;           &lt;table class="playlist mini_playlist" id="playlist-0"&gt;&lt;tbody&gt;&lt;tr class="first"&gt;     &lt;td class="track_pos"&gt;1&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td class="track"&gt;          Prisoner Of The Progress          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;5:20&lt;/td&gt;            &lt;td&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;2&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td class="track"&gt;          15.8          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;5:53&lt;/td&gt;            &lt;td&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;3&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td class="track"&gt;          Confused Electrons          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;4:39&lt;/td&gt;            &lt;td&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;4&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td class="track"&gt;          Who Knows          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;4:18&lt;/td&gt;            &lt;td&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;5&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td class="track"&gt;          The Origin          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;9:43&lt;/td&gt;            &lt;td&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;6&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td class="track"&gt;          Spectral          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:14&lt;/td&gt;            &lt;td&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;7&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td class="track"&gt;          Dirt          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:46&lt;/td&gt;            &lt;td&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;8&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td class="track"&gt;          Psycho Rodeo          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;5:17&lt;/td&gt;            &lt;td&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;9&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td class="track"&gt;          Dartmoor Angel          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:31&lt;/td&gt;            &lt;td&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;10&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td class="track"&gt;          Audio S          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:06&lt;/td&gt;            &lt;td&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;11&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td class="track"&gt;          Systemergeben          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:01&lt;/td&gt;            &lt;td&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=POH46MJM"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;BEYOND FREQUENCES&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-6675439367163992054?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/6675439367163992054/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/02/karl-runau-beyond-frequences.html#comment-form' title='2 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/6675439367163992054'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/6675439367163992054'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/02/karl-runau-beyond-frequences.html' title='KARL RUNAU - BEYOND FREQUENCES (Galakthorrö -2000)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_grNGPnsUTds/TUhbWopXC3I/AAAAAAAAAmQ/AgnRPntfzMY/s72-c/R-140158-1198027150.jpeg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-3384047516916870426</id><published>2011-01-23T10:14:00.000-08:00</published><updated>2011-01-23T10:23:08.346-08:00</updated><title type='text'>BRIAN HENRY - Cotton / Glass Industry (2011)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_grNGPnsUTds/TTxx0a97VaI/AAAAAAAAAmE/T_ohy3_Drqs/s1600/Portada.PNG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://3.bp.blogspot.com/_grNGPnsUTds/TTxx0a97VaI/AAAAAAAAAmE/T_ohy3_Drqs/s320/Portada.PNG" border="0" alt="" id="BLOGGER_PHOTO_ID_5565448384929289634" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;Reciente (y última por ahora) producción de mr. Brian Henry, que desde México D.F. nos hace llegar y que Wet Dreams acoje con todo el gudto y el orgullo del mundo.&lt;br /&gt;&lt;br /&gt;Dos piezas conforman este trabajo de electrónica abstracta. Quizás es e el que más se nota la influencia Schnitzleriana recibida por Henry. Como todo el universo sonoro de este amigo mexicano, Cotton / Glass Industry me encanta.&lt;br /&gt;&lt;br /&gt;Ficha técnica:&lt;br /&gt;&lt;br /&gt;Cotton/Glass Industry - Brian Henry (2011)&lt;br /&gt;&lt;br /&gt;Tracklist:&lt;br /&gt;&lt;br /&gt;1.- Cotton&lt;br /&gt;2.- Glass Industry&lt;br /&gt;&lt;br /&gt;Personnel:&lt;br /&gt;&lt;br /&gt;Brian Henry: Electronics&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;a href="http://www.4shared.com/file/gUYiEdKW/Cotton-Glass_Industry_-_Brian_.html"&gt;Cotton / Glass Industry (2011)&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-3384047516916870426?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/3384047516916870426/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/01/brian-henry-cotton-glass-industry-2011.html#comment-form' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/3384047516916870426'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/3384047516916870426'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/01/brian-henry-cotton-glass-industry-2011.html' title='BRIAN HENRY - Cotton / Glass Industry (2011)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_grNGPnsUTds/TTxx0a97VaI/AAAAAAAAAmE/T_ohy3_Drqs/s72-c/Portada.PNG' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-4454253768294614448</id><published>2011-01-23T09:52:00.000-08:00</published><updated>2011-01-23T10:12:56.956-08:00</updated><title type='text'>BRIAN HENRY - Je n'ai pas de bouche et il faut que je crie.</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_grNGPnsUTds/TTxuVVM-6LI/AAAAAAAAAl8/y9IodXhM3tY/s1600/Portada.PNG"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 320px;" src="http://2.bp.blogspot.com/_grNGPnsUTds/TTxuVVM-6LI/AAAAAAAAAl8/y9IodXhM3tY/s320/Portada.PNG" border="0" alt="" id="BLOGGER_PHOTO_ID_5565444552270997682" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span"&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;Queridos amigos, aquí os dejo otro trabajo de Brian Henry, este músico electrónico mexicano que nos ha sorprendido con su excelso savoir-faire. &lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;Este disco ha sido definido por su autor como "el soundtrack imaginario a la historia de Harlan Ellison", un prolífico y destacado escritor de novelas e historias cortas especializado en literatura fantástica, de terror y, sobre todo, de ciencia ficción.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;Sea como fuere, el sonido creado por Brian Henry abduce a otras realidades, tan fantásticas y transdimensionales como su propia esencia.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;Sin más comentarios por mi parte, escuchadlo:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://www.4shared.com/file/C6czzaB_/Je_nai_pas_de_bouche_et_il_fau.html"&gt;Je n'ai pas de bouche et il faut que je crie.&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;meta equiv="content-type" content="text/html; charset=utf-8"&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-4454253768294614448?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/4454253768294614448/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/01/brian-henry-je-nai-pas-de-bouche-et-il.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/4454253768294614448'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/4454253768294614448'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/01/brian-henry-je-nai-pas-de-bouche-et-il.html' title='BRIAN HENRY - Je n&apos;ai pas de bouche et il faut que je crie.'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_grNGPnsUTds/TTxuVVM-6LI/AAAAAAAAAl8/y9IodXhM3tY/s72-c/Portada.PNG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-753329169232755565</id><published>2011-01-16T09:04:00.000-08:00</published><updated>2011-01-16T09:19:57.017-08:00</updated><title type='text'>BRIAN HENRY / OXYMORON: DAS SONNENSYSTEM (2011)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_grNGPnsUTds/TTMoTrdPF2I/AAAAAAAAAl0/AcACxAT2Q8U/s1600/Das%2BPlaneten.PNG"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 320px;" src="http://3.bp.blogspot.com/_grNGPnsUTds/TTMoTrdPF2I/AAAAAAAAAl0/AcACxAT2Q8U/s320/Das%2BPlaneten.PNG" alt="" id="BLOGGER_PHOTO_ID_5562834283280668514" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Brian Henry es un seguidor mexicano de este blog y me ha hecho llegar material suyo para que lo incluyera. Como Wet Dreams está abierto a toda iniciativa sonora que coincida con el espítiru general del sitio, no sólo no he tenido ningún problema a la hora de corresponder a la petición de Brian Henry, sino que además he tenido el placer de degustar los siete temas que me ha mandado, porque he de decir que me he sentido abrumado y altamente satisfecho con este material. Música electrónica auténtica, áspera, fría y con texturas sonoras como a mí me gusta, sin concesiones y sin imitaciones. En resumen, toda una ducha de electrónica hecha con excelso buen gusto y que se desmarca muy mucho de lo que acontece hoy en día entre muchos aficionados a los sonidos electrónicos.&lt;br /&gt;&lt;br /&gt;A modo de presentación, os dejo el texto que incluye el rar que os presento, toda una auténtica declaración de principios sonoros:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt;Das Sonnensystem (Plus Bonus Tracks) - Oxymoron! &amp;amp; Friends &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt; &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt;&lt;br /&gt;&lt;br /&gt;Tracklist:&lt;br /&gt;&lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt; &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt;1.- Sonnengesang - Oxymoron! &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt;&lt;br /&gt;2.- Erdengesang - Oxymoron! &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt;&lt;br /&gt;3.- Marsengesang - Oxymoron! &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt;&lt;br /&gt;4.- Espejos en la Antártida - Oxymoron! &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt;&lt;br /&gt;5.- Sándalo - Pedro Páramo &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt;&lt;br /&gt;6.- Silence Sauvage - Deux Enfants Sous La Lune &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt;&lt;br /&gt;7.- Carbon - Brian Henry &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt; &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt;&lt;br /&gt;&lt;br /&gt;Personnel: &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt; &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt;Brian Henry: Electronics, Guitar (1 &amp;amp; 2), Keyboard (6), Bass (3), Flute (2) &amp;amp; Production &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt;Pedro Páramo: Keyboards (1 - 5) Electronics (5) &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt;Nallely Ursua: Electronics (6) &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt; &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt;&lt;br /&gt;&lt;br /&gt;Oxymoron! es un proyecto formado por Brian Henry y Pedro Páramo en el año 2010, quienes radican en la Ciudad &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt;de México y crecieron con un tremendo gusto por la música experimental, en especial la música electrónica &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt;alemana. &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt; &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt;Las piezas aqui contenidas son resultado del trabajo de Oxymoron! (1-4) El trabajo solista de Pedro Páramo (5), &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt;la colaboracion de Brian Henry con la artista electronica Nallely Ursua (6) y el trabajo solista de Henry &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt; &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt;&lt;br /&gt;&lt;br /&gt;Los tres esperamos que nuestra música sea de tu total agrado &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt; &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt; &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt;Contacto: &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt; &lt;/span&gt; &lt;span style="font-style: italic; color: rgb(255, 255, 0);"&gt;tael_alex@hotmail.com (Brian Henry)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Os recomiendo este disco al 100%.&lt;br /&gt;&lt;br /&gt;Saludos a todos.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=V7K9EFF7"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;DAS SONNENSYSTEM&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-753329169232755565?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/753329169232755565/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/01/brian-henry-oxymoron-das-sonnensystem.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/753329169232755565'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/753329169232755565'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/01/brian-henry-oxymoron-das-sonnensystem.html' title='BRIAN HENRY / OXYMORON: DAS SONNENSYSTEM (2011)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_grNGPnsUTds/TTMoTrdPF2I/AAAAAAAAAl0/AcACxAT2Q8U/s72-c/Das%2BPlaneten.PNG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-3899572727898707507</id><published>2011-01-15T09:37:00.000-08:00</published><updated>2011-01-15T09:43:52.982-08:00</updated><title type='text'>AVANT DERNIÈRES PENSÉES &amp; COMANDO BRUNO - MUESTRAS SIN VALOR (K7 GRAND MAL 1986)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_grNGPnsUTds/TTHbxHM8LwI/AAAAAAAAAlk/63WgijQujFk/s1600/COVER%2Bsencer.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 143px;" src="http://4.bp.blogspot.com/_grNGPnsUTds/TTHbxHM8LwI/AAAAAAAAAlk/63WgijQujFk/s320/COVER%2Bsencer.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5562468651572670210" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;Ojo que no se trata del famoso LP de portada en blanco y negro, sino de un K7 editado en 1986 con dos temas extras (Desprogramación y Neoautismo), excelentes, por cierto. Para los que no conocían la existencia ni de esta cassette ni del LP, decirles que se trata de una colaboración excepcional que protagonizaron Comando Bruno y Avant Dernières Pensées a distancia, ya que mientras C.B. residía en Andújar (Jaén), A.D.P. lo hacía en Barcelona. En aquellos años no existía internet tal y como lo conocemos ahora, por lo que ambos artistas tuvieron que hacer intercambio de material vía correo ordinario hasta completar la producción. Tal gesta supuso la consecución de esta obra maestra de la electrónica hispana, una auténtica gozada que habré escuchado unas 2139892345 veces desde que compré el LP en el 86 y que a día de hoy me sigue sorprendiendo, porque para las obras maestras no pasa el tiempo. Vaya desde aquí un saludo de agradecimiento para Rafael Flores y Anton Ignorant por haberme dado tan buenos ratos con esta obra, sin desmerecer para nada lo que cada uno ha sacado por su lado.&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Va por todos los que, en general, han sumado ya casi 81.000 visitas a este humilde blog.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://www.megaupload.com/?d=UGVVLAEO"&gt;MUESTRAS SIN VALOR (K7)&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-3899572727898707507?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/3899572727898707507/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/01/avant-dernieres-pensees-comando-bruno.html#comment-form' title='2 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/3899572727898707507'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/3899572727898707507'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/01/avant-dernieres-pensees-comando-bruno.html' title='AVANT DERNIÈRES PENSÉES &amp; COMANDO BRUNO - MUESTRAS SIN VALOR (K7 GRAND MAL 1986)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_grNGPnsUTds/TTHbxHM8LwI/AAAAAAAAAlk/63WgijQujFk/s72-c/COVER%2Bsencer.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-6247728267303872671</id><published>2011-01-12T18:11:00.000-08:00</published><updated>2011-01-12T19:12:05.486-08:00</updated><title type='text'>32 Gajuar's Faragüit - Programarrax - (Linea Alternativa 1989)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_grNGPnsUTds/TS5hb2ePjeI/AAAAAAAAAlM/sQQy5rMU5X4/s1600/Programarrax1.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 198px;" src="http://3.bp.blogspot.com/_grNGPnsUTds/TS5hb2ePjeI/AAAAAAAAAlM/sQQy5rMU5X4/s320/Programarrax1.jpg" alt="" id="BLOGGER_PHOTO_ID_5561489720955866594" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Aquí os dejo otra magna cassette de 32 Guajar's Faragüit, una auténtica gozada producida entre 1985 y 1987. No os cuento más, solo deciros que os lo dedico para celebrar vuestras más de 80.000 visitas a Wet Dreams. La verdad es que nunca hubiera imaginado que llegaría a estos niveles y en tan poco tiempo. Muchas gracias a todos por vuestra paciencia.&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;Titulo: Programarrax   &lt;br /&gt;&lt;br /&gt;Autor: 32 Gajuar's faragüit&lt;br /&gt;&lt;br /&gt;Sello: Linea Alternativa&lt;br /&gt;&lt;br /&gt;Año: Abril 1989&lt;br /&gt;&lt;br /&gt;Temas:&lt;br /&gt;&lt;br /&gt;Rutinas de ajuste&lt;br /&gt;&lt;br /&gt;Spots A/B/C&lt;br /&gt;&lt;br /&gt;Billonio neomático&lt;br /&gt;&lt;br /&gt;Spots B/A/C&lt;br /&gt;&lt;br /&gt;Despasajes&lt;br /&gt;&lt;br /&gt;Spots A/C/B&lt;br /&gt;&lt;br /&gt;Expeler + Solvent&lt;br /&gt;&lt;br /&gt;Ultimatum 3 y cierre.&lt;br /&gt;&lt;br /&gt;Cara A: 23'16''&lt;br /&gt;&lt;br /&gt;Cara B: 23'21''&lt;br /&gt;&lt;br /&gt;1985 / 1987&lt;br /&gt;&lt;br /&gt;Dolby B estereo&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=YAK1A9C0"&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;PROGRAMARRAX&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-6247728267303872671?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/6247728267303872671/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/01/32-gajuars-faraguit-programarrax-linea.html#comment-form' title='2 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/6247728267303872671'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/6247728267303872671'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/01/32-gajuars-faraguit-programarrax-linea.html' title='32 Gajuar&apos;s Faragüit - Programarrax - (Linea Alternativa 1989)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_grNGPnsUTds/TS5hb2ePjeI/AAAAAAAAAlM/sQQy5rMU5X4/s72-c/Programarrax1.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-8957704882972421893</id><published>2011-01-11T00:22:00.000-08:00</published><updated>2011-01-11T01:19:57.220-08:00</updated><title type='text'>AVANT DERNIÈRES PENSÉES - DECOMPOSICION ELEMENTAL (CASSETTE 1986)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_grNGPnsUTds/TSwW9b5S0RI/AAAAAAAAAlE/67Z3zHH1GdA/s1600/DECOMP.ELEMENTAL%2BALL.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 207px;" src="http://2.bp.blogspot.com/_grNGPnsUTds/TSwW9b5S0RI/AAAAAAAAAlE/67Z3zHH1GdA/s320/DECOMP.ELEMENTAL%2BALL.jpg" alt="" id="BLOGGER_PHOTO_ID_5560844884611617042" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Otra de las cintas que me han llegado en estos últimos días de vacaciones invernales (este años los reyes se han portado). Se trata de la célebre cinta "Decomposición Elemental" que Anton Ignorant bajo su encarnación como Avant Dernières Pensées grabó allá por 1986.&lt;br /&gt;&lt;br /&gt;Ya había escuchado esta cinta a finales de los 80 y recuerdo que me gustó, pero 20 años después he de decir que me encanta, por tanto no voy a dejar más que esta opinión y pasaré olímpicamente de detallaros como suena, prefiero que seais vosotros mismos los que la juzgueis. Lo que sí os recomiendo es que lo escucheis con cascos y con mucha atención, me lo agradecereis.&lt;br /&gt;&lt;br /&gt;Venga, ahí teneis la &lt;a href="http://www.megaupload.com/?d=PPB38P6W"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;DECOMPOSICIÓN ELEMENTAL.&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-8957704882972421893?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/8957704882972421893/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/01/avant-dernieres-pensees-decomposicion.html#comment-form' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/8957704882972421893'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/8957704882972421893'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/01/avant-dernieres-pensees-decomposicion.html' title='AVANT DERNIÈRES PENSÉES - DECOMPOSICION ELEMENTAL (CASSETTE 1986)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_grNGPnsUTds/TSwW9b5S0RI/AAAAAAAAAlE/67Z3zHH1GdA/s72-c/DECOMP.ELEMENTAL%2BALL.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-1893108685509342369</id><published>2011-01-08T10:07:00.000-08:00</published><updated>2011-01-08T10:34:57.621-08:00</updated><title type='text'>32 Guájar's Fáragüit - Crom 48  (Sorollsec 1985)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_grNGPnsUTds/TSisHCISwFI/AAAAAAAAAk8/Hdai4qTWaqM/s1600/Crom%2B48a.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 205px; height: 320px;" src="http://1.bp.blogspot.com/_grNGPnsUTds/TSisHCISwFI/AAAAAAAAAk8/Hdai4qTWaqM/s320/Crom%2B48a.jpg" alt="" id="BLOGGER_PHOTO_ID_5559882976819593298" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Ya que lo ha apuntado mi primote de blog Autodolor, os ofrezco aquí esta peazo obra de &lt;span style="color: rgb(0, 0, 0);font-size:100%;" &gt;&lt;a href="http://www.discogs.com/artist/32+Gu%C3%A1jar%27s+F%C3%A1rag%C3%BCit"&gt;32 Guájar's Fáragüit&lt;/a&gt;&lt;/span&gt; que sacó allá por 1985.&lt;br /&gt;&lt;br /&gt;Personalmente, he de decir que me encanta de principio a fin.&lt;br /&gt;&lt;br /&gt;Quien sepa paladear este tipo de sonidos, que la disfrute, y quien no, él se lo pierde.&lt;br /&gt;&lt;br /&gt;&lt;h3&gt;Tracklist&lt;/h3&gt;           &lt;table class="playlist mini_playlist" id="playlist-0"&gt;&lt;tbody&gt;&lt;tr class="first"&gt;     &lt;td class="track_pos"&gt;AA&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td class="track"&gt;          Extroduccio          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;AB&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td class="track"&gt;          Pocker De Ausencias Digitales          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;AC&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td class="track"&gt;          Filmusical Ionouisitorial          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;BA&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td class="track"&gt;          Abscesible          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;BB&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td class="track"&gt;          Renatal Postbek3675&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=9JPZMU07"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;CROM 48&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; &lt;h1&gt;&lt;br /&gt;&lt;/h1&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-1893108685509342369?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/1893108685509342369/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/01/32-guajars-faraguit-crom-48-sorollsec.html#comment-form' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/1893108685509342369'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/1893108685509342369'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/01/32-guajars-faraguit-crom-48-sorollsec.html' title='32 Guájar&apos;s Fáragüit - Crom 48  (Sorollsec 1985)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_grNGPnsUTds/TSisHCISwFI/AAAAAAAAAk8/Hdai4qTWaqM/s72-c/Crom%2B48a.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-7602992168138587584</id><published>2011-01-08T04:32:00.000-08:00</published><updated>2011-01-08T09:57:00.540-08:00</updated><title type='text'>COMANDO BRUNO - REDENCIÓN PAGANA  / Ecdm / C60 /Grabado 3-4-5 Mayo 1982</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_grNGPnsUTds/TShbGZsyQlI/AAAAAAAAAk0/Zp-D3aPNWsE/s1600/COMANDO%2BBRUNO%2BCOVER.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 316px;" src="http://2.bp.blogspot.com/_grNGPnsUTds/TShbGZsyQlI/AAAAAAAAAk0/Zp-D3aPNWsE/s320/COMANDO%2BBRUNO%2BCOVER.jpg" alt="" id="BLOGGER_PHOTO_ID_5559793905524949586" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_grNGPnsUTds/TSha68kMReI/AAAAAAAAAks/RM6t72V6-lA/s1600/COMANDO%2BBRUNO%2BTRACKLIST.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 199px; height: 320px;" src="http://2.bp.blogspot.com/_grNGPnsUTds/TSha68kMReI/AAAAAAAAAks/RM6t72V6-lA/s320/COMANDO%2BBRUNO%2BTRACKLIST.jpg" alt="" id="BLOGGER_PHOTO_ID_5559793708725716450" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Poco antes de terminar las navidades, me hice con algunas cintas de grupos industriales españoles y extranjeros, tres de ellas de Comando Bruno: Muestras Sin Valor (con ADP), La Espera (que ya me la ha pisado mi primo Autodolor)  y ésta que os presento de la que no tengo apenas información, por no decir ninguna. Solo sé que está distribuida por el sello "Laboratorios NO", pero no sé de qué año es ni nada de nada.&lt;br /&gt;&lt;br /&gt;A  ver si alguien que conozca esta cinta nos pudiese iluminar, o el mismísimo Rafael Flores, que seguro tendrá amplio conocimiento de esta grabación.&lt;br /&gt;&lt;br /&gt;De momento, aquí os la dejo. Disfrutadla.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=5ZT6Y4GV"&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;REDENCIÓN PAGANA&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-7602992168138587584?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/7602992168138587584/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2011/01/comando-bruno-redencion-pagana.html#comment-form' title='3 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7602992168138587584'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7602992168138587584'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2011/01/comando-bruno-redencion-pagana.html' title='COMANDO BRUNO - REDENCIÓN PAGANA  / Ecdm / C60 /Grabado 3-4-5 Mayo 1982'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_grNGPnsUTds/TShbGZsyQlI/AAAAAAAAAk0/Zp-D3aPNWsE/s72-c/COMANDO%2BBRUNO%2BCOVER.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-1295464270957618151</id><published>2010-12-18T12:34:00.000-08:00</published><updated>2010-12-18T14:12:25.901-08:00</updated><title type='text'>BACK TO FRONT 242 (VHS 1986)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_grNGPnsUTds/TQ0xOU8HlqI/AAAAAAAAAkQ/07URceToW4M/s1600/back%2Bto%2Bfront%2B242.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 226px;" src="http://4.bp.blogspot.com/_grNGPnsUTds/TQ0xOU8HlqI/AAAAAAAAAkQ/07URceToW4M/s320/back%2Bto%2Bfront%2B242.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5552148037826483874" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span"&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;A principios de 1986 se presentó en varias televisiones europeas y estadounidenses este documental sobre la historia de Front 242. Como es normal, en España no se pasó este documento, debido, supongo, a que la música de calidad había empezado a sufrir un declive en cuanto a eco en nuestro sacrosanto país, no en vano desparecieron de la parrilla televisiva grandes programas como la Edad de Oro. Tampoco olvidemos que faltaba muy poco para que la basura de las televisiones privadas inundara el largo y el ancho de las emisiones. &lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;Sea como fuere, un servidor de ustedes tenía ciertos contactos al otro lado de los Pirineos que de vez en cuando me hacían llegar joyitas de esta índole. De esta manera, a principios del 87, me hice con una cinta en vhs con una copia de este documental, que pasé a formato .avi hace unos meses y que hoy he decidido compartir con todos vosotros. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;En pocas palabras, se trata de un documental que narra la historia del grupo desde sus inicios hasta principios de 1986. Contiene rarezas más que interesantes, vídeos inéditos y suculentas entrevistas a la banda.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;La calidad no es la mejor (el vhs era una copia de 2ª o 3ª generación) pero se consigue ver todo con claridad y con un audio aceptable, lo cual ya es mucho. Está hablado en inglés con subtítulos en francés, pero os aseguro que no es difícil de entender.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;Espero que lo disfruteis. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"&gt;&lt;b&gt;&lt;a href="http://www.megaupload.com/?d=AYFXUGL0"&gt;BACK TO FRONT 242&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-1295464270957618151?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/1295464270957618151/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/12/back-to-front-242-vhs-1986.html#comment-form' title='2 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/1295464270957618151'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/1295464270957618151'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/12/back-to-front-242-vhs-1986.html' title='BACK TO FRONT 242 (VHS 1986)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_grNGPnsUTds/TQ0xOU8HlqI/AAAAAAAAAkQ/07URceToW4M/s72-c/back%2Bto%2Bfront%2B242.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-8003260684954378517</id><published>2010-12-08T09:35:00.000-08:00</published><updated>2010-12-08T10:51:22.041-08:00</updated><title type='text'>FRONT 242 - GEOGRAPHY (1981) (2 CD SET - ALFA MATRIX 2004)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_grNGPnsUTds/TP_SUAgrjyI/AAAAAAAAAjw/F1za3bAZSJo/s1600/COVER%2BWET%2BDREAMS.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 227px;" src="http://1.bp.blogspot.com/_grNGPnsUTds/TP_SUAgrjyI/AAAAAAAAAjw/F1za3bAZSJo/s320/COVER%2BWET%2BDREAMS.jpg" alt="" id="BLOGGER_PHOTO_ID_5548384507120029474" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Geography fue el primer disco del grupo belga Front 242, una auténtica demostración de maestría ante los sintetizadores grabado, paradójicamente, a cuatro pistas. Tratándose de un disco de pop electrónico, se alejó bastante de lo establecido en aquel fructífero año 1981 en el que el tecno-pop de concepción comercial inundaba el mercado. Geography apuntaba lo que años después sería el denominador común del sonido del grupo, a pesar de que la dureza de discos como Official Version o Front by Front no estaba presente aún.&lt;br /&gt;&lt;br /&gt;El sonido de Geography es pura electrónica, un disco frío y mecánico de muy difícil comparación aunque un buen amigo mío siempre ha insistido en que es muy parecido al Metamatic de John Foxx. Personalmente, yo lo definiría como la línea sonora que los Kraftwerk nunca quisieron cruzar. De todas formas, cada uno sacará sus conclusiones.&lt;br /&gt;&lt;br /&gt;Pero vamos a la edición que os presento. Se trata de una edición de dos cd's en la que el segundo disco contiene rarezas del grupo y temas pertenecientes a los proyectos pre-Front 242 (Prothese y Underviewer). Un segundo disco para gozar de la mejor electrónica analógica que dio Europa en los primeros 80 y que muy pocos (o nadie) se han encargado de divulgar y/o recordar.&lt;br /&gt;&lt;br /&gt;Disfrutadlo.&lt;br /&gt;&lt;br /&gt;P.D.: Dedicado a mi hermano de blog Chorbyradio.&lt;br /&gt;&lt;br /&gt;&lt;h3&gt;Tracklist&lt;/h3&gt;           &lt;table class="playlist mini_playlist" id="playlist-0"&gt;&lt;tbody&gt;&lt;tr class="first"&gt;     &lt;td class="track_pos"&gt;1-01&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Operating Tracks          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:53&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;1-02&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          With Your Cries          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:59&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;1-03&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Art + Strategy          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:16&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;1-04&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Geography II          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;1:10&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;1-05&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          U-Men          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:17&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;1-06&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Dialogues          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:06&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;1-07&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Least Inkling          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:28&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;1-08&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          GVDT          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:57&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;1-09&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Geography I          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:29&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;1-10&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Black White Blue          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;4:17&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;1-11&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Kinetics          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:16&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;1-12&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Kampfbereit          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:26&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;1-13.1&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          He Runs Too Fast For Us          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:02&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;1-13.2&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Principles          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;5:02&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;1-13.3&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Body To Body          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:44&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;1-13.4&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Ethics          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:40&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;2-01&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Prothese"&gt;Prothese&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Couteau          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:27&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;2-02&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Prothese"&gt;Prothese&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Conditionnel Humain          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;6:19&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;2-03&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Prothese"&gt;Prothese&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Chanson          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:54&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;2-04&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Under+Viewer?anv=Underviewer"&gt;Underviewer&lt;/a&gt;*                        - &lt;/td&gt;           &lt;td class="track"&gt;          Syncussion          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:16&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;2-05&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Under+Viewer?anv=Underviewer"&gt;Underviewer&lt;/a&gt;*                        - &lt;/td&gt;           &lt;td class="track"&gt;          Mood          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:27&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;2-06&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Principle (2trax)          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:32&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;2-07&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Body To Body (2trax)          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:39&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;2-08&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Under+Viewer?anv=Underviewer"&gt;Underviewer&lt;/a&gt;*                        - &lt;/td&gt;           &lt;td class="track"&gt;          Labo          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:52&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;2-09&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Under+Viewer?anv=Underviewer"&gt;Underviewer&lt;/a&gt;*                        - &lt;/td&gt;           &lt;td class="track"&gt;          I Remember          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:33&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;2-10&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Under+Viewer?anv=Underviewer"&gt;Underviewer&lt;/a&gt;*                        - &lt;/td&gt;           &lt;td class="track"&gt;          Trouble          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:40&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;2-11&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          U-Men (Instrumental)          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:29&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;2-12&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Kampfbereit (Instrumental)          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:37&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;2-13&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          In November          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:47&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;2-14&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Controversy Between (Aerial Version)          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:46&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;2-15&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Sample D. (Aerial Version)          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:29&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;2-16&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Take One (Re-Built)          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;4:47&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;2-17&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          See The Future          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;5:52&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;2-18&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Take One (Live VPRO)          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;4:43&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr class="track_extra_artists"&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td colspan="3"&gt;                         Drums, Percussion -   &lt;a href="http://www.discogs.com/artist/Pierre+Pauly?anv=Jean-Pierre+Pauly"&gt;Jean-Pierre Pauly&lt;/a&gt;*            &lt;/td&gt;&lt;/tr&gt;               &lt;tr&gt;     &lt;td class="track_pos"&gt;2-19&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Front+242"&gt;Front 242&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Kampfbereit (Live VPRO)          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:27&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr class="track_extra_artists"&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td colspan="3"&gt;                         Drums, Percussion -   &lt;a href="http://www.discogs.com/artist/Pierre+Pauly?anv=Jean-Pierre+Pauly"&gt;Jean-Pierre Pauly&lt;/a&gt;*            &lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=LX69HPST"&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;GEOGRAPHY&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-8003260684954378517?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/8003260684954378517/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/12/front-242-geography-1981-2-cd-set-alfa.html#comment-form' title='6 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/8003260684954378517'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/8003260684954378517'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/12/front-242-geography-1981-2-cd-set-alfa.html' title='FRONT 242 - GEOGRAPHY (1981) (2 CD SET - ALFA MATRIX 2004)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_grNGPnsUTds/TP_SUAgrjyI/AAAAAAAAAjw/F1za3bAZSJo/s72-c/COVER%2BWET%2BDREAMS.jpg' height='72' width='72'/><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-8616632278565054901</id><published>2010-12-01T10:25:00.000-08:00</published><updated>2010-12-01T10:59:24.530-08:00</updated><title type='text'>Cranioclast - Koitlaransk &amp; Ration Skalk (Musica Maxima Magnetica) (1985)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_grNGPnsUTds/TPaWVsqykDI/AAAAAAAAAjQ/D5GfGT9LEUA/s1600/cranioclast%2Bkoitlaransk%2B%25281%2529.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 318px;" src="http://1.bp.blogspot.com/_grNGPnsUTds/TPaWVsqykDI/AAAAAAAAAjQ/D5GfGT9LEUA/s320/cranioclast%2Bkoitlaransk%2B%25281%2529.jpg" alt="" id="BLOGGER_PHOTO_ID_5545785290665398322" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style=""&gt;&lt;br /&gt;&lt;br /&gt;Cranioclast es un dúo de Hagen, Alemania, que producen diversas actividades artísticas incluída, como no, la música.&lt;/span&gt; &lt;span style=""&gt;&lt;span class="google-src-text" style="direction: ltr; text-align: left;"&gt;Los dos miembros&lt;/span&gt; se identifican como Soltan Karik y Klario Sankt.&lt;/span&gt; &lt;span style=""&gt; Tienen su propio sello llamado  CoC, y en él trabajan diversas bandas como &lt;/span&gt;&lt;a style="color: rgb(255, 255, 255);" href="http://www.discogs.com/artist/Kallabris" target="_blank"&gt;Kallabris&lt;/a&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;, &lt;/span&gt;&lt;a style="color: rgb(255, 255, 255);" href="http://www.discogs.com/artist/Fetisch+Park" target="_blank"&gt;Fetisch Park&lt;/a&gt;&lt;span style="color: rgb(255, 255, 255);"&gt; y &lt;/span&gt;&lt;a style="color: rgb(255, 255, 255);" href="http://www.discogs.com/artist/A.B.G.S." target="_blank"&gt;A.B.G.S.&lt;/a&gt;&lt;span style="color: rgb(51, 51, 255);"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;En esta ocasión os ofrezco una compilación de sus dos primeros trabajos, Koitlaransk y Ration Skalk, editados inicialmente en 1985 y compilados por el sello Musica Maxima Magnetica en 1994.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Sonido plenamente industrial, oscuridad, maquinaria y ambientes fabriles, son el denominador común de esta banda electrónica. Os los recomiendo.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;h3&gt;Tracklist&lt;/h3&gt;           &lt;table class="playlist mini_playlist" id="playlist-0"&gt;&lt;tbody&gt;&lt;tr class="first"&gt;     &lt;td class="track_pos"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          (S)ein Haar Im Sand          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;1:17&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Finale Projektion          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:39&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Der Tote Japaner          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;1:09&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Das Gift Des Toten Hundes          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;0:21&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Körperbemalungen          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;4:48&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Mr.3 Im Versuchsgebiet          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;4:42&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Machine Fellatio          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;0:38&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;8&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Did You Dream Last Night - Sterbelager Rap(s)          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;4:00&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;9&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          L'Été Et La Morte          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;1:05&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Schlamm Im Auge          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:02&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Twilight Zone          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;1:53&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;12&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          The Coming Of The Helicopter          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;1:37&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;13&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Das Fossile &amp;amp; Das Digitale          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:58&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;14&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Eine Mumie Duscht In 12 Einstellungen          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:49&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;15&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Flugzeug Fressender Garten 1935          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;1:40&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;16&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Die Sprechende Wunde          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;1:03&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;17&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Flugzeug Fressender Garten 1936          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;1:30&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;18&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Sun Lamp Session For The Troops          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;1:42&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;19&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          A Few Final Seconds He Heard The Machine Voice In His Bones          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;4:06&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;20&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Sie Liebte Den Geruch Von Staub, Auf Den Die Ersten Großen Regentropfen Eines Sommergewitters Gefallen Waren          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;0:59&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;21&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Il Préfère La Laque Fraîche Sur Les Voitures Ou La Proximité Des Machines Huileuses          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;1:01&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;22&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Sacred-Mobile-Dummy Goes On Pilgrimage          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:07&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;23&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          20.7.1969-23°29' E.Lon.-0°40' N.Lat.          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;8:59&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;24&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Our Coming Out          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;0:44&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;25&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          His Hair In The Sand          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;1:25&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;26&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          The Poison Of The Dead Dog          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:02&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;27&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Naingak!          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:20&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;28&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Einkledung Der Braut          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;0:40&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;29&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          L'Été Et La Morte - Cancer Dancer          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:02&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;30&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Versteinerte Rufe Des Ikarus          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:24&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;31&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Final Marriage On The Boulevard          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:46&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;32&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          The Digital Dummy Chuckles          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:54&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;33&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          13th Take          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;1:27&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=PQDZGYRY"&gt;&lt;span style="font-weight: bold;"&gt;Koitlaransk &amp;amp; Ration Skalk&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-8616632278565054901?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/8616632278565054901/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/12/cranioclast-koitlaransk-ration-skalk.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/8616632278565054901'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/8616632278565054901'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/12/cranioclast-koitlaransk-ration-skalk.html' title='Cranioclast - Koitlaransk &amp; Ration Skalk (Musica Maxima Magnetica) (1985)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_grNGPnsUTds/TPaWVsqykDI/AAAAAAAAAjQ/D5GfGT9LEUA/s72-c/cranioclast%2Bkoitlaransk%2B%25281%2529.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-1044684779651586331</id><published>2010-11-27T11:56:00.000-08:00</published><updated>2010-11-27T14:03:48.244-08:00</updated><title type='text'>Various - The Negative Communication Age (Double LP Amen - THX 1138) (1990)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_grNGPnsUTds/TPF-odc6y6I/AAAAAAAAAjI/fTqmalSHy9Q/s1600/the%2Bnegative%2Bcommunication%2Bagejpeg.jpeg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 320px;" src="http://3.bp.blogspot.com/_grNGPnsUTds/TPF-odc6y6I/AAAAAAAAAjI/fTqmalSHy9Q/s320/the%2Bnegative%2Bcommunication%2Bagejpeg.jpeg" alt="" id="BLOGGER_PHOTO_ID_5544351849835580322" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Esta mañana he recogido en correos este doble álbum recopilatorio que el sello italiano Amen editó en 1990. Se trata de una compilación de temas de grupos europeos de música industrial en el que se citan nombres tan ilustres como Das Synthetische Mischgewebe, Etant Donnés, Cranioclast, Le Syndicat...  España acudió a este recopilatorio con La fura dels Baus (cuando La fura dels Baus era La Fura dels Baus y no lo de ahora).&lt;br /&gt;&lt;br /&gt;No es la típica recopilación industrial-ruidosa, porque hay temas verdaderamente fáciles de digerir, a pesar de la dureza fabril que impregna el ambiente de los dos álbumes.&lt;br /&gt;&lt;br /&gt;Pues nada, aquí lo teneis ripeado y a buena calidad para que os desintoxiqueis de los excesos del fin de semana.&lt;br /&gt;&lt;br /&gt;Tracklist:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Disco 1:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;ul style="color: rgb(0, 0, 0);"&gt;&lt;li&gt;La Fura Dels Baus - 'Aigua'&lt;/li&gt;&lt;li&gt;The Tapes - 'Tanz Fabrik'&lt;/li&gt;&lt;li&gt;Phaeton Derniere Danse - 'L'Alignement Dans Le Septieme Ciel'&lt;/li&gt;&lt;li&gt;S*Core - 'Shame Mask'&lt;/li&gt;&lt;li&gt;Officine Schwartz - 'G.R.U.'&lt;/li&gt;&lt;li&gt;Le Syndicat - 'Matrix Massacra'&lt;/li&gt;&lt;li&gt;Das Synthetische Mischgewebe - 'Dusty Shivers On The Threshold Of A New District'&lt;/li&gt;&lt;li&gt;Etant Donnes - 'Cette Rose Qui Tourne Au Dessous De Mon Coeur'&lt;/li&gt;&lt;/ul&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt;Disco 2:&lt;/span&gt;  &lt;ul style="color: rgb(0, 0, 0);"&gt;&lt;li&gt;F.A.R. - 'Orgia'&lt;/li&gt;&lt;li&gt;Phaeton Derniere Danse - 'N'Espere Plus Ton Corps'&lt;/li&gt;&lt;li&gt;Cranioclast - 'Still Unknown'&lt;/li&gt;&lt;li&gt;S*Core - 'Millstone'&lt;/li&gt;&lt;li&gt;Tasaday - 'Crisalide'&lt;/li&gt;&lt;li&gt;Etant Donnes - 'Transparante Nature'&lt;/li&gt;&lt;li&gt;MGZ - 'I Don't Love'&lt;/li&gt;&lt;li&gt;Teatrino Della Volpe - 'Vado Lungo Il Fiume'&lt;/li&gt;&lt;li&gt;Teatrino Della Volpe - 'La Casa Rossa'&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=LQ5ZQVKH"&gt;&lt;span style="font-size:130%;"&gt;The Negative Communication Age&lt;/span&gt;&lt;br /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-1044684779651586331?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/1044684779651586331/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/11/various-negative-communication-age.html#comment-form' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/1044684779651586331'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/1044684779651586331'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/11/various-negative-communication-age.html' title='Various - The Negative Communication Age (Double LP Amen - THX 1138) (1990)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_grNGPnsUTds/TPF-odc6y6I/AAAAAAAAAjI/fTqmalSHy9Q/s72-c/the%2Bnegative%2Bcommunication%2Bagejpeg.jpeg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-3259749287006308911</id><published>2010-11-12T16:04:00.000-08:00</published><updated>2010-11-13T14:17:24.385-08:00</updated><title type='text'>S.P.K. - COMPILATION TRACKS V2 (2008)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_grNGPnsUTds/TN3Y6L3FQ5I/AAAAAAAAAis/KYuWScWr28o/s1600/spk-comp600.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 320px;" src="http://1.bp.blogspot.com/_grNGPnsUTds/TN3Y6L3FQ5I/AAAAAAAAAis/KYuWScWr28o/s320/spk-comp600.jpg" alt="" id="BLOGGER_PHOTO_ID_5538821610863412114" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Os presento esta recopilación del grupo industrial autraliano S.P.K. que crearon en su día un grupo de fans pertenecientes a diversos blogs especializados.&lt;br /&gt;&lt;br /&gt;Mejor os dejo con el escrito adjunto:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;This compilation would not have been possible without the contributions of the friends of http://dualtrack.blogspot.com - it was not a solo effort. I'd like to give thanks to Anonymous Schizo (who was the first to contribute the majority of SPK material posted at Dualtrack), the blogmaster at http://sickness-abounds.blogspot.com/ for making the John Peel Session available to me and also to the user known as Anonymous who somehow managed to dig up the SPK contributions to the Iphar Records compilation "Crimes" of which only 100 copies were made. Without the help of these generous people this compilation would not exist. -dualtrack&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;This is the second draft at what I hope to expand on over time. If you have any tracks I didn't include please let me know. The running time of the first draft was around 45 minutes. The second draft has an hour added to it.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Track 1 is from the Australian vinyl compilation "A Selection", tracks 2 is from "The Elephant Table Album" album, track 3 is from the "Q.E.D." LP, tracks 4 &amp;amp; 5 are from "The Last Supper" cassette, track 6 is from "The Myths Collection (Part One)", track 7 is from "The Myths Collection (Part Two)", track 8 is from "The Tyranny Of The Beat", track 9 is taken from the Die Tödliche Doris CD "Kinderringellreihen Für Wahren". Tracks 10 &amp;amp; 11 are from the 1983 "Crimes" compilation. Track 12 is from the 1983 "Alchemy" compilation. Tracks 13-17 are from the August 31, 1983 John Peel Session. Track 18 is from the November 1, 1983 Jensen Session.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Tracklisting:&lt;br /&gt;01: Zombod (3:03)&lt;br /&gt;02: Despair (4:44)&lt;br /&gt;03: Ebony Tower In The Orient (3:34)&lt;br /&gt;04: Ich Klage An (7:34)&lt;br /&gt;05: Satori (5:31)&lt;br /&gt;06: In The Dying Moments (6:33)&lt;br /&gt;07: Romanz in Moll (4:17)&lt;br /&gt;08: In Flagrante Delicto (5:03)&lt;br /&gt;09: M..Rökk Rhythmus Im Blut (6:11)&lt;br /&gt;10: Disconcert John (5:43)&lt;br /&gt;11: Male Masturbation Unit (14:46)&lt;br /&gt;12: The Transmutation of Metall (5:11)&lt;br /&gt;13: Metal Dance (4:41)&lt;br /&gt;14: Metal Field (5:43)&lt;br /&gt;15: Will To Power (5:40)&lt;br /&gt;16: Untitled (3:29)&lt;br /&gt;17: Sandstorm Method (5:41)&lt;br /&gt;18: The Shape Of Things To Come (5:43)&lt;br /&gt;&lt;br /&gt;Playlist length: 1 hour 43 minutes 7 seconds&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=GEMDFI5B"&gt;S.P.K. - COMPILATION TRACKS V2 PART 1&lt;br /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=BXV707IB"&gt;S.P.K. - COMPILATION TRACKS V2 PART 2&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-3259749287006308911?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/3259749287006308911/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/11/spk-compilation-tracks-v2-2008.html#comment-form' title='2 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/3259749287006308911'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/3259749287006308911'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/11/spk-compilation-tracks-v2-2008.html' title='S.P.K. - COMPILATION TRACKS V2 (2008)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_grNGPnsUTds/TN3Y6L3FQ5I/AAAAAAAAAis/KYuWScWr28o/s72-c/spk-comp600.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-518756440198170695</id><published>2010-11-01T16:39:00.000-07:00</published><updated>2010-11-01T17:17:21.307-07:00</updated><title type='text'>MIGUEL A. RUIZ &amp; HECTOR HERNANDEZ - HAN LLEGADO LOS ROBOTS (1989)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_grNGPnsUTds/TM9UrcsjCNI/AAAAAAAAAiU/yVCYnE4Ejkk/s1600/R-1378444-1214418675.jpeg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 318px; height: 320px;" src="http://2.bp.blogspot.com/_grNGPnsUTds/TM9UrcsjCNI/AAAAAAAAAiU/yVCYnE4Ejkk/s320/R-1378444-1214418675.jpeg" alt="" id="BLOGGER_PHOTO_ID_5534735572475775186" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Un buen día, Miguel Angel Ruiz y Hector Hernandez imaginan una película de ciencia ficción en la que los robots son los protagonistas absolutos. Historias futuristas de máquinas pensantes y androides asexuados, antropomorfos y sin madre, todo ello funcionaba y se reproducía en sus mentes como si de un cine-club mental se tratara. La película no se llegó a filmar ni, evidentemente, a estrenar, todo ocurría en una dimensión paralela en la que la imaginación no tenía límites y en la que todo era posible.&lt;br /&gt;&lt;br /&gt;De esa película imaginada, ambos señores extrajeron la banda sonora para que los no-robots pudiéramos entender y visualizar mentalmente aquel film y para dejar una prueba de su existencia, extradimensional, por supuesto.&lt;br /&gt;&lt;br /&gt;Miguel A. Ruiz y Hector Hernandez se lanzaron, cual matrimonio Barron, al estrellato de las historias de ciencia y futuro con esta magnífica banda sonora, la cual recomiendo que sea escuchada con los mínimos elementos contaminantes externos, a poder ser en oscuridad y dejando que vuestros cerebros viajen al ritmo de este disco.&lt;br /&gt;&lt;br /&gt;Saludos.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;h3&gt;Tracklist&lt;/h3&gt;           &lt;table class="playlist mini_playlist" id="playlist-0"&gt;&lt;tbody&gt;&lt;tr class="first"&gt;     &lt;td class="track_pos"&gt;01&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Aviones Robots Avanzan Entre Nubes Atómicas          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;02&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          La Invasión De Las Maquinas Pensantes          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;03&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Una Noche En El Dancing Robot Club          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;04&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          La Muy Espantosa Crónica De La Maravillosa Cara Parlante          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;05&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Alarma En El Horno Atómico          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;06&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Un Robot Se Dirige A Los Transeúntes          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;07&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Una Pesadilla Técnica          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;08&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Cerebros Mecánicos Toman El Mando          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;09&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Elektro Y Dinamo Joe          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;10&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          La Amenaza Del Homeostato          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;11&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Un Robot Asesina A Su Dueño          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;12&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          La Dictadura De Los Autómatas          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;13&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          Hipnosis De Masas Por Televisión          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;14&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td class="track"&gt;          El Hombre Es Eliminado          &lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=D294V44A"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;HAN LLEGADO LOS ROBOTS&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-518756440198170695?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/518756440198170695/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/11/miguel-ruiz-hector-hernandez-han.html#comment-form' title='3 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/518756440198170695'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/518756440198170695'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/11/miguel-ruiz-hector-hernandez-han.html' title='MIGUEL A. RUIZ &amp; HECTOR HERNANDEZ - HAN LLEGADO LOS ROBOTS (1989)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_grNGPnsUTds/TM9UrcsjCNI/AAAAAAAAAiU/yVCYnE4Ejkk/s72-c/R-1378444-1214418675.jpeg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-3573537614029089587</id><published>2010-10-25T16:35:00.000-07:00</published><updated>2010-10-25T16:54:53.141-07:00</updated><title type='text'>S.P.K. - LIVE AT THE CRYPT 1981</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_grNGPnsUTds/TMYYckOqztI/AAAAAAAAAhs/lA2cpkNrzsE/s1600/R-76006-1187358801.jpeg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 316px;" src="http://1.bp.blogspot.com/_grNGPnsUTds/TMYYckOqztI/AAAAAAAAAhs/lA2cpkNrzsE/s320/R-76006-1187358801.jpeg" alt="" id="BLOGGER_PHOTO_ID_5532136071311838930" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Concierto que dieron los S.P.K. allá en 1981 en The Crypt de Londres. Sonido industrial en su máxima expresión, sin concesiones. No apto para estómagos sensibles.&lt;br /&gt;&lt;br /&gt;&lt;div class="profile"&gt;   &lt;h1&gt;&lt;a style="color: rgb(0, 0, 0);" href="http://www.discogs.com/artist/SPK"&gt;SPK&lt;/a&gt;  - Live At The Crypt&lt;/h1&gt;  &lt;div style="color: rgb(0, 0, 0);" class="head"&gt;Label:&lt;/div&gt;Sterile Records&lt;br /&gt;&lt;div class="head"&gt;Catalog#:&lt;/div&gt;&lt;div class="content"&gt;SRC4&lt;/div&gt;  &lt;div class="head"&gt;Format:&lt;/div&gt;&lt;div class="content"&gt;           Cassette, Single Sided, &lt;i&gt;C90&lt;/i&gt;&lt;br /&gt;      &lt;/div&gt;  &lt;div class="head"&gt;Country:&lt;/div&gt;&lt;div class="content"&gt;UK&lt;/div&gt; &lt;div class="head"&gt;Released:&lt;/div&gt;&lt;div class="content"&gt;1981&lt;/div&gt;  &lt;div class="head"&gt;Genre:&lt;/div&gt;&lt;div class="content"&gt;                      Electronic               &lt;/div&gt;  &lt;div class="head"&gt;Style:&lt;/div&gt;&lt;div class="content"&gt;            Industrial,              Noise           &lt;/div&gt;    &lt;/div&gt;      &lt;div class="section major tracklist"&gt;    &lt;h3&gt;Tracklist&lt;/h3&gt;  &lt;div class="section_content"&gt; &lt;table class="playlist mini_playlist" id="playlist-0"&gt;        &lt;tbody&gt;&lt;tr class="first"&gt;     &lt;td class="track_pos"&gt;A1&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td class="track"&gt;          Berufsverbot          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;6:44&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;A2&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td class="track"&gt;          Emanation Machine R. Gie 1916          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;13:26&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;A3&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td class="track"&gt;          Stammheim Torturkammer          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;4:56&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;A4&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td class="track"&gt;          Ground Zero : Infinity Dose          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:23&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;A5&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td class="track"&gt;          Serenace          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;6:00&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;A6&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td class="track"&gt;          "John"          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;4:53&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;A7&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td class="track"&gt;          Victim          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;7:53&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;           &lt;/tbody&gt;&lt;/table&gt;  &lt;/div&gt;  &lt;/div&gt;           &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;Recorded live at The Crypt, Paddington, London&lt;br /&gt;25th April 1981.&lt;br /&gt;c&amp;amp;p 1981 S.P.K.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=WSYN7V1U"&gt;S.P.K. AT THE CRYPT&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-3573537614029089587?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/3573537614029089587/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/10/spk-live-at-crypt-1981.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/3573537614029089587'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/3573537614029089587'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/10/spk-live-at-crypt-1981.html' title='S.P.K. - LIVE AT THE CRYPT 1981'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_grNGPnsUTds/TMYYckOqztI/AAAAAAAAAhs/lA2cpkNrzsE/s72-c/R-76006-1187358801.jpeg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-1964714060363249541</id><published>2010-10-25T15:48:00.000-07:00</published><updated>2010-10-25T15:54:01.340-07:00</updated><title type='text'>LA MEJOR PORTADA DE MUSICA ELECTRONICA (PARTICIPACION)</title><content type='html'>El amigo Atom Cobalto, desde su blog &lt;a href="http://atomcobalto.blogspot.com/"&gt;GAY &amp;amp; INDUSTRIAL&lt;/a&gt; (&lt;a href="http://atomcobalto.blogspot.com/"&gt;http://atomcobalto.blogspot.com&lt;/a&gt;) ha lanzado una iniciativa curiosa. Prestadle atención:&lt;br /&gt;&lt;br /&gt;&lt;div class="post-header"&gt;  &lt;/div&gt;  &lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_nNGIIYCSgGI/TMKsjUcy09I/AAAAAAAAAbI/9KUllfQc19s/s1600/cable.gif" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://3.bp.blogspot.com/_nNGIIYCSgGI/TMKsjUcy09I/AAAAAAAAAbI/9KUllfQc19s/s320/cable.gif" border="0" width="320" height="241" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Harto de ver libros con las mejores portadas de discos de pop- Rock os  propongo un divertido concurso sin ganadores. Se trata de que mandeis lo  que, a vuestro juicio, creeis que son las mejores portadas de discos de  música electrónica, independientemente de que el disco os guste más o  menos.&lt;br /&gt;Abarcará todo lo referente a música electrónica: Technopop, Synthpop,  industrial, ambient,EBM,  Futurepop, planeadora, computer music, italo  disco, etc...&lt;br /&gt;&lt;br /&gt;Tan solo elige entre 1 a 5 portadas y mándalas al correo &lt;a href="mailto:atomcobalto@hotmail.com"&gt;atomcobalto@hotmail.com&lt;/a&gt;   bien sólo la foto, bien con un comentario de por qué os gusta o si  coincide la hermosa portada con el contenido. Formato preferentemente  Jpeg, gif.&lt;br /&gt;Las razones para elegirla pueden ser por ser preciosistas, impactantes,  divertidas, realmente extrañas, por transmitir el contenido techno o por  ser originales.&lt;br /&gt;&lt;br /&gt;La primera semana de Noviembre se publicarán en este blog y podremos  decir tranquilos que el arte de las nuevas músicas no estan sólo en el  contenido sino también en el continente.¿Te apetece ayudar?&lt;br /&gt;&lt;br /&gt;Pasa la voz en tus blogs!&lt;br /&gt;&lt;br /&gt;Día máximo de entrega: 5 de Noviembre.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_nNGIIYCSgGI/TMKvNULNIjI/AAAAAAAAAbM/4VHo2-4ipag/s1600/Atom+Cobalto.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://2.bp.blogspot.com/_nNGIIYCSgGI/TMKvNULNIjI/AAAAAAAAAbM/4VHo2-4ipag/s320/Atom+Cobalto.jpg" border="0" width="233" height="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-1964714060363249541?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/1964714060363249541/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/10/la-mejor-portada-de-musica-electronica.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/1964714060363249541'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/1964714060363249541'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/10/la-mejor-portada-de-musica-electronica.html' title='LA MEJOR PORTADA DE MUSICA ELECTRONICA (PARTICIPACION)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_nNGIIYCSgGI/TMKsjUcy09I/AAAAAAAAAbI/9KUllfQc19s/s72-c/cable.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-8874405620783215531</id><published>2010-10-08T16:37:00.000-07:00</published><updated>2010-10-08T17:05:32.413-07:00</updated><title type='text'>Various - SINN &amp; FORM (Cassette Datenverarbeitung 1982)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_grNGPnsUTds/TK-t-JapcCI/AAAAAAAAAhE/ETD92u4GeCs/s1600/sinn1.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 246px; height: 320px;" src="http://3.bp.blogspot.com/_grNGPnsUTds/TK-t-JapcCI/AAAAAAAAAhE/ETD92u4GeCs/s320/sinn1.jpg" alt="" id="BLOGGER_PHOTO_ID_5525826550998069282" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Hoy he recibido esta cassette comprada en Ebay a precio de risa. Se trata de una fenomenal recopilación de sonido industrial y tecno underground, integrada por auténticas vacas sagradas del género: Esplendor Geométrico, Nocturnal Emissions, P16.D4, Ptôse, Chris and Cosey, M.B., Human Flesh, Pseudo Code...&lt;br /&gt;Una de esas cintas incunables que se deban conservar como oro en paño y que se deben escuchar en momentos especiales. Yo me la reservo para mañana, que voy de boda, y después de un día entero de hipocresías, gente vestida con ropa que no puede pagar y música pachanguera, me dedicaré una solemne escucha de Sinn &amp;amp; Form para desintoxicar mis neuronas.&lt;br /&gt;&lt;br /&gt;Saludos sintéticos.&lt;br /&gt;&lt;br /&gt;&lt;div class="profile"&gt;   &lt;h1&gt;&lt;a href="http://www.discogs.com/artist/Various"&gt;Various&lt;/a&gt;  - Sinn &amp;amp; Form&lt;/h1&gt;  &lt;div class="head"&gt;Label:&lt;/div&gt;&lt;div class="content"&gt;&lt;a href="http://www.discogs.com/label/Datenverarbeitung"&gt;Datenverarbeitung&lt;/a&gt;&lt;/div&gt;  &lt;div class="head"&gt;Catalog#:&lt;/div&gt;&lt;div class="content"&gt;data0015&lt;/div&gt;  &lt;div class="head"&gt;Format:&lt;/div&gt;&lt;div class="content"&gt;           Cassette, Limited Edition, Compilation&lt;br /&gt;      &lt;/div&gt;  &lt;div class="head"&gt;Country:&lt;/div&gt;&lt;div class="content"&gt;Germany&lt;/div&gt; &lt;div class="head"&gt;Released:&lt;/div&gt;&lt;div class="content"&gt;Nov 1982&lt;/div&gt;  &lt;div class="head"&gt;Genre:&lt;/div&gt;&lt;div class="content"&gt;                      Electronic               &lt;/div&gt;  &lt;div class="head"&gt;Style:&lt;/div&gt;&lt;div class="content"&gt;            Industrial,              Experimental,              Ambient           &lt;/div&gt;    &lt;/div&gt;          &lt;h3&gt;Tracklist&lt;/h3&gt;           &lt;table class="playlist mini_playlist" id="playlist-0"&gt;&lt;tbody&gt;&lt;tr class="first"&gt;     &lt;td class="track_pos"&gt;A1&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Esplendor+Geom%C3%A9trico"&gt;Esplendor Geométrico&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Sin Titulo          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;A2&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Esplendor+Geom%C3%A9trico"&gt;Esplendor Geométrico&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Fungus Cerebri          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;A3&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Nocturnal+Emissions"&gt;Nocturnal Emissions&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Recorded Live At The Whiskey A Gogo London May 23, 1982          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;A4&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Maurizio+Bianchi?anv=M.B."&gt;M.B.&lt;/a&gt;*                        - &lt;/td&gt;           &lt;td class="track"&gt;          Extract From Muunh          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;A5&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/P16.D4"&gt;P16.D4&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Neue Muster          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;A6&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Kopf%2FKurz"&gt;Kopf/Kurz&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          B.R.'s Experiment          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;B1&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Pt%C3%B4se?anv=Pt%C3%B4se+Production"&gt;Ptôse Production&lt;/a&gt;*                        - &lt;/td&gt;           &lt;td class="track"&gt;          Ecraser La Vermine          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;B2&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Pseudo+Code"&gt;Pseudo Code&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Wondering Why (Pseudo Product 14)          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;B3&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Metadrive"&gt;Metadrive&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Sverige          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;B4&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Human+Flesh"&gt;Human Flesh&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          Harmonie (4th Human Attempt)          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;B5&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/CTI"&gt;CTI&lt;/a&gt;                        - &lt;/td&gt;           &lt;td class="track"&gt;          City Of Spirits          &lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=55BMR8XP"&gt;SINN &amp;amp; FORM&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-8874405620783215531?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/8874405620783215531/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/10/various-sinn-form-cassette.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/8874405620783215531'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/8874405620783215531'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/10/various-sinn-form-cassette.html' title='Various - SINN &amp; FORM (Cassette Datenverarbeitung 1982)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_grNGPnsUTds/TK-t-JapcCI/AAAAAAAAAhE/ETD92u4GeCs/s72-c/sinn1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-1483087447340253233</id><published>2010-09-28T14:40:00.000-07:00</published><updated>2010-09-28T15:10:00.963-07:00</updated><title type='text'>EL AVIADOR DRO Y SUS OBREROS ESPECIALIZADOS - SÍNTESIS: LA PRODUCCIÓN AL PODER (DRO 1983)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_grNGPnsUTds/TKJnPgpMiDI/AAAAAAAAAg8/1q_mVff8Btc/s1600/sintesiscover.JPG"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 293px;" src="http://3.bp.blogspot.com/_grNGPnsUTds/TKJnPgpMiDI/AAAAAAAAAg8/1q_mVff8Btc/s320/sintesiscover.JPG" alt="" id="BLOGGER_PHOTO_ID_5522089609268070450" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;A petición del amigo Dex, pongo a vuestra disposición la obra magna del Aviador Dro, que en 1983 puso a la venta en un elegante formato consitutido por dos lp's, un single y un libreto, todo ello contenido en una hermosa caja de cartón duro.&lt;br /&gt;&lt;br /&gt;Síntesis fue la puesta de largo de los Dro, una apuesta de máximo riesgo habida cuenta del panorama musical español del momento en el que la electrónica empezaba a flaquear dejando paso de nuevo a las formaciones clásicas de instrumentos de cuerdas electrificadas colgadas del cuello. No en vano, el grupo prefirió mirar hacia afuera en lugar de centrarse en lo que se hacia en la Península, lo cual le sirvió para hacerse un hueco en los altares de la electrónica underground europea. Hasta la fecha, muy pocos aficionados europeos se habían fijado en el panorama tecno-musical hispano ya que la oferta era bastante patética, pero Aviador Dro abrió un agujero entre las líneas del frente con Síntesis.&lt;br /&gt;&lt;br /&gt;Y es que Síntesis ofrece Tecno-Pop y música industrial en partes iguales y bajo un mismo denominador común, algo bastante complicado de llevar a cabo. Por un lado tenemos el LP "Tesis" (que salió a la venta también en formato de LP sencillo), que nos lleva al mejor Tecno del Aviador Dro, canciones futuristas, melodías pegadizas, sonido sintético... Todo ello mucho mejor llevado y calculado que en su anterior trabajo "Alas Sobre el Mundo", donde todavía estaban mostrando cierta inexperiencia. El segundo LP "Antítesis" es un vuelco total, un jarro de agua fría para el aficionado al Tecno-Pop liviano: letras mucho más crudas y politizadas, sonidos industriales, percusiones metálicas, ambientes fabriles... Finalmente el single, que contiene el mix de un tema repetido tanto en Tesis como en Antítesis aunque con diferente orientación: mientras que el Síntesis de Tesis es Tecno-Pop al uso, el Síntesis de Antítesis es un tema frío como un glaciar e industrial como el resto del disco. Ambas partes mezcladas debidamente se juntan en el single, cuya segunda cara lleva el tema "En Equipo", un tema bastante anodino para mi gusto.&lt;br /&gt;&lt;br /&gt;En resumen, un gran paso adelante del Aviador Dro que lograría sentar las bases de su sonido y un disco que, a pesar de haber sido un poco afectado por el paso de los años, conserva aún aquella frescura que nos sorprendía en su día.&lt;br /&gt;&lt;br /&gt;Por cierto, próximamente digitalizaré el libreto que acompañaba a esta caja y la colgaré en Ex Libris.&lt;br /&gt;&lt;br /&gt;Que lo disfruteis.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=CX9IM6KR"&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;SÍNTESIS&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-1483087447340253233?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/1483087447340253233/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/09/el-aviador-dro-y-sus-obreros.html#comment-form' title='10 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/1483087447340253233'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/1483087447340253233'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/09/el-aviador-dro-y-sus-obreros.html' title='EL AVIADOR DRO Y SUS OBREROS ESPECIALIZADOS - SÍNTESIS: LA PRODUCCIÓN AL PODER (DRO 1983)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_grNGPnsUTds/TKJnPgpMiDI/AAAAAAAAAg8/1q_mVff8Btc/s72-c/sintesiscover.JPG' height='72' width='72'/><thr:total>10</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-8111233930153426198</id><published>2010-09-22T14:45:00.001-07:00</published><updated>2010-09-22T14:45:54.803-07:00</updated><title type='text'>VUELVE "AUDIONAUTAS"</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_grNGPnsUTds/TJp4nCnWT4I/AAAAAAAAAf0/6dqM5HAT6Tw/s1600/audionautperfil.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 292px;" src="http://3.bp.blogspot.com/_grNGPnsUTds/TJp4nCnWT4I/AAAAAAAAAf0/6dqM5HAT6Tw/s320/audionautperfil.jpg" alt="" id="BLOGGER_PHOTO_ID_5519856905408106370" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;El amigo Pablo Freire vuelve a la carga. Después de siete años de dejar su web Audionautas, ha recargado las pilas y ha decidido regresar, esta vez bajo el formato de blog, con su máxima afición: divulgar la historia de la Música Electrónica. Con este regreso nos esperan largas horas de biografías, clases magistrales y auténtico material docente sobre el devenir histórico del medio musical electrónico.&lt;br /&gt;&lt;br /&gt;Pablo es una fuente inagotable de sabiduría en ese sentido, no en vano se considera poseedor de "una auténtica fiebre de conocimiento, aparte de un afán coleccionista un tanto  peculiar", como él mismo dice y os puedo asegurar que no le falta a la verdad para nada. Dispone de una cantidad impresionante de bibliografía sobre el tema y horas enteras de documentos videográficos, lo cual lo convierte en un erudito de excepción en esta temática tantas veces tratada por tanta gente pero tan pocas veces con el rigor que se merece. Rigor, sabiduría y experiencia, las tres bazas que hacen de Pablo Freire un excepcional divulgador.&lt;br /&gt;&lt;br /&gt;Si hay algo que me ha llamado especialmente la atención del nuevo "Audionautas", es el lema que lo corona: &lt;span&gt;"Música electrónica del pasado para viajeros sonoros del futuro."  Creo que sobran las palabras.&lt;br /&gt;&lt;br /&gt;Gracias a Pablo Freire por la grandísima labor que hizo en su momento y por la que va a hacer en su nueva vida internáutica... y sobretodo, gracias por existir.&lt;br /&gt;&lt;br /&gt;Aquí teneis el link al blog "AUDIONAUTAS":  http://www.audionautas.com/&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-8111233930153426198?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/8111233930153426198/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/09/vuelve-audionautas.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/8111233930153426198'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/8111233930153426198'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/09/vuelve-audionautas.html' title='VUELVE &quot;AUDIONAUTAS&quot;'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_grNGPnsUTds/TJp4nCnWT4I/AAAAAAAAAf0/6dqM5HAT6Tw/s72-c/audionautperfil.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-8187929550663454772</id><published>2010-09-19T14:42:00.000-07:00</published><updated>2010-09-19T14:54:04.855-07:00</updated><title type='text'>NUEVO FORO PARA NUESTRA COMUNIDAD</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_grNGPnsUTds/TJaGWpLrUjI/AAAAAAAAAfk/zlSqWEw9RE0/s1600/steampunk_synthesizer2.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 225px;" src="http://2.bp.blogspot.com/_grNGPnsUTds/TJaGWpLrUjI/AAAAAAAAAfk/zlSqWEw9RE0/s320/steampunk_synthesizer2.jpg" alt="" id="BLOGGER_PHOTO_ID_5518746116959195698" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;He creido oportuno reintentar la disposición de un foro para los usuarios de los blogs. Mi primer intento ha sido revitalizar el foro Wet Dreams que ya existía pero por falta de funcionamiento lo han inutilizado. Por tanto he creado otro foro para que en él podamos charlar de nuestras cosas: debatir sobre música, intercambiar material, hacer peticiones para los blogs, etc... y de esta manera podemos aunar los comentarios y sus respuestas, que en su mayor parte se pierden entre posts de los respectivos blogs.&lt;br /&gt;&lt;br /&gt;No sé, ha sido una idea y ahí la teneis por si quereis darle uso.&lt;br /&gt;&lt;br /&gt;Aquí teneis el link del foro SONIDO ELECTRÓNICO: http://sonidoelectronico.foroes.org/index.htm&lt;br /&gt;&lt;br /&gt;A ver si esta vez funciona.&lt;br /&gt;&lt;br /&gt;Saludos.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-8187929550663454772?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/8187929550663454772/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/09/nuevo-foro-para-nuestra-comunidad.html#comment-form' title='3 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/8187929550663454772'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/8187929550663454772'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/09/nuevo-foro-para-nuestra-comunidad.html' title='NUEVO FORO PARA NUESTRA COMUNIDAD'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_grNGPnsUTds/TJaGWpLrUjI/AAAAAAAAAfk/zlSqWEw9RE0/s72-c/steampunk_synthesizer2.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-5734032790163906137</id><published>2010-09-18T11:59:00.000-07:00</published><updated>2010-09-18T12:10:27.003-07:00</updated><title type='text'>VOX POPULI! - ECTOPLASMIES (EP) (VP231 - 1983)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_grNGPnsUTds/TJUNG-T5cbI/AAAAAAAAAfI/cv85SGteLQI/s1600/ectoplasmies+1.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 309px; height: 320px;" src="http://4.bp.blogspot.com/_grNGPnsUTds/TJUNG-T5cbI/AAAAAAAAAfI/cv85SGteLQI/s320/ectoplasmies+1.jpg" alt="" id="BLOGGER_PHOTO_ID_5518331331869241778" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_grNGPnsUTds/TJUNBxdCeRI/AAAAAAAAAfA/1B9QqVn5iRQ/s1600/ectoplasmies+2.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 303px; height: 320px;" src="http://1.bp.blogspot.com/_grNGPnsUTds/TJUNBxdCeRI/AAAAAAAAAfA/1B9QqVn5iRQ/s320/ectoplasmies+2.jpg" alt="" id="BLOGGER_PHOTO_ID_5518331242518575378" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_grNGPnsUTds/TJUM8UZZOOI/AAAAAAAAAe4/Ue4vK9_2sqo/s1600/ectoplasmies+3.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 227px; height: 320px;" src="http://2.bp.blogspot.com/_grNGPnsUTds/TJUM8UZZOOI/AAAAAAAAAe4/Ue4vK9_2sqo/s320/ectoplasmies+3.jpg" alt="" id="BLOGGER_PHOTO_ID_5518331148819314914" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_grNGPnsUTds/TJUM2kpCsGI/AAAAAAAAAew/sKC89so6V_8/s1600/ectoplasmies+4.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 225px; height: 320px;" src="http://4.bp.blogspot.com/_grNGPnsUTds/TJUM2kpCsGI/AAAAAAAAAew/sKC89so6V_8/s320/ectoplasmies+4.jpg" alt="" id="BLOGGER_PHOTO_ID_5518331050100699234" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_grNGPnsUTds/TJUMpmozz7I/AAAAAAAAAeo/jHRj45rzY4I/s1600/ectoplasmies+2.jpg"&gt;&lt;span&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_grNGPnsUTds/SdNAI0eWc-I/AAAAAAAAAJE/h33PDuvSfSU/s1600-h/VP7.jpg"&gt;&lt;span&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Éste es el primer y único EP 7" del grupo Vox Populi!  Personalmente, es un disco que me fascina a pesar de su corta duración (15 minutos escasos), pero es muy diferente a la posterior obra de estos franceses, ya que a posteriori se dedicaron más a ensamblar el folk con el sonido industrial e incluso con toques funk, todo ello desembocó en un sucesivo desinterés por mi parte.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Pero Ectoplasmies es un bocado exquisito, un caramelillo de corta duración pero de intenso sabor y además no cuesta digerir sino que te sabe realmente a poco.&lt;br /&gt;&lt;br /&gt;La verdad es que varios de los temas de este EP podrían estar firmados perfectamente por Richard H. Kirk y metidos en el Voice of America de Cabaret Voltaire y nadie se daría cuenta, porque se nota de donde bebieron los Vox para hacer este disco.&lt;br /&gt;&lt;br /&gt;Prestadle la atención que merece.&lt;br /&gt;&lt;br /&gt;&lt;div class="profile"&gt;   &lt;h1&gt;&lt;a style="color: rgb(255, 255, 255);" href="http://www.discogs.com/artist/Vox+Populi%21"&gt;Vox Populi!&lt;/a&gt;&lt;span style="color: rgb(255, 204, 204);"&gt; &lt;/span&gt; - Ectoplasmies&lt;/h1&gt;  &lt;div class="head"&gt;Label:&lt;/div&gt;&lt;div class="content"&gt;&lt;a href="http://www.discogs.com/label/VP+231"&gt;VP 231&lt;/a&gt;&lt;/div&gt;  &lt;div class="head"&gt;Catalog#:&lt;/div&gt;&lt;div class="content"&gt;VP 231 B&lt;/div&gt;  &lt;div class="head"&gt;Format:&lt;/div&gt;&lt;div class="content"&gt;           Vinyl, 7"&lt;br /&gt; &lt;/div&gt;  &lt;div class="head"&gt;Country:&lt;/div&gt;&lt;div class="content"&gt;France&lt;/div&gt; &lt;div class="head"&gt;Released:&lt;/div&gt;&lt;div class="content"&gt;Dec 1983&lt;/div&gt;  &lt;div class="head"&gt;Genre:&lt;/div&gt;&lt;div class="content"&gt;                      Electronic               &lt;/div&gt;  &lt;div class="head"&gt;Style:&lt;/div&gt;&lt;div class="content"&gt;            Electro,              Minimal,              Experimental           &lt;/div&gt;    &lt;/div&gt;          &lt;h3&gt;Tracklist&lt;/h3&gt;           &lt;table class="playlist"&gt;&lt;tbody&gt;&lt;tr class="first"&gt;     &lt;td class="track_pos"&gt;A1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;          I, The Mad          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:02&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr class="track_extra_artists"&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td colspan="3"&gt;                         Bass -   &lt;a href="http://www.discogs.com/artist/Yoll"&gt;Yoll&lt;/a&gt;         &lt;br /&gt;Vocals -   &lt;a href="http://www.discogs.com/artist/B.Wolf?anv=B.+Wolf"&gt;B. Wolf&lt;/a&gt;*            &lt;/td&gt;&lt;/tr&gt;               &lt;tr&gt;     &lt;td class="track_pos"&gt;A2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;          Sine Die, Sane Corpore          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;1:48&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr class="track_extra_artists"&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td colspan="3"&gt;                         Percussion, Tape -   &lt;a href="http://www.discogs.com/artist/Yoll"&gt;Yoll&lt;/a&gt;            &lt;/td&gt;&lt;/tr&gt;               &lt;tr&gt;     &lt;td class="track_pos"&gt;A3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;          Brave Old World          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:00&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr class="track_extra_artists"&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td colspan="3"&gt;                         Bass -   &lt;a href="http://www.discogs.com/artist/Yoll"&gt;Yoll&lt;/a&gt;         &lt;br /&gt;Vocals -   &lt;a href="http://www.discogs.com/artist/B.Wolf?anv=B.+Wolf"&gt;B. Wolf&lt;/a&gt;*            &lt;/td&gt;&lt;/tr&gt;               &lt;tr&gt;     &lt;td class="track_pos"&gt;A4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;          Hémoptysie          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;0:40&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;B1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;          Ectoplasmie II          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:01&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;B2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;          Ectoplasmie I          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;1:35&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;B3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;          Ectoplasmie III          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;0:55&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr class="track_extra_artists"&gt;&lt;td colspan="2"&gt;&lt;br /&gt;&lt;/td&gt;     &lt;td colspan="3"&gt;                         Synthesizer -   &lt;a href="http://www.discogs.com/artist/B.Wolf?anv=B.+Wolf"&gt;B. Wolf&lt;/a&gt;*            &lt;/td&gt;&lt;/tr&gt;               &lt;tr&gt;     &lt;td class="track_pos"&gt;B4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;          Ectoplasme IV          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:13&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://rapidshare.com/files/216091300/vox_populi__-_ectoplasmies____STAHLFABRIK_.rar"&gt;ECTOPLASMIES&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-5734032790163906137?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/5734032790163906137/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/09/este-es-el-primer-y-unico-ep-7-del.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/5734032790163906137'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/5734032790163906137'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/09/este-es-el-primer-y-unico-ep-7-del.html' title='VOX POPULI! - ECTOPLASMIES (EP) (VP231 - 1983)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_grNGPnsUTds/TJUNG-T5cbI/AAAAAAAAAfI/cv85SGteLQI/s72-c/ectoplasmies+1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-3368402335661540417</id><published>2010-09-17T08:00:00.000-07:00</published><updated>2010-09-17T08:58:26.183-07:00</updated><title type='text'>De Fabriek - Objects Of Desire Store (EE Tapes 1999)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_grNGPnsUTds/TJOGBRXD_XI/AAAAAAAAAeg/6YjCs0vl4hk/s1600/de+fabriek+3.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 224px;" src="http://2.bp.blogspot.com/_grNGPnsUTds/TJOGBRXD_XI/AAAAAAAAAeg/6YjCs0vl4hk/s320/de+fabriek+3.jpg" alt="" id="BLOGGER_PHOTO_ID_5517901324857113970" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;A colación de que mi hermano de blog Autodolor está teniendo problemas con este CD-R, lo posteo aquí para que se lo baje, y de paso para que lo descargueis vosotros.&lt;br /&gt;&lt;br /&gt;Se trata de un disco de De Fabriek, un muy buen disco, alejado de sus mejores obras pero sin duda un trabajo que os hará saborear su buen savoir faire.&lt;br /&gt;&lt;br /&gt;&lt;div class="profile"&gt;   &lt;h1&gt;&lt;a style="color: rgb(255, 255, 255);" href="http://www.discogs.com/artist/De+Fabriek"&gt;De Fabriek&lt;/a&gt;  - Objects Of Desire Store&lt;/h1&gt;  &lt;div style="color: rgb(0, 0, 0);" class="head"&gt;Label:&lt;/div&gt;&lt;div style="color: rgb(0, 0, 0);" class="content"&gt;&lt;a href="http://www.discogs.com/label/EE+Tapes"&gt;EE Tapes&lt;/a&gt;&lt;/div&gt;  &lt;div style="color: rgb(0, 0, 0);" class="head"&gt;Catalog#:&lt;/div&gt;&lt;div style="color: rgb(0, 0, 0);" class="content"&gt;ET64&lt;/div&gt;  &lt;div class="head"&gt;Format:&lt;/div&gt;&lt;div class="content"&gt;           CDr, Limited Edition&lt;br /&gt;     &lt;/div&gt;  &lt;div class="head"&gt;Country:&lt;/div&gt;&lt;div class="content"&gt;Belgium&lt;/div&gt; &lt;div class="head"&gt;Released:&lt;/div&gt;&lt;div class="content"&gt;1999&lt;/div&gt;  &lt;div class="head"&gt;Genre:&lt;/div&gt;&lt;div class="content"&gt;                      Electronic               &lt;/div&gt;  &lt;div class="head"&gt;Style:&lt;/div&gt;&lt;div class="content"&gt;            Experimental           &lt;/div&gt;    &lt;/div&gt;          &lt;h3&gt;Tracklist&lt;/h3&gt;           &lt;table class="playlist"&gt;&lt;tbody&gt;&lt;tr class="first"&gt;     &lt;td class="track_pos"&gt;1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;          España En Lama's I          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;23:15&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;          Tortura De Walkman          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;9:25&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;          Document Rare          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;5:50&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;          Radio-Manipulatie          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;8:55&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;5&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;          Repulsion          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;5:20&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;6&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;          Voice Mail          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;7:25&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;7&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;          España En Lama's II          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;10:00&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=PXSOTZNS"&gt;OBJECTS OF DESIRE STORE&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-3368402335661540417?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/3368402335661540417/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/09/de-fabriek-objects-of-desire-store-ee.html#comment-form' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/3368402335661540417'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/3368402335661540417'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/09/de-fabriek-objects-of-desire-store-ee.html' title='De Fabriek - Objects Of Desire Store (EE Tapes 1999)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_grNGPnsUTds/TJOGBRXD_XI/AAAAAAAAAeg/6YjCs0vl4hk/s72-c/de+fabriek+3.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-655912134581905425</id><published>2010-09-16T11:12:00.000-07:00</published><updated>2010-09-16T11:26:18.795-07:00</updated><title type='text'>VARIOUS - STRENGHT (AZTECO RECORDS 1986)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_grNGPnsUTds/TJJhP5w7YkI/AAAAAAAAAeY/1fXQwdx7Dzw/s1600/strenght.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 319px;" src="http://3.bp.blogspot.com/_grNGPnsUTds/TJJhP5w7YkI/AAAAAAAAAeY/1fXQwdx7Dzw/s320/strenght.jpg" alt="" id="BLOGGER_PHOTO_ID_5517579419314250306" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Acabo de recoger este vinilo en Correos, adquirido por un servidor en Ebay a un precio de risa. Se trata del recopilatorio STRENGHT, en el que encontramos temas de algunos de los grandes nombres de la vanguardia electrónica europea de los 80: De Fabriek, Vivenza, Human Flesh, P16.D4, Déficit des Années Anterieures y T.A.C.&lt;br /&gt;&lt;br /&gt;Delicias experimentales de una década sin precedentes.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="profile"&gt;   &lt;h1&gt;&lt;a href="http://www.discogs.com/artist/Various"&gt;Various&lt;/a&gt;  - Strength&lt;/h1&gt;  &lt;div class="head"&gt;Label:&lt;/div&gt;&lt;div class="content"&gt;&lt;a href="http://www.discogs.com/label/Azteco+Records"&gt;Azteco Records&lt;/a&gt;&lt;/div&gt;  &lt;div class="head"&gt;Catalog#:&lt;/div&gt;&lt;div class="content"&gt;AZTECO A-003&lt;/div&gt;  &lt;div class="head"&gt;Format:&lt;/div&gt;&lt;div class="content"&gt;           Vinyl, LP, Compilation&lt;br /&gt;      &lt;/div&gt;  &lt;div class="head"&gt;Country:&lt;/div&gt;&lt;div class="content"&gt;Italy&lt;/div&gt; &lt;div class="head"&gt;Released:&lt;/div&gt;&lt;div class="content"&gt;1986&lt;/div&gt;  &lt;div class="head"&gt;Genre:&lt;/div&gt;&lt;div class="content"&gt;                      Electronic               &lt;/div&gt;  &lt;div class="head"&gt;Style:&lt;/div&gt;&lt;div class="content"&gt;            Industrial           &lt;/div&gt;    &lt;/div&gt;          &lt;h3&gt;Tracklist&lt;/h3&gt;           &lt;table class="playlist"&gt;&lt;tbody&gt;&lt;tr class="first"&gt;     &lt;td class="track_pos"&gt;A1&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/DDAA"&gt;DDAA&lt;/a&gt;                        - &lt;/td&gt;           &lt;td&gt;          2000 Miles From Calcutta          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;A2&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Tomografia+Assiale+Computerizzata"&gt;Tomografia Assiale Computerizzata&lt;/a&gt;                        - &lt;/td&gt;           &lt;td&gt;          Rainforest          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;A3&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Tomografia+Assiale+Computerizzata"&gt;Tomografia Assiale Computerizzata&lt;/a&gt;                        - &lt;/td&gt;           &lt;td&gt;          Noche En Lasha          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;A4&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/De+Fabriek"&gt;De Fabriek&lt;/a&gt;                        - &lt;/td&gt;           &lt;td&gt;          Chase 2000          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;B1&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/P16.D4"&gt;P16.D4&lt;/a&gt;                        - &lt;/td&gt;           &lt;td&gt;          SBII: Pionierchor 'Diamat'          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;B2&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Vivenza"&gt;Vivenza&lt;/a&gt;                        - &lt;/td&gt;           &lt;td&gt;          Dynamisme Des Principes Mécaniques          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;B3&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Human+Flesh"&gt;Human Flesh&lt;/a&gt;                        - &lt;/td&gt;           &lt;td&gt;          Droit De Cuissage          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;B4&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Human+Flesh"&gt;Human Flesh&lt;/a&gt;                        - &lt;/td&gt;           &lt;td&gt;          Idiom          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;B5&lt;/td&gt;             &lt;td class="track_artists"&gt;                &lt;a href="http://www.discogs.com/artist/Human+Flesh"&gt;Human Flesh&lt;/a&gt;                        - &lt;/td&gt;           &lt;td&gt;          Revolts          &lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://rapidshare.com/files/132291111/Strength.zip.html"&gt;STRENGHT&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-655912134581905425?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/655912134581905425/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/09/various-strenght-azteco-records-1986.html#comment-form' title='3 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/655912134581905425'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/655912134581905425'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/09/various-strenght-azteco-records-1986.html' title='VARIOUS - STRENGHT (AZTECO RECORDS 1986)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_grNGPnsUTds/TJJhP5w7YkI/AAAAAAAAAeY/1fXQwdx7Dzw/s72-c/strenght.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-7376233668876800870</id><published>2010-09-12T13:55:00.000-07:00</published><updated>2010-09-12T15:09:46.165-07:00</updated><title type='text'>CHRIS AND COSEY - TRANCE (1982) + TAKE FIVE (1986)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_grNGPnsUTds/TI1BdzYs9_I/AAAAAAAAAeI/uc5ky2A4Bjg/s1600/CHRIS+AND+COSEY.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 226px;" src="http://3.bp.blogspot.com/_grNGPnsUTds/TI1BdzYs9_I/AAAAAAAAAeI/uc5ky2A4Bjg/s320/CHRIS+AND+COSEY.jpg" alt="" id="BLOGGER_PHOTO_ID_5516137098864556018" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;El amigo Elektroid Humanoid hizo mención, en el último post, del disco Trance de Chris and Cosey y del tema October/Love song. Pues bien, aquí los teneis subidos para vuestro disfrute.&lt;br /&gt;&lt;br /&gt;Trance es un discazo publicado en 1982 donde se muestra el excelente estado de inspiración de esta pareja de alienígenas. Imprescindible "Cowboys in Cuba".&lt;br /&gt;&lt;br /&gt;En Take Five se recogen temas sueltos de C &amp;amp; C entre los que se encuentra October/Love Song. Nos os perdais este disco.&lt;br /&gt;&lt;br /&gt;&lt;h1&gt;Trance&lt;/h1&gt;  &lt;div class="head"&gt;Label:&lt;/div&gt;&lt;div class="content"&gt;&lt;a href="http://www.discogs.com/label/Base+Record"&gt;Base Record&lt;/a&gt;&lt;/div&gt;  &lt;div class="head"&gt;Catalog#:&lt;/div&gt;&lt;div class="content"&gt;ROUGH  44&lt;/div&gt;  &lt;div class="head"&gt;Format:&lt;/div&gt;&lt;div class="content"&gt;           Vinyl, LP, Album&lt;br /&gt;     &lt;/div&gt;  &lt;div class="head"&gt;Country:&lt;/div&gt;&lt;div class="content"&gt;Italy&lt;/div&gt; &lt;div class="head"&gt;Released:&lt;/div&gt;&lt;div class="content"&gt;1982&lt;/div&gt;  &lt;div class="head"&gt;Genre:&lt;/div&gt;&lt;div class="content"&gt;                      Electronic               &lt;/div&gt;  &lt;div class="head"&gt;Style:&lt;/div&gt;&lt;div class="content"&gt;            Industrial,              Synth-pop           &lt;/div&gt;          &lt;div class="section major tracklist"&gt;    &lt;h3&gt;Tracklist&lt;/h3&gt;  &lt;div class="section_content"&gt; &lt;table class="playlist"&gt;        &lt;tbody&gt;&lt;tr class="first"&gt;     &lt;td class="track_pos"&gt;A1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;          Cowboys In Cuba          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;5:39&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;A2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;          Lost          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:02&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;A3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;          The Giants Feet          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;6:51&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;A4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;          Impulse          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:21&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;B1&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;          Re-Education Through Labour          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;7:08&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;B2&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;          Secret          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:49&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;B3&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;          Until          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;5:31&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;B4&lt;/td&gt;             &lt;td&gt;&lt;br /&gt;&lt;/td&gt;           &lt;td&gt;          The Gates Of Ancient Cities          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;4:26&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;h1&gt;Take Five&lt;/h1&gt; &lt;div class="head"&gt;Genre:&lt;/div&gt;&lt;div class="content"&gt;Electronic&lt;/div&gt; &lt;div class="head"&gt;Style:&lt;/div&gt;&lt;div class="content"&gt;Industrial, Synth-pop&lt;/div&gt; &lt;div class="head"&gt;Year:&lt;/div&gt;&lt;div class="content"&gt;1986&lt;/div&gt;    &lt;div class="section major tracklist"&gt;  &lt;h3&gt;Tracklist&lt;/h3&gt;&lt;div class="section_content"&gt;&lt;table&gt; &lt;tbody&gt;&lt;tr class="first"&gt; &lt;td class="track_title" width="100%"&gt;October Love Song&lt;/td&gt; &lt;td class="track_duration"&gt;&lt;br /&gt;&lt;/td&gt; &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt; &lt;td class="track_title" width="100%"&gt;Relay&lt;/td&gt; &lt;td class="track_duration"&gt;&lt;br /&gt;&lt;/td&gt; &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt; &lt;td class="track_title" width="100%"&gt;Smell The Roses&lt;/td&gt; &lt;td class="track_duration"&gt;&lt;br /&gt;&lt;/td&gt; &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt; &lt;td class="track_title" width="100%"&gt;Love Cuts&lt;/td&gt; &lt;td class="track_duration"&gt;&lt;br /&gt;&lt;/td&gt; &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt; &lt;td class="track_title" width="100%"&gt;Send The Magick Down&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=J09I0HXR"&gt;CHRIS AND COSEY - TRANCE (1982) + TAKE FIVE (1986)&lt;/a&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-7376233668876800870?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/7376233668876800870/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/09/chris-and-cosey-trance-1982-take-five.html#comment-form' title='2 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7376233668876800870'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7376233668876800870'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/09/chris-and-cosey-trance-1982-take-five.html' title='CHRIS AND COSEY - TRANCE (1982) + TAKE FIVE (1986)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_grNGPnsUTds/TI1BdzYs9_I/AAAAAAAAAeI/uc5ky2A4Bjg/s72-c/CHRIS+AND+COSEY.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-1865202284766578436</id><published>2010-09-08T17:46:00.000-07:00</published><updated>2010-09-08T17:55:23.416-07:00</updated><title type='text'>CHRIS AND COSEY - HEARTBEAT  (1981 ROUGH TRADE RECORDS)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_grNGPnsUTds/TIgwZcUZzqI/AAAAAAAAAcg/LPOq_SOXbHA/s1600/heartbeat.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 320px;" src="http://1.bp.blogspot.com/_grNGPnsUTds/TIgwZcUZzqI/AAAAAAAAAcg/LPOq_SOXbHA/s320/heartbeat.jpg" alt="" id="BLOGGER_PHOTO_ID_5514710957371805346" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Una vez disuelto el grupo Throbbing Gristle, dos de sus miembros, la pareja formada por Chris Carter y Cosey Fanni Tutti forman el dúo Chris and Cosey, un grupo algo alejado de la estética "terrorista sonora" de la época T.G., pero con un amplísimo sentido del uso de la electrónica para conseguir un Tecno-Industrial que crearía escuela.&lt;br /&gt;&lt;br /&gt;Heartbeat es de 1981, un año en que la electrónica musical estuvo en primera línea de fuego aunque los trabajos de estos artistas se mantendrían en los círculos underground que englobaban este tipo de propuestas sonoras.&lt;br /&gt;&lt;br /&gt;Enorme disco.&lt;br /&gt;&lt;br /&gt;&lt;h3&gt;Tracklist&lt;/h3&gt;           &lt;table class="playlist"&gt;&lt;tbody&gt;&lt;tr class="first"&gt;     &lt;td class="track_pos"&gt;A1&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td&gt;          Put Yourself In Los Angeles          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;A2&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td&gt;          This Is Me          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;A3&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td&gt;          Voodoo          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;A4&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td&gt;          Moorby          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;A5&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td&gt;          Radio Void          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;A6&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td&gt;          Just Like You          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;B1&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td&gt;          Bust Stop          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;B2&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td&gt;          Useless Information          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;B3&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td&gt;          Moving Still          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;B4&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td&gt;          Manic Melody          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;&lt;br /&gt;&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;B5&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td&gt;          Heartbeat          &lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=PTGQC0ZH"&gt;HEARTBEAT&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-1865202284766578436?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/1865202284766578436/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/09/chris-and-cosey-heartbeat-1981-rough.html#comment-form' title='5 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/1865202284766578436'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/1865202284766578436'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/09/chris-and-cosey-heartbeat-1981-rough.html' title='CHRIS AND COSEY - HEARTBEAT  (1981 ROUGH TRADE RECORDS)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_grNGPnsUTds/TIgwZcUZzqI/AAAAAAAAAcg/LPOq_SOXbHA/s72-c/heartbeat.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-2586662052793432612</id><published>2010-09-02T16:00:00.000-07:00</published><updated>2010-09-02T16:09:00.715-07:00</updated><title type='text'>Video Aventures - Musiques pour Garçons et Filles (1979)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_grNGPnsUTds/TIAtjY2ctnI/AAAAAAAAAcI/hGSD_WhFRLY/s1600/video+aventures+-+musiques+pour+gar%C3%A7ons+et+filles.gif"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 200px; height: 200px;" src="http://4.bp.blogspot.com/_grNGPnsUTds/TIAtjY2ctnI/AAAAAAAAAcI/hGSD_WhFRLY/s320/video+aventures+-+musiques+pour+gar%C3%A7ons+et+filles.gif" alt="" id="BLOGGER_PHOTO_ID_5512456029890983538" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;A petición del amigo Chorbyradio, os dejo este disco del grupo francés Video Aventures.&lt;br /&gt;&lt;br /&gt;No os digo nada más, escuchadlo.&lt;br /&gt;&lt;br /&gt;&lt;h3&gt;Tracklist&lt;/h3&gt;           &lt;table class="playlist"&gt;&lt;tbody&gt;&lt;tr class="first"&gt;     &lt;td class="track_pos"&gt;1&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td&gt;          Laissez-Nous Entrer Dans Vos Coeurs          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;1:35&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr class="track_extra_artists"&gt;&lt;td colspan="2"&gt; &lt;/td&gt;     &lt;td colspan="3"&gt;                         Drums, Saxophone [Tenor] -   &lt;a href="http://www.discogs.com/artist/Guigou+Chenevier"&gt;Guigou Chenevier&lt;/a&gt;              &lt;br /&gt; Guitar [Steel] -   &lt;a href="http://www.discogs.com/artist/Cyrille+Lefebvre"&gt;Cyrille Lefebvre&lt;/a&gt;            &lt;/td&gt;&lt;/tr&gt;               &lt;tr&gt;     &lt;td class="track_pos"&gt;2&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td&gt;          Tina          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:50&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr class="track_extra_artists"&gt;&lt;td colspan="2"&gt; &lt;/td&gt;     &lt;td colspan="3"&gt;                         Drums -   &lt;a href="http://www.discogs.com/artist/Guigou+Chenevier"&gt;Guigou Chenevier&lt;/a&gt;              &lt;br /&gt; Guitar -   &lt;a href="http://www.discogs.com/artist/Jean-Pierre+Grasset"&gt;Jean-Pierre Grasset&lt;/a&gt;              &lt;br /&gt; Guitar [Steel] -   &lt;a href="http://www.discogs.com/artist/Cyrille+Lefebvre"&gt;Cyrille Lefebvre&lt;/a&gt;            &lt;/td&gt;&lt;/tr&gt;               &lt;tr&gt;     &lt;td class="track_pos"&gt;3&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td&gt;          L'Homme Au Grand Chapeau          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;1:07&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;4&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td&gt;          Une Vie Moderne          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;3:06&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr class="track_extra_artists"&gt;&lt;td colspan="2"&gt; &lt;/td&gt;     &lt;td colspan="3"&gt;                         Percussion [Maracas] -   &lt;a href="http://www.discogs.com/artist/Guigou+Chenevier"&gt;Guigou Chenevier&lt;/a&gt;              &lt;br /&gt; Piano, Produced By, Mixed By -   &lt;a href="http://www.discogs.com/artist/Gilbert+Artman"&gt;Gilbert Artman&lt;/a&gt;              &lt;br /&gt; Synthesizer [Moog] -   &lt;a href="http://www.discogs.com/artist/Jean-Pierre+Grasset"&gt;Jean-Pierre Grasset&lt;/a&gt;            &lt;/td&gt;&lt;/tr&gt;               &lt;tr&gt;     &lt;td class="track_pos"&gt;5&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td&gt;          French Kiss          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;0:37&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;                &lt;tr&gt;     &lt;td class="track_pos"&gt;6&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td&gt;          Telstar          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:25&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr class="track_extra_artists"&gt;&lt;td colspan="2"&gt; &lt;/td&gt;     &lt;td colspan="3"&gt;                         Drums -   &lt;a href="http://www.discogs.com/artist/Guigou+Chenevier"&gt;Guigou Chenevier&lt;/a&gt;              &lt;br /&gt; Guitar [Steel] -   &lt;a href="http://www.discogs.com/artist/Cyrille+Lefebvre"&gt;Cyrille Lefebvre&lt;/a&gt;              &lt;br /&gt; Synthesizer [Moog], Guitar -   &lt;a href="http://www.discogs.com/artist/Jean-Pierre+Grasset"&gt;Jean-Pierre Grasset&lt;/a&gt;            &lt;/td&gt;&lt;/tr&gt;               &lt;tr&gt;     &lt;td class="track_pos"&gt;7&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td&gt;          Zazou Sur La Piste          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;2:37&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr class="track_extra_artists"&gt;&lt;td colspan="2"&gt; &lt;/td&gt;     &lt;td colspan="3"&gt;                         Drums -   &lt;a href="http://www.discogs.com/artist/Guigou+Chenevier"&gt;Guigou Chenevier&lt;/a&gt;              &lt;br /&gt; Guitar [Steel] -   &lt;a href="http://www.discogs.com/artist/Cyrille+Lefebvre"&gt;Cyrille Lefebvre&lt;/a&gt;              &lt;br /&gt; Synthesizer [Moog] -   &lt;a href="http://www.discogs.com/artist/Jean-Pierre+Grasset"&gt;Jean-Pierre Grasset&lt;/a&gt;            &lt;/td&gt;&lt;/tr&gt;               &lt;tr&gt;     &lt;td class="track_pos"&gt;8&lt;/td&gt;             &lt;td&gt; &lt;/td&gt;           &lt;td&gt;          La Ballade Des Cardiaques : V-AVENTURES Feuilleton (Serial-Story) Episode N°1          &lt;/td&gt;     &lt;td class="track_duration" align="right"&gt;4:59&lt;/td&gt;            &lt;td class="track_itunes"&gt;&lt;br /&gt;&lt;/td&gt;         &lt;/tr&gt;         &lt;tr class="track_extra_artists"&gt;&lt;td colspan="2"&gt; &lt;/td&gt;     &lt;td colspan="3"&gt;                         Drums, Saxophone [Tenor] -   &lt;a href="http://www.discogs.com/artist/Guigou+Chenevier"&gt;Guigou Chenevier&lt;/a&gt;              &lt;br /&gt; Piano, Produced By, Mixed By -   &lt;a href="http://www.discogs.com/artist/Gilbert+Artman"&gt;Gilbert Artman&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=UEAKULOO"&gt;Video Aventures - Musiques pour Garçons et Filles&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-2586662052793432612?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/2586662052793432612/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/09/video-aventures-musiques-pour-garcons.html#comment-form' title='5 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/2586662052793432612'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/2586662052793432612'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/09/video-aventures-musiques-pour-garcons.html' title='Video Aventures - Musiques pour Garçons et Filles (1979)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_grNGPnsUTds/TIAtjY2ctnI/AAAAAAAAAcI/hGSD_WhFRLY/s72-c/video+aventures+-+musiques+pour+gar%C3%A7ons+et+filles.gif' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-7470133796086844276</id><published>2010-08-30T03:24:00.000-07:00</published><updated>2010-08-30T04:05:15.975-07:00</updated><title type='text'>Sleep Chamber - Musik for Mannequins (Inner - X - Musick 1984)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_grNGPnsUTds/THuKwMLPY1I/AAAAAAAAAbg/avObMQYiB40/s1600/musick+for+mannequins+a.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 206px; height: 320px;" src="http://1.bp.blogspot.com/_grNGPnsUTds/THuKwMLPY1I/AAAAAAAAAbg/avObMQYiB40/s320/musick+for+mannequins+a.jpg" alt="" id="BLOGGER_PHOTO_ID_5511151129524659026" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span id="result_box" class="long_text"&gt;&lt;span style="" title=""&gt;&lt;br /&gt;&lt;br /&gt;Formado  por John Zewizz alrededor de 1978-79, Sleep Cahmber ha visto pasar a varios miembros, y realizó una amplia variedad de música. Empezaron haciendo música experimental&lt;/span&gt;&lt;span title=""&gt; con elementos de música concreta, pero &lt;/span&gt;&lt;span title=""&gt;poco después pisaron oscuramente el terreno del tecno-pop, lo cual continuó hasta la década de los 90. &lt;/span&gt;&lt;span title=""&gt;A  mediados de la década de 1980 la banda comenzó a trabajar con más  electro y EBM, sin dejar la experimentación ni los sonidos tecno más oscuros. &lt;/span&gt;&lt;span title=""&gt;&lt;br /&gt;&lt;br /&gt;Una banda estadounidense muy interesante para todo adicto al sonido electrónico underground ochentero.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=CUOMY847"&gt;Musik for Mannequins&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-7470133796086844276?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/7470133796086844276/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/08/sleep-chamber-musik-for-mannequins.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7470133796086844276'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7470133796086844276'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/08/sleep-chamber-musik-for-mannequins.html' title='Sleep Chamber - Musik for Mannequins (Inner - X - Musick 1984)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_grNGPnsUTds/THuKwMLPY1I/AAAAAAAAAbg/avObMQYiB40/s72-c/musick+for+mannequins+a.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-7750996389663041184</id><published>2010-08-22T08:36:00.000-07:00</published><updated>2010-08-22T08:51:23.175-07:00</updated><title type='text'>Cosinots Ltd. - Koncert für den Darwin-Tuberkel (Not on label, 2010)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_grNGPnsUTds/THFEpqmf2pI/AAAAAAAAAbA/sJFNz1ZbCvg/s1600/cosinots+cover+small.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 300px; height: 300px;" src="http://1.bp.blogspot.com/_grNGPnsUTds/THFEpqmf2pI/AAAAAAAAAbA/sJFNz1ZbCvg/s320/cosinots+cover+small.jpg" alt="" id="BLOGGER_PHOTO_ID_5508259301851912850" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Edición simultánea en Wet Dreams y Hand Beanies.&lt;br /&gt;&lt;br /&gt;Cosinots Ltd. son Josep María Soler y Jordi Xavier Soler. No son&lt;br /&gt;hermanos, ni primos, ni se conocen personalmente. Sólo un par de&lt;br /&gt;llamadas telefónicas y e-mails.&lt;br /&gt;Estos dos energúmenos se hacen llamar Stalhfabrik y AUTODOLOR. Patéticos...&lt;br /&gt;Ambos decidieron, en un gesto de arrogancia y desvergüenza, enviar una&lt;br /&gt;base de sonido para que el otro hiciese su remix. El resultado es este&lt;br /&gt;"Koncert für den Darwin-Tuberkel", que pasará a los anales de la&lt;br /&gt;historia como "Disco me cago en la madre que los parió del año".&lt;br /&gt;Tómenlo con paciencia, ya que dos suites de estos descerebrados pueden&lt;br /&gt;alterar sus intestinos, causar colitis veraniega e inapetencia sexual.&lt;br /&gt;Del mismo modo, puede dañar su tubérculo de Darwin, que es a lo que vamos...&lt;br /&gt;Se adjuntan dos Flac y gráficas (357 Mb) para los osados que quieran&lt;br /&gt;tostar e imprimir este...&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=TBYACSGP"&gt;Koncert für den Darwin-Tuberkel&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;PD: Como parte implicada en el asunto, decir que ha sido un placer trabajar con Autodolor, un ejemplar auténtico de insensatez musical que va como anillo al dedo con mi forma de entender la música electrónica. Gracias, cosinot.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-7750996389663041184?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/7750996389663041184/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/08/cosinots-ltd-koncert-fur-den-darwin.html#comment-form' title='3 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7750996389663041184'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7750996389663041184'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/08/cosinots-ltd-koncert-fur-den-darwin.html' title='Cosinots Ltd. - Koncert für den Darwin-Tuberkel (Not on label, 2010)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_grNGPnsUTds/THFEpqmf2pI/AAAAAAAAAbA/sJFNz1ZbCvg/s72-c/cosinots+cover+small.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-4205898450271898476</id><published>2010-07-30T11:11:00.000-07:00</published><updated>2010-07-30T11:24:19.906-07:00</updated><title type='text'>CERRADO POR VACACIONES</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_grNGPnsUTds/TFMYu3lALeI/AAAAAAAAAa4/puMD9B_huKg/s1600/CERRADO+POR+VACACIONES.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 320px; height: 229px;" src="http://1.bp.blogspot.com/_grNGPnsUTds/TFMYu3lALeI/AAAAAAAAAa4/puMD9B_huKg/s320/CERRADO+POR+VACACIONES.jpg" alt="" id="BLOGGER_PHOTO_ID_5499766763421707746" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Pues eso, queridos amigos, este fin de semana me voy a Barcelona a pasar quince días de vacaciones con mi familia, por tanto, mis tres blogs estarán sin actividad hasta el 16 de agosto, día en que volveré a la carga con mucho material para ofreceros.&lt;br /&gt;&lt;br /&gt;Por lo que refiere a Ex Libris, deciros que he recibido interesantes escaneos por parte de Elektroid Humanoid y estoy a la espera de recibir más material por parte de otros amigos y seguidores, eso sin contar que procuraré escanear el libro de La Nueva Música enterito, de modo que preparaos porque cuando vuelva vais a tener tela de la buena.&lt;br /&gt;&lt;br /&gt;En cuanto a Wet Dreams y Electronic Orgy, ya os aviso que de Barcelona me llevaré un buen puñado de grabaciones que algunos amigos coleccionistas ya me tienen a punto, amén del proyecto que llevamos entre manos mi cosinot Auto-Hand-Dolor_Beanies y un servidor.&lt;br /&gt;&lt;br /&gt;En fin, un abrazo a todos, que paseis buen verano y mantened las ondas cerebrales en buena forma para la segunda mitad de agosto.&lt;br /&gt;&lt;br /&gt;Saludos. ;)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-4205898450271898476?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/4205898450271898476/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/07/cerrado-por-vacaciones.html#comment-form' title='2 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/4205898450271898476'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/4205898450271898476'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/07/cerrado-por-vacaciones.html' title='CERRADO POR VACACIONES'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_grNGPnsUTds/TFMYu3lALeI/AAAAAAAAAa4/puMD9B_huKg/s72-c/CERRADO+POR+VACACIONES.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-2298185583300287067</id><published>2010-07-27T08:38:00.000-07:00</published><updated>2010-07-27T08:39:22.582-07:00</updated><title type='text'>NUEVO BLOG DEDICADO A LOS FANZINES SOBRE MÚSICA ELECTRÓNICA</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_grNGPnsUTds/TE79pD4VOBI/AAAAAAAAAao/e-BCJGehuwQ/s1600/EX+LIBRIS+NUDE+2.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 212px;" src="http://2.bp.blogspot.com/_grNGPnsUTds/TE79pD4VOBI/AAAAAAAAAao/e-BCJGehuwQ/s320/EX+LIBRIS+NUDE+2.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5498611076923996178" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Inauguramos este nuevo blog destinado a las publicaciones que dedicaron su existencia a la divulgación del medio musical electrónico. Principalmente nos centraremos en el vasto mundo del fanzine, pero también dedicaremos tiempo a otro tipo de publicaciones tales como libros o revistas que por su contenido se consideren interesantes para los aficionados al mundo de la música sintetizada.&lt;br /&gt;&lt;br /&gt;De modo que, consideraos bienvenidos y disfrutad de éste, vuestro nuevo blog.&lt;br /&gt;&lt;br /&gt;Saludos a todos. &lt;br /&gt;&lt;br /&gt;http://stahlfabrik-exlibris.blogspot.com/&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-2298185583300287067?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/2298185583300287067/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/07/nuevo-blog-dedicado-los-fanzines-sobre.html#comment-form' title='5 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/2298185583300287067'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/2298185583300287067'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/07/nuevo-blog-dedicado-los-fanzines-sobre.html' title='NUEVO BLOG DEDICADO A LOS FANZINES SOBRE MÚSICA ELECTRÓNICA'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_grNGPnsUTds/TE79pD4VOBI/AAAAAAAAAao/e-BCJGehuwQ/s72-c/EX+LIBRIS+NUDE+2.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-7239775028551267495</id><published>2010-07-22T16:20:00.000-07:00</published><updated>2010-07-22T16:28:43.581-07:00</updated><title type='text'>RECORDATORIO: ELECTRONIC ORGY</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_grNGPnsUTds/TEjT9irTE4I/AAAAAAAAAZk/NJ7NJScoS5g/s1600/Screenshot+-+22_04_2010+,+23_44_26.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 114px;" src="http://4.bp.blogspot.com/_grNGPnsUTds/TEjT9irTE4I/AAAAAAAAAZk/NJ7NJScoS5g/s320/Screenshot+-+22_04_2010+,+23_44_26.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5496876399439582082" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Este post pretende recordar que este humilde bloggero dispone, además de este Wet Dreams que estais visitando, otro blog llamado "Electronic Orgy", dedicado básicamente a la música electrónica alemana, el Krautrock y los estilos afines. En él se intentan rescatar aquellas obras del medio musical electrónico que se han ido quedando en el camino, algunas más fáciles de localizar que otras, pero todas ellas encaradas al disfrute de todo aficionado que se precie.&lt;br /&gt;&lt;br /&gt;Os recomiendo un paseo por Electronic Orgy, seguro que a muchos os parecerá, cuando menos, interesante.&lt;br /&gt;&lt;br /&gt;Saludos y gracias por vuestra atención.&lt;br /&gt;&lt;br /&gt;El link a Electronic Orgy: http://electronicorgy.blogspot.com/&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-7239775028551267495?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/7239775028551267495/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/07/recordatorio-electronic-orgy.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7239775028551267495'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/7239775028551267495'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/07/recordatorio-electronic-orgy.html' title='RECORDATORIO: ELECTRONIC ORGY'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_grNGPnsUTds/TEjT9irTE4I/AAAAAAAAAZk/NJ7NJScoS5g/s72-c/Screenshot+-+22_04_2010+,+23_44_26.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-5866042350672479705</id><published>2010-07-22T15:32:00.000-07:00</published><updated>2010-07-22T16:03:10.925-07:00</updated><title type='text'>LÍNEAS AÉREAS E.P. (Discos para desayunar 1983)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_grNGPnsUTds/TEjLko7sb3I/AAAAAAAAAZU/RQYRnalZJbY/s1600/Lineas+Aereas++-+Landschaften+-+inside+2.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 309px;" src="http://1.bp.blogspot.com/_grNGPnsUTds/TEjLko7sb3I/AAAAAAAAAZU/RQYRnalZJbY/s320/Lineas+Aereas++-+Landschaften+-+inside+2.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5496867175529213810" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Los catalanes Francisco Palomo y Jordi Gúber lanzaron, en 1983, este diamante en bruto en forma de disco, un auténtico tesoro electrónico que, sin embargo, pasó sin pena ni gloria en su momento. Tecno-Pop como muy pocos supieron hacer y una calidad sonora solo superable con mejores medios, pero a pesar de sus carencias, este vinilo quedó para la posteridad como una muestra de savoir-faire indiscutible.&lt;br /&gt;&lt;br /&gt;A Jordi Gúber lo encontramos posteriormente asociado a Krishna Goineau (Liaisons, Malaria, Xeerox, etc...) para formar Metropakt, un nuevo intento de hacer algo grande que veremos y oiremos en futuros posts en Wet Dreams.&lt;br /&gt;&lt;br /&gt;De momento saboread este vinilo.&lt;br /&gt;&lt;br /&gt;A vuestra salud !!!!&lt;br /&gt;&lt;br /&gt;Líneas Aéreas EP:&lt;br /&gt;A1 Landschaften (3:32)&lt;br /&gt;B1 Benelux (3:29)&lt;br /&gt;B2 Radiotron (4:08)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=56HY1CAP"&gt;LINEAS AÉREAS&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-5866042350672479705?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/5866042350672479705/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/07/lineas-aereas-ep-discos-para-desayunar.html#comment-form' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/5866042350672479705'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/5866042350672479705'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/07/lineas-aereas-ep-discos-para-desayunar.html' title='LÍNEAS AÉREAS E.P. (Discos para desayunar 1983)'/><author><name>STAHLFABRIK</name><uri>http://www.blogger.com/profile/06032541369738383374</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='23' src='http://1.bp.blogspot.com/--h6rZglERTs/TWLogD3ErJI/AAAAAAAAAoI/z22OIkq2TSY/s220/LOGO%2BSTAHLFABRIK%2BYELLOW.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_grNGPnsUTds/TEjLko7sb3I/AAAAAAAAAZU/RQYRnalZJbY/s72-c/Lineas+Aereas++-+Landschaften+-+inside+2.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7427875471984993866.post-1496252213736225313</id><published>2010-07-22T10:47:00.000-07:00</published><updated>2010-07-22T11:29:22.932-07:00</updated><title type='text'>SYNTORAMA NÚMERO 1 (FEBRERO-MARZO DE 1984)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_grNGPnsUTds/TEiN9uFiTtI/AAAAAAAAAZM/LqLJf3oZntI/s1600/SYNTORAMA+1+-+1.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 229px; height: 320px;" src="http://3.bp.blogspot.com/_grNGPnsUTds/TEiN9uFiTtI/AAAAAAAAAZM/LqLJf3oZntI/s320/SYNTORAMA+1+-+1.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5496799436688477906" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Hoy no os traigo ninguna grabación sino una publicación.&lt;br /&gt;&lt;br /&gt;Se trata de uno de los fanzines dedicados a la música electrónica que más difusión tuvo en los 80 dentro de los círculos electrónico-musicales underground, que junto con el célebre Cloruro Sónico daban la información sobre música electrónica que los grandes medios no difundían. Apareció en marzo de 1984 de la mano de unos aficionados de Rentería (Guipúzcoa)y ya desde el primer número se vislumbraba no solo el enorme conocimiento sobre el medio musical electrónico, sino la gran voluntad de querer abarcar la máxima información posible, con un rigor y una sobriedad casi profesionales, a pesar de contar con medios precarios, como todos los fanzines de la época. También tenían una emisora de radio, Radio Syntorama, con el mismo contenido y finalidad.&lt;br /&gt;&lt;br /&gt;En este primer número que os presento todavía acusan un poco de falta de calidad en cuanto al montaje y la maquetación, pero leyéndolo nos damos cuenta de la buena madera que conformaba el equipo.&lt;br /&gt;&lt;br /&gt;Actualmente, Syntorama es una web-zine (o fan-web como algunos lo llaman) que desgraciadamente ha abandonado por completo el espíritu que la iluminó en sus primeros años y que se ha decantado por lo que ellos llaman "nuevas músicas" pero que bajo mi humilde punto de vista no es más que new age folklórica de la más infame. Es una pena que una publicación tan pionera haya terminado abonando estos inmundos terrenos pseudo-musicales. Y es que hoy en día no hay otra: o se te desvían al new age pastoso o a las movidas dj-danceras, es increible...&lt;br /&gt;&lt;br /&gt;Por mi parte es el único número completo que puedo ofreceros de este gran fanzine, puesto que fue el único que se salvó de un despiste de mi madre cuando un buen día llevó un puñado de periódicos viejos al trapero junto con otro puñado de Syntoramas pensando que eran para tirar. A día de hoy solo cuento con este primer número y con páginas sueltas de otros números escaneadas por un amigo de Irún (Mr. Jupe) que hace unos años me envió muy amablemente y al que agradezco infinitamente su aportación.&lt;br /&gt;&lt;br /&gt;Por tanto, doy una voz de aviso a todos mis lectores para hacer una recolección de números de Syntorama: quien tenga números antiguos de esta publicación, le agradeceré que me los haga llegar (ya sea físicamente o escaneados) para poder montar un blog paralelo dedicado a este tipo de lecturas que tantos buenos ratos nos dieron en su momento y que seguro nos volverán a emocionar cuando los tengamos recopilados de nuevo. En este futuro blog paralelo se procurarán incluir todo tipo de fanzines, así que serán bienvenidos todos aquellos que contengan información del estilo de Syntorama, Cloruro Sónico, etc...&lt;br /&gt;&lt;br /&gt;Gracias por adelantado. ;)&lt;br /&gt;&lt;br /&gt;Ahora, a descargar:&lt;br /&gt;&lt;a href="http://www.megaupload.com/?d=HP44UCBG"&gt;&lt;br /&gt;SYNTORAMA NÚM. 1&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7427875471984993866-1496252213736225313?l=stahlfabrik.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://stahlfabrik.blogspot.com/feeds/1496252213736225313/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='http://stahlfabrik.blogspot.com/2010/07/syntorama-numero-1-febrero-marzo-de.html#comment-form' title='5 comentarios'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/1496252213736225313'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7427875471984993866/posts/default/1496252213736225313'/><link rel='alternate' type='text/html' href='http://stahlfabrik.blogspot.com/2010/07/syntorama-numero-1-febrero-marzo-de.html' title='SYNTORAMA NÚMERO 1 (FEBRERO-MARZO DE 1984)'/><author
